October 13, 2012 – Christina Applegate / Passion Pit (S38 E4)

Segments are rated on a scale of 1-5 stars

VICE PRESIDENTIAL DEBATE
Paul Ryan (TAK) & vice president Joe Biden (JAS) debate; Usain Bolt cameo

— Already, Jason’s Joe Biden is a blast in this debate sketch, during Taran-as-Paul-Ryan’s opening statement.
— A big laugh from Kate’s Martha Raddatz telling Biden and Ryan, “Then don’t try and f(*bleep*)k me like I’m Jim Lehrer.” Also, that shot of her saying that was actually pre-taped, surprisingly. You can tell by the sudden change in audio quality, as well as the sudden change in the way Kate’s hair looks. Seems odd to pre-tape that small portion of this sketch just because it required a bleeping-out of a swear word. Was SNL afraid they’d mess up the timing of the bleep if they did it live? They’ve certainly done bleeped-out swearing in live sketches before, but the timing of the bleeps in those sketches sometimes got messed up and revealed that the performer was saying a fake swear word (e.g. “frick” instead of “fuck”), so maybe SNL didn’t want to risk that happening for what was supposed to be a big laugh line from Kate in tonight’s cold opening.
— Are Jason-as-Biden’s disparaging remarks about Scranton, Pennsylvania a callback to him previously doing that in the VP debate sketch from 2008? If so, I love that callback.
— The camera accidentally catches Jason putting fake Biden teeth into his mouth at one point (screencap below).

— Fantastic comment from Jason’s Biden detailing his workout routine involving an Amtrak.
— I love the non-sequitur of Kate’s Raddatz bringing up the baseball playoffs, then suddenly turning that into an unrelated question asking Biden and Ryan their thoughts about abortion.
— Jason continues to absolutely kill it throughout this debate sketch.
— Taran doesn’t have as many standout great moments here as Jason or Kate do, but he’s still doing a fine job.
— A laugh from Usain Bolt being brought out just to clarify a ridiculous lie Taran’s Ryan makes up about winning the Hundred Meters at the London Olympics.
— A priceless ending, with Jason’s Biden wiping off Taran-as-Ryan’s widow’s peak.
— An overall very fun, well-written, and underrated debate sketch, made even more entertaining by a fantastic Jason Sudeikis performance. Compared to some other debate sketches from over the years, this particular one never got the attention and acclaim that I feel it’s always deserved.
STARS: ****


MONOLOGUE
host sings about how she’s happy that the holidays aren’t here yet

— I like that Christina Applegate brings up her last hosting stint from all the way back in 1993, and mentions that was the first appearance of the Matt Foley character, a mention that’s accompanied by a screenshot of that legendary Foley debut. I also like how we’re subsequently shown a screenshot of Christina, in a very 90s outfit, introducing one of the musical performances in that 1993 episode. Feels like it was just yesterday when I was reviewing that SNL era.
— (*groan*) A musical monologue. I do kinda like the conceit of this one, though, with Christina saying this is her favorite time of year because there are no holidays yet, as it’s shortly before the bombardment of Halloween, Thanksgiving, and Christmas. As someone who also, at the risk of sounding like a grouch, doesn’t care much for the Thanksgiving/Christmas portion of the year (I have no issues with Halloween) and doesn’t care much for how those two holidays are bunched so close together, I can relate to this premise, especially since, as of the writing of this review, we’re currently in that portion of the year.
— A fairly fun appearance form the “Fruppets”, and Bill further proves that he can perfectly imitate almost any voice (Kermit, in this case).
— The return of Jason’s spot-on and funny Dane Cook impression!
— Despite the aforementioned highlights and how much I can relate to the premise of the song, I’m still not all that crazy about the actual singing portions of this monologue, and I always hate when SNL has cast members play corny backup dancers in musical monologues like this.
STARS: **½


GILLETTE
razor-free Jerry Sandusky (JAS) uses the Gillette Fusion ProGlide Styler

— A hilarious disturbing reveal of Jerry Sandusky randomly being one of the celebrities shown using the Gillette product in this suavely-filmed commercial.
— Adding to the humor of the Sandusky reveal is the dopey overbite facial expression Jason perpetually makes as him.
— I like that they kept this overall commercial short and simple, and didn’t hurt the Sandusky reveal by belaboring the point.
STARS: ****


THE CALIFORNIANS
Stuart (FRA) maps out his impending marriage to (host)

— (*groooooooooaaaaaaaaaaan*)
— If I was watching this sketch with my eyes closed, I’d swear that was the no-longer-on-the-show Kristen Wiig I was hearing every time Christina Applegate spoke. The Californian voice Christina’s using here sounds EXACTLY like that of Kristen’s from previous installments of this sketch.
— Boy, this endless back-and-forth between Fred and Bill is not only unfunny and overlong, but it’s melting my brain.
— Christina even seems to be imitating some physical Wiig mannerisms here.
— Not even good ol’ Bobby can save this mess of a sketch in his walk-on.
— They’re even getting Usain Bolt involved in this?
— As much as I hate to admit it, Usain Bolt doing the typical camera mugging during the mock-dramatic close-up actually made me laugh. Maybe it’s funnier seeing him do that close-up camera mugging than it is seeing others in this sketch do that because it’s Usain Bolt, of all people. Plus, perhaps that shot of him mugging got in my good graces subconsciously when it was shown during the “athletes on SNL” highlight reel in SNL’s 40th Anniversary Special.
STARS: *½


TECH TALK
Chinese workers’ woes eclipse first-world problems of iPhone 5

 

— Maybe it’s because I just came from a sketch where I had to hear performers talk in exaggerated Californian accents non-stop for 5 minutes, but it sounds like Bill used a silly Californian accent when saying his opening greeting in this Tech Talk sketch.
— Okay, as Bill continues speaking, I now see he’s just doing a bit of a silly, nerdy voice, not a Californian voice.
— A good sudden turn with Christina bringing out the Chinese sweatshop workers who designed the iPhone 5, to come face-to-face with the guests on this show who expressed shallow complaints about the phone.
— A lot of strong lines from Fred, Nasim, and Cecily’s Chinese worker characters in their sarcastic remarks to the guests. It’s just too bad those strong lines have to be delivered in such broad, stereotypical Asian accents. I could see this strong material actually coming off MORE effective and maybe even more biting if the accents were downplayed to an extent. However, I sure as hell don’t consider this sketch itself to be “racist”, like I once saw someone on SNL’s Reddit claim. Obviously, the Asian characters in this sketch are the ones who get the upper hand on the American characters, and deservedly put the Americans in their place.
— Cecily’s handbag line has always been one of my favorite lines in this sketch.
— Oh, I love Nasim performing a slow motion sarcastic dance while Kenan is expressing more shallow complaints about the phone.
— Christina’s ending line seemed like it should’ve been funnier.
STARS: ***½


GIVE US ALL OUR DAUGHTERS BACK!
stars work the phones in revenge movie

— That opening shot of masked gunmen entering a daycare and pointing guns at frightened children reminds me that, IIRC, this entire pre-tape would later be removed from at least one NBC rerun of this episode after the Sandy Hook school shooting in December of this year (2012). Similarly, an Obama/Romney presidential debate sketch in the very next episode I’ll be reviewing has a small portion that would be removed from reruns for reasons related to the Sandy Hook shooting, as we’ll see when I review that sketch.
— Very funny and spot-on Liam Neeson impression from Taran.
— A pretty funny spoof of this prevalent movie trope.
— Jay-as-Denzel-Washington’s whole “Are you a sheep or a wolf? etc.” rant is fantastic.
— Bill’s Arnold Schwarzenegger voice is cracking me up, though his scene itself is nothing special.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Take A Walk”


WEEKEND UPDATE
Arianna Huffington (NAP) reviews Martha Raddatz vs. Joe Biden & Paul Ryan

Lance Armstrong doping scandal inspires a stand-up set from Jean K. Jean

— I love Nasim-as-Arianna-Huffington’s bit about likening a debate between two men to a penis-measuring contest, mainly because of her humorous, accented pronunciation of “penis” (“pennis”).
— Some really good comments from Nasim throughout this Arianna Huffington commentary. These Huffington commentaries of hers seem to get better and better with each passing appearance. I’m glad I’m now appreciating them, because when these originally aired, I think I unfairly dismissed them simply because Nasim wasn’t Michaela Watkins (who originally did an Arianna Huffington commentary on Update during her sole season on SNL).
— Kenan’s Jean K. Jean makes his first appearance in what feels like a long time. This also ends up being his final Update commentary, though he has one appearance remaining: a minor, non-speaking appearance he makes among many Update characters/impressions who are celebrating Stefon’s marriage to Seth in this season’s finale.
— As usual, some pretty good laughs and fun delivery from Kenan as Jean K. Jean. Also as usual, I could do without those dance breaks Jean does after some of his jokes, but at least this is the last time I’ll have to deal with that (until it’s repurposed years later for Kate’s Ruth Bader Ginsburg commentaries on Update, and I care for the dance breaks even less there).
STARS: ***


THE SIRENS
Sirens (host), (CES), (KAM) tempt Odysseus (JAS) with hits from the 1990s

— Meh at the comedic conceit of this sketch with the Sirens’ songs being hit 90s female-sung songs. That type of humor just isn’t for me, plus it feels like SNL already used a premise like this before, but I can’t remember when. Maybe I’m actually thinking of a sketch that would be done sometime after this: the Little Mermaid sketch with Anna Kendrick the season after this one, but, IIRC, that sketch actually works, for various reasons.
— Not even Jason’s giddy reactions to the girly songs can get me into this sketch, and I usually always love Giddy Jason Sudeikis.
— Okay, Jason’s giddiness towards the songs is now finally starting to get me smiling, though I’m still not caring at all for the main concept regarding the songs the Sirens are singing.
— I got a chuckle from Bobby saying “I do what everyone else dooooeees!” while flinging himself off of the ship like the other sailors did.
STARS: *½


HALLOWEEN BALL
Principal Frye reproves unruly students at literacy-themed Halloween ball

— I don’t seem to like these Principal Frye sketches quite as much as other people do, but I certainly have no problems seeing it return again.
— There goes Jay’s obligatory break that seems to happen at least once in these sketches.
— A bit of an awkward and confusing line flub from Jay at the end, where he starts addressing what he calls “a young woman who came dressed up as a leprechaun”, and then, after going on a little about said leprechaun-dressed student, suddenly refers to that student as “son”, then ad-libs “excuse me, it’s a boy”, which is an acknowledgment from Jay that he genuinely messed up his line when calling that student “a young woman” earlier. Despite that confusion, I still laughed at the punchline of the leprechaun bit.
— I can’t find anything else to say about tonight’s overall installment of this recurring sketch, except that I had my usual reaction to it that I always do. However, I didn’t like Christina’s character quite as much as I liked Josh Brolin’s character in the last installment of this sketch prior to tonight’s.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Carried Away”


DANCE STUDIO
dance instructor (host) ultimately imbues students with Bob Fosse gestalt

— Another sketch tonight where, if I didn’t know any better, I’d swear Christina is intentionally doing a Kristen Wiig imitation. The similarities Christina’s character voice and mannerisms in this sketch have to a typical Wiig character are downright UNCANNY.
— I’m currently more than halfway through this sketch, and I’ve yet to get a single laugh. Typical James Anderson-written material that’s a complete chore for me to watch. Kenan’s character is humorous-seeming, at least, but I’m still not finding myself actually laughing at him.
— Geez, Christina even did a Wiig-like wheezing laugh just now. Yeah, I’m starting to wonder, did writers James Anderson and/or Kent Sublette sit Christina down and have her study a whole bunch of old Kristen Wiig tapes or something? Do Anderson & Sublette miss Kristen that much?
— Such a corny and unfunny turn with all the students, one-by-one, suddenly “getting” how to do Christina’s confusing dance moves.
STARS: *


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A pretty good first half, but a disappointing second half. Even what I found to be the only good sketch in the second half (Halloween Ball) was merely average to me. Tonight’s episode also ends this season’s impressive streak of episodes that contain very few things I disliked. However, despite containing more lows than any of the prior episodes this season did, at least tonight’s episode contained better highs than the forgettably-average preceding episode with Daniel Craig did.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Vice Presidential Debate
Gillette
Tech Talk
Give Us All Our Daughters Back!
Weekend Update
Halloween Ball
Monologue
The Sirens
The Californians
Dance Studio


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Daniel Craig)
about the same


My full set of screencaps for this episode is here


TOMORROW
Bruno Mars

16 Replies to “October 13, 2012 – Christina Applegate / Passion Pit (S38 E4)”

  1. This was my first SNL episode that I ever saw and shortly after I began watching every week, so I’m excited that you’ve gotten this far and I get to revisit my favorite years of the show! (Well, only really S38, though I’m kinder to S39 than most I’d wager.) I’m very biased towards this episode for sure—I’ve always enjoyed the Sirens sketch in how dumb it is, the Fosse sketch is some rare Anderlette content that I inexplicably like (Kenan is fun and Christina carries the sketch excellently, it would be nice to see her host again), and I have a soft spot for the monologue—but I still think there’s a lot of objectively solid material there. Every episode this season has at least one or two sketches that I really adore, and it’s sort of sad how rare that batting average has gotten in recent seasons, especially because the onus falls exclusively on the writing 9 out of 10 times. At least I get to look back at this season of the show, though, and marvel in how overall good it was, and I feel fortunate that it was my first season.

    1. Having just rewatched this episode, I agree. Fosse and Sirens are both a lot of fun (especially Christina’s commitment in Fosse).

  2. For what it’s worth, Christina did describe herself as a “Fosse freak” before she starred in Sweet Charity on Broadway. Makes you wonder how she’d have played Chizz without the Wiig affectations.

  3. I love the sirens sketch–I agree the premise is dopey, but it’s kind of a silly, fun premise that the show hadn’t been doing for a while. Sudeikis makes the perfect lead (I especially like his giddy happiness as he tries to get the rest of the crew to enjoy). It probably also helps that I enjoy all of the songs being performed. It’s definitely kind of a guilty/underrated pleasure for me.

  4. Christina was a game host, but it definitely seemed like Anderlette and co were getting out some of their remaining Kristen ideas with her. Oh well, from what I remember the next episode is a step up, and the one following that is when the season officially is off and running. Bit of a Season 31 arc there, with it starting promising, sliding back into mediocre for a second, then getting back to being good. Though in this case the slump was shorter and the results (for the most part) better.

    Kate says a solo LFNY on her 9th episode. That has to be a record for post ’00 cast members.

    Stooge hates Christmas? Obligatory ‘Stooge is Scrooge’ joke.

    I thought Taran was playing Adam Driver at first in the Gilette ad before I remembered he would be barely known to the public at that point, having just co starred in a few episodes of Girls by then.

    I’m also torn about the iPhone sketch. Although they have no Chinese heritage, at least Fred and Nasim have Asian heritage, but Cecily probably shouldn’t have been in it, even though I love her and think she has a good performance in this sketch (she delivers the handbag line perfectly). I think the sketch would sit better with me if the show had an fully Asian cast member at any point before literally last year (though at least they didn’t get Bobby Lee). I do think the sketch is funny though, so I’m glad it got made in an era when it could if I’m being honest.

    The sirens sketch also reminded me of a the mermaid one a bit, though as you said that one’s much better (that has one of my favorite Kate performances, and the sequel is one of ScarJo’s better moments on the show).

    1. As some who’s biracial and Chinese-American, I can maybe try to speak to that sketch a bit, because I have equally conflicting feelings about it. It’s a brilliantly-written sketch and some of the hardest bite SNL’s had. It’s 100% in the right with its target, and I think there are no issues with it on-paper; even if the “traditional sarcastic dance” and Chinese violin/erhu kinda skirt the line, I think there’s enough irony to the characterizations that it works. But casting non-ethnic actors and making them do exaggerated accents is just such an ugly reminder of how… not quite there we were in 2012, let alone how much Asian-American representation continues to absolutely suck. (Thank God for Bowen, for what it’s worth.) I feel bad for Cecily the most, really; aside from the fact that Nasim and Fred can at least get by with it to SOME extent, if not enough of one, Cecily really got pigeonholed into doing all of these poorly-aged ethnic roles this season, even if she’s pretty eager to do them. (Icky for me, though I find it ickier that stuff like her WU piece in the season premiere were most certainly not written by writers that can speak to the ethnic experience of that character.) I’m happy to see how much Cecily has grown as a performer, though, to become one of my favorites of this current era… even if she could afford to leave soon.

      This is probably a very scatterbrained comment but it’s a sketch that you can’t not be scatterbrained about. Ultimately, it was 2012, and I’m just happy that at least the writing was on the right side. Thank God the culture has kept evolving, even if there’s still a lot of work to do.

      /woke

  5. Actually, to my own question, Aidy gets a Solo LFNY in the next episode, her 5th, so that must be the record.

    1. Eddie Murphy gets a solo LFNY in his third episode as a featured player. Ray Sharkey / Jack Bruce & Friends S6E6

    2. Yea I said post 00 cus I figured Chevy said it in the first episode and some of the Season 6, 11, 12 & 21 players must have had one early on.

  6. Also tomorrow we get a huge milestone (in my opinion): the first Matt & Oz short! These guys would go on to make easily some of this era’s best stuff, and their debut is just fantastic. Very excited to have caught up in to them in the timeline.

  7. DRESS REHEARSAL CUTS

    The Show Must Go On
    ~ VH1 countdown show of mishaps during live performances, hosted by Mark McGrath (Sudeikis). Little Richard (Jay) sits on his balls twice. Janis Joplin (Applegate) gives birth and immediately pawns the baby. Fred Schneider (Taran) of The B-52’s (Aidy/Cecily) suffers a peanut allergy. Meat Loaf (Bobby) passes a kidney stone. Sinbad (Kenan) gets shot during a stand-up set.

    Girls Can Rock
    ~ Teacher (Kate) brings in her favorite band Fuchsia (Applegate/ Vanessa/ Aidy/ Fred) to speak to her class at an all-girl private school celebrating Female Empowerment Week. The band members encourage the class to pursue anything you want, as long as you rock. Student (Cecily) wants to be a doctor, so Fuchsia plays a song called “Girls Can Rock” with lyrics like “You don’t need med school / You just need to rock”. Another student (Nasim) wonders why the guitarist is a boy. “Girls rock, but some boys also rock. It’s really on a case-by-case basis.” The teacher admits she still loves the band, but asks them to leave if they won’t play anything relevant to female empowerment

    Update – Bill & Bonnie (Tim & Aidy)
    ~ Seth’s parents’ friends talk about the vice presidential debate before losing focus due to various tangents, from meeting SNL cast members backstage (“That Bobby Armisen is sure funny!”, “We’re looking for you, Tina Poehler!”) to Bill’s non-jokes that Bonnie hammily laughs at. Bill kept taking off his magnetic reading glasses and putting them back on throughout, despite never reading anything.
    ~ Both Tim and Aidy got shut out of the live show. This could have replaced the umpteenth Jean K Jean commentary to help even out cast airtime

    Update – Do’s & Don’ts: Debate Prep Edition
    ~ rewritten for next week

    Donkey Punch The Ballot!
    ~ airs next week, with some changes: Bruno Mars replaces Christina Applegate’s “Touch Cuts” Johnson character (“Chong is cut; Cheech……stays”.); “Binders Full Of Women” was added to reference Mitt Romney’s recent soundbite; DJ Super Soak discovers that Lil Blaster is possibly under 18; she doesn’t confirm but says he is definitely going to jail

    CHANGES

    Hell-oween Ball: Sudeikis played Applegate’s would-be love interest that she mentioned by name earlier

    Tech Talk signoff: Applegate says the program tomorrow will be a food-related show and the guests will be members of PETA and starving children

    Seth badly bungled Jean K Jean’s introduction, visibly frustrating him. The music was too soft for the first punchline, and Kenan looked very awkward when dancing. He and Seth ad-libbed about the jokes working much better when the music is turned up

    Sirens also sang “Linger” by The Cranberries

    DRESS RUNDOWN

    VP debate
    monologue
    GILLETTE

    Californians

    Tech Talk
    DAUGHTERS!
    Chizz Dance

    Passion Pit #1

    Update
    Do’s & Don’ts (CUT)
    Huffington
    Jean K Jean
    Bill & Bonnie (CUT)

    siren songs

    Hell-oween Ball
    DONKEY PUNCH THE BALLOT! (CUT)

    Passion Pit #2

    girls rock (CUT)

    The Show Must Go On (CUT)

    goodnights

  8. “IIRC, this entire pre-tape [Give Us All Our Daughters Back!] would later be removed from at least one NBC rerun of this episode after the Sandy Hook school shooting in December of this year (2012).”

    Yes, the January repeat replaced it with one of the Brad Pitt ads from the next episode.

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