October 13, 2012 – Christina Applegate / Passion Pit (S38 E4)

Segments are rated on a scale of 1-5 stars

VICE PRESIDENTIAL DEBATE
Paul Ryan (TAK) & vice president Joe Biden (JAS) debate; Usain Bolt cameo

— Already, Jason’s Joe Biden is a blast in this debate sketch, during Taran-as-Paul-Ryan’s opening statement.
— A big laugh from Kate’s Martha Raddatz telling Biden and Ryan, “Then don’t try and f(*bleep*)k me like I’m Jim Lehrer.” Also, that shot of her saying that was actually pre-taped, surprisingly. You can tell by the sudden change in audio quality, as well as the sudden change in the way Kate’s hair looks. Seems odd to pre-tape that small portion of this sketch just because it required a bleeping-out of a swear word. Was SNL afraid they’d mess up the timing of the bleep if they did it live? They’ve certainly done bleeped-out swearing in live sketches before, but the timing of the bleeps in those sketches sometimes got messed up and revealed that the performer was saying a fake swear word (e.g. “frick” instead of “fuck”), so maybe SNL didn’t want to risk that happening for what was supposed to be a big laugh line from Kate in tonight’s cold opening.
— Are Jason-as-Biden’s disparaging remarks about Scranton, Pennsylvania a callback to him previously doing that in the VP debate sketch from 2008? If so, I love that callback.
— The camera accidentally catches Jason putting fake Biden teeth into his mouth at one point (screencap below).

— Fantastic comment from Jason’s Biden detailing his workout routine involving an Amtrak.
— I love the non-sequitur of Kate’s Raddatz bringing up the baseball playoffs, then suddenly turning that into an unrelated question asking Biden and Ryan their thoughts about abortion.
— Jason continues to absolutely kill it throughout this debate sketch.
— Taran doesn’t have as many standout great moments here as Jason or Kate do, but he’s still doing a fine job.
— A laugh from Usain Bolt being brought out just to clarify a ridiculous lie Taran’s Ryan makes up about winning the Hundred Meters at the London Olympics.
— A priceless ending, with Jason’s Biden wiping off Taran-as-Ryan’s widow’s peak.
— An overall very fun, well-written, and underrated debate sketch, made even more entertaining by a fantastic Jason Sudeikis performance. Compared to some other debate sketches from over the years, this particular one never got the attention and acclaim that I feel it’s always deserved.
STARS: ****


MONOLOGUE
host sings about how she’s happy that the holidays aren’t here yet

— I like that Christina Applegate brings up her last hosting stint from all the way back in 1993, and mentions that was the first appearance of the Matt Foley character, a mention that’s accompanied by a screenshot of that legendary Foley debut. I also like how we’re subsequently shown a screenshot of Christina, in a very 90s outfit, introducing one of the musical performances in that 1993 episode. Feels like it was just yesterday when I was reviewing that SNL era.
— (*groan*) A musical monologue. I do kinda like the conceit of this one, though, with Christina saying this is her favorite time of year because there are no holidays yet, as it’s shortly before the bombardment of Halloween, Thanksgiving, and Christmas. As someone who also, at the risk of sounding like a grouch, doesn’t care much for the Thanksgiving/Christmas portion of the year (I have no issues with Halloween) and doesn’t care much for how those two holidays are bunched so close together, I can relate to this premise, especially since, as of the writing of this review, we’re currently in that portion of the year.
— A fairly fun appearance form the “Fruppets”, and Bill further proves that he can perfectly imitate almost any voice (Kermit, in this case).
— The return of Jason’s spot-on and funny Dane Cook impression!
— Despite the aforementioned highlights and how much I can relate to the premise of the song, I’m still not all that crazy about the actual singing portions of this monologue, and I always hate when SNL has cast members play corny backup dancers in musical monologues like this.
STARS: **½


GILLETTE
razor-free Jerry Sandusky (JAS) uses the Gillette Fusion ProGlide Styler

— A hilarious disturbing reveal of Jerry Sandusky randomly being one of the celebrities shown using the Gillette product in this suavely-filmed commercial.
— Adding to the humor of the Sandusky reveal is the dopey overbite facial expression Jason perpetually makes as him.
— I like that they kept this overall commercial short and simple, and didn’t hurt the Sandusky reveal by belaboring the point.
STARS: ****


THE CALIFORNIANS
Stuart (FRA) maps out his impending marriage to (host)

— (*groooooooooaaaaaaaaaaan*)
— If I was watching this sketch with my eyes closed, I’d swear that was the no-longer-on-the-show Kristen Wiig I was hearing every time Christina Applegate spoke. The Californian voice Christina’s using here sounds EXACTLY like that of Kristen’s from previous installments of this sketch.
— Boy, this endless back-and-forth between Fred and Bill is not only unfunny and overlong, but it’s melting my brain.
— Christina even seems to be imitating some physical Wiig mannerisms here.
— Not even good ol’ Bobby can save this mess of a sketch in his walk-on.
— They’re even getting Usain Bolt involved in this?
— As much as I hate to admit it, Usain Bolt doing the typical camera mugging during the mock-dramatic close-up actually made me laugh. Maybe it’s funnier seeing him do that close-up camera mugging than it is seeing others in this sketch do that because it’s Usain Bolt, of all people. Plus, perhaps that shot of him mugging got in my good graces subconsciously when it was shown during the “athletes on SNL” highlight reel in SNL’s 40th Anniversary Special.
STARS: *½


TECH TALK
Chinese workers’ woes eclipse first-world problems of iPhone 5

 

— Maybe it’s because I just came from a sketch where I had to hear performers talk in exaggerated Californian accents non-stop for 5 minutes, but it sounds like Bill used a silly Californian accent when saying his opening greeting in this Tech Talk sketch.
— Okay, as Bill continues speaking, I now see he’s just doing a bit of a silly, nerdy voice, not a Californian voice.
— A good sudden turn with Christina bringing out the Chinese sweatshop workers who designed the iPhone 5, to come face-to-face with the guests on this show who expressed shallow complaints about the phone.
— A lot of strong lines from Fred, Nasim, and Cecily’s Chinese worker characters in their sarcastic remarks to the guests. It’s just too bad those strong lines have to be delivered in such broad, stereotypical Asian accents. I could see this strong material actually coming off MORE effective and maybe even more biting if the accents were downplayed to an extent. However, I sure as hell don’t consider this sketch itself to be “racist”, like I once saw someone on SNL’s Reddit claim. Obviously, the Asian characters in this sketch are the ones who get the upper hand on the American characters, and deservedly put the Americans in their place.
— Cecily’s handbag line has always been one of my favorite lines in this sketch.
— Oh, I love Nasim performing a slow motion sarcastic dance while Kenan is expressing more shallow complaints about the phone.
— Christina’s ending line seemed like it should’ve been funnier.
STARS: ***½


GIVE US ALL OUR DAUGHTERS BACK!
stars work the phones in revenge movie

— That opening shot of masked gunmen entering a daycare and pointing guns at frightened children reminds me that, IIRC, this entire pre-tape would later be removed from at least one NBC rerun of this episode after the Sandy Hook school shooting in December of this year (2012). Similarly, an Obama/Romney presidential debate sketch in the very next episode I’ll be reviewing has a small portion that would be removed from reruns for reasons related to the Sandy Hook shooting, as we’ll see when I review that sketch.
— Very funny and spot-on Liam Neeson impression from Taran.
— A pretty funny spoof of this prevalent movie trope.
— Jay-as-Denzel-Washington’s whole “Are you a sheep or a wolf? etc.” rant is fantastic.
— Bill’s Arnold Schwarzenegger voice is cracking me up, though his scene itself is nothing special.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Take A Walk”


WEEKEND UPDATE
Arianna Huffington (NAP) reviews Martha Raddatz vs. Joe Biden & Paul Ryan

Lance Armstrong doping scandal inspires a stand-up set from Jean K. Jean

— I love Nasim-as-Arianna-Huffington’s bit about likening a debate between two men to a penis-measuring contest, mainly because of her humorous, accented pronunciation of “penis” (“pennis”).
— Some really good comments from Nasim throughout this Arianna Huffington commentary. These Huffington commentaries of hers seem to get better and better with each passing appearance. I’m glad I’m now appreciating them, because when these originally aired, I think I unfairly dismissed them simply because Nasim wasn’t Michaela Watkins (who originally did an Arianna Huffington commentary on Update during her sole season on SNL).
— Kenan’s Jean K. Jean makes his first appearance in what feels like a long time. This also ends up being his final Update commentary, though he has one appearance remaining: a minor, non-speaking appearance he makes among many Update characters/impressions who are celebrating Stefon’s marriage to Seth in this season’s finale.
— As usual, some pretty good laughs and fun delivery from Kenan as Jean K. Jean. Also as usual, I could do without those dance breaks Jean does after some of his jokes, but at least this is the last time I’ll have to deal with that (until it’s repurposed years later for Kate’s Ruth Bader Ginsburg commentaries on Update, and I care for the dance breaks even less there).
STARS: ***


THE SIRENS
Sirens (host), (CES), (KAM) tempt Odysseus (JAS) with hits from the 1990s

— Meh at the comedic conceit of this sketch with the Sirens’ songs being hit 90s female-sung songs. That type of humor just isn’t for me, plus it feels like SNL already used a premise like this before, but I can’t remember when. Maybe I’m actually thinking of a sketch that would be done sometime after this: the Little Mermaid sketch with Anna Kendrick the season after this one, but, IIRC, that sketch actually works, for various reasons.
— Not even Jason’s giddy reactions to the girly songs can get me into this sketch, and I usually always love Giddy Jason Sudeikis.
— Okay, Jason’s giddiness towards the songs is now finally starting to get me smiling, though I’m still not caring at all for the main concept regarding the songs the Sirens are singing.
— I got a chuckle from Bobby saying “I do what everyone else dooooeees!” while flinging himself off of the ship like the other sailors did.
STARS: *½


HALLOWEEN BALL
Principal Frye reproves unruly students at literacy-themed Halloween ball

— I don’t seem to like these Principal Frye sketches quite as much as other people do, but I certainly have no problems seeing it return again.
— There goes Jay’s obligatory break that seems to happen at least once in these sketches.
— A bit of an awkward and confusing line flub from Jay at the end, where he starts addressing what he calls “a young woman who came dressed up as a leprechaun”, and then, after going on a little about said leprechaun-dressed student, suddenly refers to that student as “son”, then ad-libs “excuse me, it’s a boy”, which is an acknowledgment from Jay that he genuinely messed up his line when calling that student “a young woman” earlier. Despite that confusion, I still laughed at the punchline of the leprechaun bit.
— I can’t find anything else to say about tonight’s overall installment of this recurring sketch, except that I had my usual reaction to it that I always do. However, I didn’t like Christina’s character quite as much as I liked Josh Brolin’s character in the last installment of this sketch prior to tonight’s.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Carried Away”


DANCE STUDIO
dance instructor (host) ultimately imbues students with Bob Fosse gestalt

— Another sketch tonight where, if I didn’t know any better, I’d swear Christina is intentionally doing a Kristen Wiig imitation. The similarities Christina’s character voice and mannerisms in this sketch have to a typical Wiig character are downright UNCANNY.
— I’m currently more than halfway through this sketch, and I’ve yet to get a single laugh. Typical James Anderson-written material that’s a complete chore for me to watch. Kenan’s character is humorous-seeming, at least, but I’m still not finding myself actually laughing at him.
— Geez, Christina even did a Wiig-like wheezing laugh just now. Yeah, I’m starting to wonder, did writers James Anderson and/or Kent Sublette sit Christina down and have her study a whole bunch of old Kristen Wiig tapes or something? Do Anderson & Sublette miss Kristen that much?
— Such a corny and unfunny turn with all the students, one-by-one, suddenly “getting” how to do Christina’s confusing dance moves.
STARS: *


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A pretty good first half, but a disappointing second half. Even what I found to be the only good sketch in the second half (Halloween Ball) was merely average to me. Tonight’s episode also ends this season’s impressive streak of episodes that contain very few things I disliked. However, despite containing more lows than any of the prior episodes this season did, at least tonight’s episode contained better highs than the forgettably-average preceding episode with Daniel Craig did.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Vice Presidential Debate
Gillette
Tech Talk
Give Us All Our Daughters Back!
Weekend Update
Halloween Ball
Monologue
The Sirens
The Californians
Dance Studio


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Daniel Craig)
about the same


My full set of screencaps for this episode is here


TOMORROW
Bruno Mars

May 8, 1993 – Christina Applegate / Midnight Oil (S18 E19)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Coffee Talk- alone & farklempt Linda takes calls on Mother’s Day

— A few minutes into this and I haven’t really been getting any real laughs, which is business as usual for me when watching these Coffee Talk sketches.
— Okay, I did like Linda Richman’s line just now about calling a half-Episcopalian half-Jewish person a “pissy-jew”.
— This is the first Linda Richman-hosted Coffee Talk sketch to feature no guests.
STARS: *½


MONOLOGUE
during her week in NYC, host visited malls instead of unique attractions

— A fairly lazy and one-joke premise. Christina is at least coming off likable, though.
— I do like the ending with her pointing out how the studio has the shape of a mall.
STARS: **


NERF CROTCH BAT
Nerf bats & missiles are OK for use with crotch, the pure stuff is not

— A priceless concept that’s being pulled off hilariously.
— As a 90s kid, this brings back a lot of childhood memories of the real Nerf commercials from this era. This spoof is perfectly capturing the look and feel of those commercials.
STARS: ****½


FOCUS ON BEAUTY II
Cher (host) loves Lori Davis’ (CHF) no-alcohol spray

— For some reason, the VERY early 90s-sounding music used as the Focus On Beauty II theme cracks me up.
— I have no familiarity with Lori Davis, but Farley’s performance as her is fantastic. This is just the first of two well-known Chris Farley performances in tonight’s episode. I’m sure you can guess what the other one is.
— When the ladies are asked if they use hairspray, I liked Melanie’s “I use it… but I hate it.”
— The ladies’ constant failure to understand simple things they’re learning from Farley’s Lori Davis is really funny.
— There’s the memorable part with Farley’s Lori Davis running her hands through her hair in fake slow-motion.
— Hartman’s now stealing the sketch with his very funny stilted, uncomfortable delivery as the scientist.
— I love the disappointed “No” from Phil Hymes (SNL’s lighting designer) when asked if there’s any alcohol in the sample that was sprayed in his mouth.
STARS: ****


SAN LUIS OBISPO EXPERIMENTAL THEATER
The Backwards Romance- the events in (PHH)’s play are anti-chronological

— A big audio glitch at the beginning, which causes us to not hear anything until shortly after Phil has started speaking.
— The bizarre premise of a backwards play, with all the action and dialogue being done in backwards order, is right up my alley.
— Phil’s interjections with him eagerly explaining various aspects of the play are cracking me up. I love his gleeful over-enthusiasm.
— Hmm, the sudden non-backwards ending of the play didn’t really work for me, nor did Phil’s explanation for it. I wanted the backwards stuff to go on further and continue getting more and more bizarre.
— Pretty good bit at the end with the preview of an upside-down murder mystery play.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Truganini”


WEEKEND UPDATE
ADS plays guitar & sings “I Love You Momma,” KEN also tries a few verses

— The graphics for Kevin’s Christian Right joke got screwed up really badly, causing the joke to make no sense and die with the audience.
— Adam gives us yet another charmingly goofy Update guitar song with silly lyrics. This song isn’t as well-remembered nowadays as his preceding two Update songs (The Turkey Song and Red-Hooded Sweatshirt), but I’ve still always liked this a lot. And the “I love you, maaaaaamaaaa” chorus is very catchy.
— A blooper happens during one part of Adam’s song, where he stops mid-lyric because he’s having a hard time reading that lyric off the cue-cards. This blooper is coming off more charming than unprofessional, though I find it odd that Adam wouldn’t already know the lyrics of this song by heart considering he (presumably) composed it himself.
— As always, I love Kevin’s participation during Adam’s song, especially him imitating Adam’s high-pitched singing whenever he says words that end with “ama”.
STARS: ***½


THE GAP
Kristy & Lucy help orient a new employee (host) at The Gap

 

— It’s fitting that this recurring sketch is appearing in a Christina Applegate-hosted episode, especially given the theme of her monologue earlier tonight.
— Feels a little weird seeing Farley playing his second drag role tonight.
— I liked David’s “Don’t play God, alright?” line to Christina.
— Rob’s Donut Hut character always cracks me up.
— Loved the part with David’s recalling of a phone conversation delivered entirely in Spanish.
STARS: ***½


MOTIVATIONAL SPEAKER
motivational speaker Matt Foley (CHF) warns two teens about using drugs

— Oh, here we go, folks…
— When it’s mentioned that the cleaning lady found a bag of pot, I loved Christina’s only response being “She didn’t smoke it, did she?”
— Immediately, mere seconds after his entrance as Matt Foley, Farley is already killing me.
— So many memorable lines from Matt Foley throughout this. I’m especially partial to “Well, la-di-FRICKIN-da!”
— Now comes the classic turn where David and Christina begin visibly cracking up helplessly, David in particular. This is definitely one of the best and most famous examples of breaking on SNL. Supposedly, there’s an interview Christina did shortly after Farley’s death where she talks about this sketch at one point when being asked about working with Farley, and she mentions that at rehearsals, Farley was more toned-down in his Matt Foley performance and didn’t perform the character quite as over-the-top and high-energy until the live show, which would explain why David and Christina keep losing their composure.
— Farley is amazing to watch throughout this sketch. He’s also throwing in so many priceless touches into his characterization. His arm movements when miming running while saying “How can we get back on the right track?!?” is something that particularly always kills me in this.
— I love Phil’s slowburn facial reactions to the things Matt Foley yells in his face throughout this.
— The part with Matt Foley crashing through a breakaway table actually wasn’t in the script, nor did Farley’s scene partners expect it. It was added to the sketch before the live show in an attempt to make Farley’s scene partners crack up. The reactions you see from them when Farley crashes through the table are 100% genuine. David’s reaction is interesting: he initially leans forward in concern while covering his mouth in shock, apparently thinking Farley truly did crash through a real table and hurt himself, and then David cracks up when realizing it was just a gag. Even the usually-professional Julia Sweeney breaks a bit. Of all the non-Farley performers, Phil is the ONLY one who doesn’t break during that part, proving once again how amazing that man is.
— Great ending with the family fearfully gathered together in a circle, concluding an absolutely legendary Chris Farley sketch that is probably tied with Chippendales as his most defining SNL moment.
— Part of the reason this sketch worked so well is that it wasn’t all that common at the time for Farley to scream his way through sketches (yet), and thus, him doing it in this sketch came off fresh and somewhat unexpected. I’ve always believed that the strong reception this sketch received is what would unfortunately lead to SNL’s upcoming gradual over-reliance on Screaming Chris Farley Sketches the following two seasons.
STARS: *****


YOU BET YOUR LIFE
Bill Cosby (ADS) babbles his way through the game show

— Oh my god at Adam’s Bill Cosby… uh… impression.
— This has always been one of my favorite Stupid Adam Sandler Sketches. So many things about his Bill Cosby impression make absolutely no sense, including the coherency of his dialogue, but it’s hilarious to me. Adam is fun here at puling off gibberish sentences and making them seem perfectly normal.
— You can tell Tim is genuinely amused by Adam throughout this, as he keeps visibly stifling his laughter, which is starting to become a theme tonight.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “My Country”


HANGIN’ WITH MTV
G-Spot members (TIM) & (CSR) sing “All I Wanna Do Is Suck Your Big Toe”

 

— I’m loving the melody to this Big Toe song.
— The comedic lyrics are hilarious and well-written. Rock especially has some funny ones, like the “suck on my Tic Tac” one, him mentioning how he doesn’t mind a corn on a toe because he loves the “extra meat”, and his whole “this little piggy” bit.
— Rock taking his shirt off when getting REALLY into the song is hilarious. My god, is he skinny.
— The pre-taped foot clips shown during the song are adding to the humor.
STARS: ****½


DEEP THOUGHTS BY JACK HANDEY


CASTING AGENCY
an actress (host) gets some worrying warnings just before an audition

— I’m loving Kevin’s increasingly disturbing descriptions of the people who Christina will be auditioning for. This is the type of sketch that I always refer to as a quintessential Kevin Nealon sketch. He always excels at this kind of humor and dialogue.
— Great ending, and I loved the frozen stare on Christina’s face as Kevin is walking her into the audition room.
STARS: ****½


DEEP THOUGHTS BY JACK HANDEY


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— Despite a slow, unpromising start with the cold opening and monologue, this ended up being a very strong and memorable episode, with a legendary centerpiece (Matt Foley) and a high number of really solid sketches surrounding it. I’ve always felt this is an episode that well-defines SNL’s early 90s era, and I think there are other people who share that same viewpoint.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Kirstie Alley)
a slight step up


My full set of screencaps for this episode is here


TOMORROW
Season 18 comes to an end, with host Kevin Kline. It’s also the end of the road for Chris Rock and occasional featured player Robert Smigel.