April 11, 2015 – Taraji P. Henson / Mumford & Sons (S40 E18)

Segments are rated on a scale of 1-5 stars

ELECTION VIDEO
Hillary (KAM) & Bill (DAH) Clinton shoot candidacy announcement video

— Interesting seeing Vanessa appearing in the same scene as Kate’s Hillary Clinton, given the fact that this is the second Hillary cold opening after the Hillary impression went from Vanessa to Kate.
— Interesting novelty having most of this sketch be shot live from a phone…or is that just one of SNL’s cameras filming Kate during the phone shots?
— A funny intimidating “personable” message that Kate’s Hillary directs towards citizens.
— Good straight man performance from Vanessa.
— Darrell Hammond makes his first onscreen appearance in a regular episode since becoming SNL’s announcer. Fitting that his first appearance would be as Bill Clinton.
— The usual funny lines from Darrell’s Clinton.
— A fun “The Clintons are back!” announcement, even though it kinda feels like that was already done in an Amy Poehler-starring Hillary/Bill cold opening (the one when Amy returned to SNL after her maternity leave, I think).
STARS: ***½


MONOLOGUE
gospel choir helps host sing “I Made It” to celebrate fates she avoided

— I’m enjoying Taraji P. Henson’s enthusiasm for being here at SNL.
— (*sigh*) Our THIRD consecutive musical monologue. I was able to excuse the previous two, because I had always been a big fan of them (particularly the Michael Keaton one), but I have no particularly positive memories of this one.
— Not many laughs in this song so far, but I do really like the way Taraji’s performing it.
— Kenan, on a fate he thankfully avoided: “I could’ve been the oldest cast member in Good Burger 7.”
— Leslie coming in immediately adding a good atmosphere to this.
— Overall, while most of the material itself was nothing to write home about, this monologue got by for me on fun energy alone.
STARS: ***


DEPEND LEGENDS
(Bill Corsair)’s adult diapers have senior-favorite faces

— Mixed feelings on this premise, but I think I’m leaning slightly more towards the “Don’t care much for it” side.
— A laugh from the grandfather proudly showing his family his adult diapers while wearing them.
— A likable performance from the actor playing the grandfather.
STARS: **½


HOT FOR TEACHER: THE JANET JOHNSON-LUNA CIVIL TRIAL
trial shows teen Gavin Daly (PED) got kudos after sex with teacher (CES)

— I love Cecily’s coy, playful delivery of “You’re stupid.”
— Good sequence with Pete running off the many names that his peers called him.
— Kenan perfectly selling a very Kenan-like role as the judge complimenting Pete.
— Okay, the occasional cutaways to Cecily delivering coy one-liners are starting to get old.
— Very funny cutaway to Bobby as Pete’s proud father, as a contrast to Kate’s demeanor as Pete’s mother.
STARS: ***½


HOME 2
Nicki Minaj (host) & other musicians provided voices for Home 2

— A very spot-on and funny Jim Parsons impression from Taran.
— A celebrity impression showcase sketch in the tradition of those duets album ads that the show had been doing these past few seasons.
— An interesting and out-of-the-ordinary use of Pete in the Die Antwoord scene, which is one of the better parts of this pre-tape.
— Taraji’s pretty fun as Nicki Minaj.
STARS: ***


QVC
actress (KAM) can’t recall permutations for 3-way poncho for sale on QVC

— So far, an extremely flimsy premise that’s not doing a thing for me.
— Now we’re getting other bad attempts at random humor.
— I can’t tell if Taraji is badly overacting, or just doing an accurate imitation of typical QVC hosts.
— Not even a brief, potentially-sketch-stealing cutaway to Bobby can save this.
— That’s the whole sketch? Boy, this was worthless. Not a single thing about this worked for me.
STARS: *


JOHN SINGLETON’S GAME OF THRONES
black characters join Jaime Lannister (Nikolaj Coster-Waldau) in Westeros

 

— Solid concept.
— Che in a sketch!
— Sasheer’s reaction to getting shot by an arrow made me laugh.
— This overall pre-tape ended up not being as funny as I was expecting, but it was well-made, well-performed, and I like how genuinely badass it came off.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “The Wolf”


WEEKEND UPDATE
Cecilia Gimenez (KAM) loves the ugly features of a Lucille Ball statue

Jacob & his podiatrist father Dr. Henken (BIC) talk about Passover

— Michael, on how police are happy that the new Apple watch doesn’t have a camera: “Cops hate pictures. It’s, like, their least favorite thing to shoot.”
— Like the last time she appeared, Kate’s Cecilia Giminez is making me laugh in her commentary tonight, and Kate’s fun in this role.
— I love Colin’s little “Heeey” wave into the camera after Michael expresses jealousy over how white people can riot in the streets with no consequences.
— (*groan*) Yet another Jacob commentary.
— I did get a laugh from Michael awkwardly responding “Yeah, I wasn’t gonna” one of the times Jacob says “But don’t quote me on that!”
— Oh, this is the Jacob commentary where Billy Crystal appears as Jacob’s father. I had mis-remembered this as happening in the following season.
— At least Billy Crystal as Jacob’s father shakes things up a little bit in this Jacob commentary, and Billy’s doing a good emulation of Vanessa’s Jacob characterization.
— This would’ve been a good choice for a final Jacob commentary, but I’m aware this character makes at least one more appearance, in one of Vanessa’s final episodes as a cast member.
— I admit to laughing at the “You look mahvelous” fake-out, with Billy subverting that catchphrase by ending it differently.
STARS: ***½


HOLLYWOOD GAME NIGHT
dumb game show tries Jane Lynch’s (KAM) patience

 

— Taran’s Vin Diesel impression from the Bambi short returns.
— Was it necessary to have Beck play Nick Offerman again, after he already played him in the previous installment of this sketch?
— Cecily’s Marion Cotillard “crying in French” is fairly funny.
— Taraji’s cracking me up as Wanda Sykes.
— Tonight’s installment of this sketch feels like a poor man’s hybrid of Celebrity Family Feud and Celebrity Jeopardy.
— Okay, I’m starting to feel a little iffy about Taraji’s performance here, particularly how some of her line deliveries seem a little off.
STARS: **½


HOW 2 DANCE WITH JANELLE
Janelle & mom (host) sandwich Teddy (KYM)

— The second and final installment of this sketch.
— Some funny reactions from Kyle to the arousal-inducing actions happening around him.
— More fun energy from Taraji tonight, this time when demonstrating various suggestive dance moves.
— Good bit with Kyle being thrusted back and forth between Sasheer and Taraji.
— A decent ending, and certainly better than the awkward-as-hell ending from the first installment of this sketch.
STARS: ***½


SESAME STREET (OR TARAJI P. HENSON’S MUPPETS)
Cookie (host) brings Empire sensibilities to the Muppets on Sesame Street

— I couldn’t resist giving this segment that alternate title above (“Taraji P. Henson’s Muppets”), given the subject matter of this segment and the fact that Taraji coincidentally has the same last name as Jim Henson.
— A very solid concept, and equally solid usage of Taraji’s Cookie character from Empire. It’s also pretty impressive that SNL did this with the actual Sesame Street puppets and actors.
— A particularly funny part with the reveal of Cookie’s new fur coat being Elmo.
STARS: ****


CINEMA CLASSICS
fellow female baseballers shun (host) in ripoff of A League Of Their Own

— Kenan-as-Reese-De’What’s typical story about a rude thing he once told his wife wasn’t as funny as usual tonight.
— Some funny comments from the baseball players about Leslie’s size.
— Overall, nothing much that I could find to say about to this, but I found this sketch to be fine.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Believe”


CONNECTATRON
robot component pilot (host) gets promoted from leg to head

— I love Bobby’s hokey, kiddie-show delivery of the line “He just crushed my favorite hoagie shop! Let me at ‘im!”
— Not too sure about Taraji’s delivery of some of her lines here. The audience apparently agrees with me, judging from their uncomfortable silence in reaction to some of her lines.
— That…that’s the whole sketch?!? What kind of “ending” was that??? This sketch had to have been truncated at the last minute due to the show seemingly running long. In fact, I think I recall hearing that the version of this sketch that SNL/NBC put up online the day after this episode’s original airing was the dress rehearsal version, which was longer and felt more complete.
— Overall, pretty blah, sloppy, and incomplete-feeling, the latter two of which I guess isn’t the writer’s fault, for reasons mentioned above.
STARS: **


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A decent episode. Barely anything stood out as strong, but I was satisfied with a lot of the episode. Taraji P. Henson had a nice energy as a host, but her delivery could be a bit much at times.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Taraji P. Henson’s Muppets
Weekend Update
Election Video
Hot For Teacher: The Janet Johnson-Luna Civil Trial
John Singleton’s Game Of Thrones
How 2 Dance with Janelle
Cinema Classics
Home 2
Monologue
Depend Legends
Hollywood Game Night
Connectatron
QVC


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Michael Keaton)
a step down


My full set of screencaps for this episode is here


TOMORROW
Scarlett Johansson

April 4, 2015 – Michael Keaton / Carly Rae Jepsen (S40 E17)

Segments are rated on a scale of 1-5 stars

ROAD TO THE FINAL FOUR
Mike Krzyzewski (TAK) says biology test trumps basketball title game

— Quite a number of sports-related cold openings in the second half of this season. I guess I should enjoy it while it lasts, as this probably ends up being the final season I’ll cover where there’s a good amount of non-political cold openings.
— No Shaq in this line-up of Ernie Johnson, Kenny Smith, and Charles Barkley impressions?
— A good goofy appearance from Bobby.
— Some funny lines from Kenan’s Barkley, including a genuinely botched delivery of one particular term.
STARS: ***


MONOLOGUE
fans TAK & BOM want host to play Batman & Beetlejuice with them

— Much like Dwayne Johnson’s “Franchise Viagra” monologue in the preceding episode, I can excuse tonight’s musical monologue, as it’s always been an absolute favorite of mine.
— The “Will you play Batman/Beetlejuice with us, Michael Keaton?” song is very memorable, and the geeking-out from Taran and Bobby is so damn charming and fun.
— A hilarious part with Bobby, after his reveal that he has only six weeks to live, explaining “It’s just a guesstimate based on the choices I’ve made” while gesturing towards his body.
— I love the running gag with Taran and Bobby’s angry outbursts at Jay’s walk-ons, especially when he has an angry outburst of his own back at them.
— The pre-taped Batman/Beetlejuice sequences are absolutely priceless, and really puts this already-strong monologue over the top.
— I love the long, deadpan, tense stare Keaton does into the camera before his poignant delivery of “I’m Batman”.
STARS: *****


CNN NEWSROOM
amateurish reenactments fail to shed light on news items

— A pretty good laugh from the cheap animated reenactment, and the comparison of it to the music video for Dire Straits’ “Money For Nothing”.
— Some more pretty good laughs from other cheap reenactments, one with puppets and another with a local performance arts group.
— Odd usage of tonight’s host.
— A pretty fun silly sketch overall.
STARS: ***½


PROM QUEEN
high school student (MOB) asks loser teacher (host) to be his prom date

— I remember, when this originally aired, I thought to myself upon seeing that new hairstyle of Mike O’Brien’s, “Is he trying to look even more like Sam Smith than he already does?”
— A very solid premise, and, as usual for Mike’s shorts, he’s perfectly blending comedy and sentimentality.
— Vanessa’s selling her “neglected wife” role to perfection.
— Love the turn with Mike winning Keaton back in the door entrance of Keaton’s house.
— Excellent ending, and that little twirl Mike does towards the camera as the screen irises out on him is such a great touch.
— Overall, Mike does it once again with another phenomenal short.
STARS: *****


CALL YOUR GRANDPARENTS
despite the downsides, (SAZ) suggests calling your grandmother for Easter

— An amusing juxtaposition of a sexy late-night phone ad and the concept of calling your grandparents.
— Kate using her Ruth Bader Ginsburg voice for this generic grandma role. In Kate’s defense, though, her RBG voice hadn’t become a recurring part of her RBG appearances yet at this time.
— A nice novelty seeing Sasheer in such a front-and-center role.
— I had absolutely no prior memory of this sketch, though Leslie’s scene kinda rang a bell to me just now. I think I previously got her scene and the rest of this sketch mixed up with that pre-taped “Alexa for old people” commercial from an episode within these next few seasons.
— Some good relatable humor here.
STARS: ***½


AD AGENCY
advertising boss (host) interjects incongruous sex & violence into pitches

— I like Leslie’s unhappy reaction to how her corny, lighthearted joke didn’t get the laughs from her co-workers that Kenan’s corny, lighthearted joke did.
— I’m laughing out loud at all of Keaton’s off-kilter, immature, pervy suggestions to the employees’ more traditional, family-friendly commercial ideas.
— Even the random side gag with the blood stain from Keaton’s stomach is absolutely working for me, and is adding a twisted feel that I like.
STARS: ****


NEUROTOLOGY
annotations show fates of those in 1990 Church Of Neurotology music video

— I’m not familiar with the actual Scientology music video this is spoofing, but I don’t need to be to have always absolutely loved this short and found it to be a classic.
— Such a biting takedown of Scientology.
— The annotations of every Neurotology member’s grim future are fantastic. Not only are they funny as hell, but I love the creepy, dark, unsettling vibe they’re giving this short.
— All of the little details in making this look like an authentic 1990 video are pitch perfect.
— An absolutely hilarious cutaway to a cheesily-smiling Colin, making a rare non-Weekend Update appearance.
— Even the melody of this intentionally-corny song is catchy.
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “I Really Like You”


WEEKEND UPDATE
mistaking him for a zombie, Daryl Dixon (Norman Reedus) shoots stoned PED

Jebidiah Atkinson thinks television has always been a vast wasteland

— A good Lethal Weapon bit from Colin.
— Some okay if slow-paced (even if that may be the intention) bits in Pete commentary, but it picks up with the whole Walking Dead turn towards the end.
— The Jost/Che era of Update continues to be on a hot streak within these past few episodes, suggesting that we have indeed reached the point where this Update era has fully hit its stride. (Colin has especially shown improvement.) I could not be happier about that, given how, as I disclosed in a previous review, this is one of my top 3 favorite Update eras of all time.
— Yes! As if tonight’s Update wasn’t already solid enough, we now get Jebidiah Atkinson! Believe it or not, this sadly ends up being his final appearance.
— Damn, Jebidiah’s slams are starting out hot tonight, with his “Hey, AMC, if I wanted to know what life was like in the 1960s, I’d move to Indiana!”, which receives loud “Ohhhhhhh!”s from the audience. Usually, the audience doesn’t react that wildly to a slam of his until a few minutes into his respective commentaries.
— Jebidiah, on The West Wing: “The best lines on that show were the ones that went up Sorkin’s nose!”
— Jebidiah, on Lost: “Sure, it started out good, but I haven’t seen a final season that bad since Joe Paterno’s! (*the audience reacts in shock and Jebidiah mocks that reaction*) If you don’t like that joke, just do as Joe did and turn a blind eye!”
— Jebidiah, in a meta moment, commenting on Saturday Night Live: “The same tired characters repeating the same tired catchphrases. (*throws his index card into the air*) NNNNEEEEXT!!!”
— I like the audience genuinely groaning as soon as they realize Jebidiah’s about to bash I Love Lucy.
— The overall usual great Jebidiah Atkinson commentary. I’m going to miss the hell out of him; one of my all-time favorite Update characters by far. I never understood why they suddenly stopped using him after only a handful of appearances. Maybe I should be happy they refrained from running him into the ground.
STARS: ****


SMART HOME
inventor (host) & wife (CES) show toaster & couch concepts to neighbors

— (*sigh*) Between everyone’s exaggerated southern accents and the completely random gag involving the guests standing outside the front door, we’re ALREADY starting off with a whole bunch of gags that are aggressively James Anderson & Kent Sublette-y.
— I liked the “googly eyes on inanimate objects” gag better when Christopher Walken did it.
— Ugh at the sequence with Cecily and Keaton describing the tube that anally recognizes you.
— I am at least liking Cecily’s laid-back performance, which I find strangely kinda comforting. That’s the only positive I can find in this whole thing.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “All That”


AN EASTER MESSAGE
host presents his Easter basket contents with Portia (KAM) & Jordan (BOM)

— Good to see another variant of this sketch, previously done with Steve Buscemi and Edward Norton. These always work for me, though I’ve never had the time to watch the cut-after-dress ones that were posted online.
— Solid side character from Kate, and an improvement over Bobby’s side character from the Edward Norton installment of this sketch.
— Keaton: “This is unleavened bread, which means, unlike Jesus, it doesn’t rise. Jesus: 1, bread: nothing.”
— Keaton, on Cadbury eggs: “I gave these up for Lent last year. Know what I gave up this year? Cocaine…………………almost.”
— I love Keaton’s creepy delivery of his random line, “Something’s wrong with me.”
— Speaking of Bobby and side characters, he actually shows up as this sketch’s second side character, and is a lot funnier here than he was in the Edward Norton version of this sketch.
— Very funny gag with Kate feeding her “child chicken” a McNugget.
— Keaton, about Kate’s character: “This kid has aaaallll the warning signs.”
— Keaton, on his chocolate bunny being hollow: “Some people like the solid ones, but then, how would you get your little wiener in there?”
— Great reveal at the end that Keaton was playing himself in this sketch the whole time.
STARS: ****½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— I had always liked this episode a lot in the past, but I was pleasantly surprised to see how big I was on this episode in my current viewing. I mean, man – THREE five-star-rated segments in this episode, lots of other very strong segments, and only bad segment all night. Such a great episode. Odd structure to it, though, with how minimal the amount of segments in the post-Weekend Update half was. Clearly, a sketch got cut at the last minute, made even more obvious by the fact that our “10-to-1” for the night was just a shot of the SNL Band playing the show back to commercial after the show had just come from a commercial break. I think I once heard that the cut-at-the-last-minute sketch in question was a Nick Rutherford-written Pee Wee’s Playhouse pastiche that would later be posted online (seen here). I’ve never watched it myself, but if that sketch is as strong as I’ve always heard it was, it’s a damn shame it got cut at the last minute, as it would’ve made this already-fantastic episode even better.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Neurotology
Prom Queen
Monologue
An Easter Message
Ad Agency
Weekend Update
CNN Newsroom
Call Your Grandparents
Road To The Final Four
Smart Home


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Dwayne Johnson)
a slight step up


My full set of screencaps for this episode is here


TOMORROW
Taraji P. Henson

March 28, 2015 – Dwayne Johnson / George Ezra (S40 E16)

Segments are rated on a scale of 1-5 stars

THE ROCK OBAMA
anger turns First Couple into The Rock Obama & She Rock Obama (LEJ)

— Feels a little odd to see that old pre-taped “Obama going through a Hulk-like transformation” sequence being used for Jay’s President Obama, when you remember that Fred Armisen’s Obama was the one going through the Hulk-like transformation the previous times that footage was used.
— As usual for this recurring sketch, the violence and physical actions are pulled off well. However, there could at least be more variety. The violent things that The Rock Obama is doing to others (e.g. throwing them through a window, ripping off their arm/hand) were already done in previous installments of this sketch.
— Very fun twist with Sasheer’s Michelle Obama transforming into She Rock Obama, played by Leslie. Solid use of Leslie, and this reminds you of just how much the SNL cast has changed since 2009 when this The Rock Obama sketch last appeared.
— I wanted the She Rock Obama portion of this sketch to go on longer, but maybe they couldn’t figure out anything else to do with her besides the small bit that they did here.
— Unsurprisingly, Leslie is a total natural for an energetic, shouty delivery of “Live from New York…”. Tonight’s LFNY delivery of hers (and Dwayne’s) is probably one of my favorite LFNYs of recent years.
STARS: ***½


MONOLOGUE
host boasts that his box office success makes him “Franchise Viagra”

— Not only another musical monologue, but another musical monologue with Dwayne Johnson, after his (mediocre) one from 2009. However, I can’t complain about this particular instance, as I’ve always been a big fan of this “Franchise Viagra” monologue.
— Lots of funny examples Dwayne musically gives of movie franchises that he could add new life to.
— A great exchange between Aidy and Dwayne, with him responding to her “Another Smurf movie?” question with a very blunt “NO.”
— I love the computerized “Can you smell what Stephen Hawking is cooking?” lyric.
— An overall solid and fun monologue.
STARS: ****


PEP BOYS
customers shy away from Pep Boys’ discussions of gender & sexual identity

— A very funny concept and spoof of Starbucks’ “#RaceTogether” campaign.
— Another good use of Vanessa’s great knack for playing characters who flash an empty big smile to hide their uncomfortable feelings in the situation they’re in.
— Great satire throughout this short.
— I love Kyle’s little “Anywaaayyyyyyy”.
STARS: ****


WRESTLEMANIA PROMO
Koko WatchOut (host) demoralizes Trashyard Mutt (BOM) during WrestleMania promo

— A huge laugh from “He has herpes!” being Dwayne’s idea of wrestling trash talk towards Bobby.
— We’re getting lots of other hilarious overly-personal “trash talk” about Bobby.
— Bobby’s a fantastic straight man here.
— Not quite sure why we need that running side gag with Taran’s character always being occupied with his phone before suddenly going into “professional announcer” mode whenever the filming starts.
— I absolutely love Taran’s random, over-the-top delivery of “TOO FAAARRR, KOKO!!!!” while walking off at the end of this sketch.
STARS: ****½


BAMBI
host stars in live-action Bambi inspired by The Fast & The Furious films

— An absolutely priceless concept of Dwayne as himself starring in a Fast & The Furious-esque live action Bambi remake.
— Great delivery from Dwayne of his “deer-ly” pun.
— Very funny Vin Diesel voice from Taran.
— They couldn’t be bothered to give Cecily’s Michelle Rodriguez a big intro line like all of the other main characters in this had?
— Love the bit with the butterfly on Bambi’s nose.
— That “Here’s a sign: deer crossing, mother(*bleep*)!” line of Dwayne’s was freakin’ EPIC.
— Overall, this was fantastic.
STARS: *****


DINNER DATE
boorish (host) & girlfriend Gemma (CES) crash (KET) & (VAB) dinner date

— The debut of the Gemma sketches. A lot of people at the time seemed to consider this recurring sketch to be some of the better James Anderson/Kent Sublette-written sketches, but I’ve never agreed. These sketches never made me laugh much, but I’ll go into my current viewing of its debut with an open mind.
— Pretty funny throwaway bit regarding Kenan once, in jury duty, sending a guy to the chair because Kenan “just wanted it to end”.
— The concerned questions that Vanessa occasionally asks Kenan in regards to if he indeed has a boner or not (e.g. “You’re not hard, are you, Gene?”) are making me laugh.
— Dwayne’s performance is solid throughout this.
— Overall, while I found a few merits, I’m still not big on this sketch as a whole. Aside from the highlights listed above, I either didn’t care much for or flat-out disliked everything else in this.
STARS: **


ESCAPE FROM JUNGLE ISLAND
(KAM) wishes she could suck poison from adventure movie hero (host)

— Kate’s desperation in wanting to suck poison out of Dwayne’s various body parts is pretty funny.
— A cheap big laugh from darts being shot into Dwayne and Pete’s crotches. Their loud simultaneous yells of “OHHHHHH!” in particular sold it.
— Normally, I’d consider all of the homoerotic gags between Dwayne and Pete to be cheap and lazy, but between Dwayne and Pete going so all out in selling it (I’m particularly surprised that Pete agreed to do the bit where he places his lips on the side of Dwayne’s bare butt), and the conceit of Kate’s character, the homoerotic gags are somewhat working comedy-wise.
STARS: ***


BROGAINE
medicine is tailored for bald fraternity brothers like (BEB)

— Sasheer’s facial reaction to seeing a bald Kyle strutting through the campus is pretty funny.
— Amusing visual of Dwayne in that ridiculous long hair.
— Why did Dwayne’s “So, we doin’ this?” bit at the end feel so awkwardly executed?
— I’m not sure why exactly they ended this commercial by having a voice-over randomly say a Borat-esque “Brogaine – EEES NIIIIIICE!”, but it made me laugh out loud anyway.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Budapest”


WEEKEND UPDATE
fatalistic Olya Povlatsky broods over bleak Russia’s poverty & frigidity

COJ suggests equally-inappropriate theme music for The Jinx miniseries

Willie greets awful events with sunny responses & awkward aphorisms

— Kate’s Olya Povlatsky does her first Jost/Che-era Update commentary.
— As usual, lots of funny lines from Olya Povlatsky, and a very likable performance from Kate.
— I love Colin and Michael’s conversation with each other about the Starbucks’ “#RaceTogether” campaign. Even the unintentionally-awkward way it ended was amusing (which prompted a hilarious ad-lib from Michael).
— Wow, Colin and Michael have been on a hot streak in their jokes these past few minutes. Between the preceding episode’s fantastic Update and now tonight’s strong Update, I feel like we’ve officially reached the point where the Jost/Che era of Update has fully hit its stride.
— I love the segment with Colin breaking down the inappropriateness of the theme song for The Jinx’s opening credits, and offering even more inappropriate theme song suggestions.
— Kenan as Willie, regarding eating out of a litter box: “A little cat dookie cain’t hurt’cha!”
— Tonight’s Willie commentary is an improvement over his already-funny debut earlier this season, as they’ve upped the ante on the disturbing humor tonight. I particularly love his lines, “It’s like they always say: ‘Wolves raped your dog again, Willie!’” and “I bet she’d still be with me today if I’d just listened when she said ‘Hit the breaks, Willie!’”
STARS: ****


COOKING WITH PAUL
probation officer (host) bars Paul’s (KET) online illegality

— That sex offender reveal makes me feel like I’m watching a leftover Will Forte sketch. I’m not sure if I can buy Kenan in a sex offender role, as least not as much as I could buy Forte in that role.
— The running gag with the laptop is cracking me up, and this is a rare case of where a sketch with a dumb, one-note, predictable nature actually turns out to be good.
— Good decision by Kenan to play this creep role in a coy, playful, “I’m a naughty little rascal” type of way.
— A funny reveal of the portapotty-involved crime that Kenan’s character once got busted for.
STARS: ***½


IMPROV SHOW
improv troupe draws inspiration from creepy life of Robert Durst (KAM)

 

— Pretty funny dancing entrance from the improv performers.
— Ah, the days before Kate playing men became cliched.
— Man, I am LOVING Kate’s portrayal of Robert Durst here. This was another Kate McKinnon performance that, back at this time in the mid-2010s, made her my favorite current cast member during these 2014-2017 years (her peak years), and made me feel like I was watching a legend in the making.
— The debut of Cecily’s Jeanine Pirro impression.
— I’m surprised by how short this overall sketch turned out to be, but I guess I can’t complain. Plus, the short length, coupled with the fact tonight’s host was nowhere to be seen in this, kinda made this feel like a sketch from the 70s or early 80s.
— Speaking of Dwayne not being in this sketch, he apparently was originally supposed to appear, according to the Camera Blocking Rundown sheet that was shown during the preceding commercial break (screencap below).

STARS: ****


MUSICAL PERFORMANCE
musical guest performs “Blame It on Me”


INTERROGATION
(VAB) & (host) employ good-cop odd-cop interrogation technique with (TAK)

— Lots of funny nonsensical, dumb lines from Dwayne in his “intimidating” interrogation of Taran. Dwayne’s selling this material so damn well.
— Dwayne’s so funny here that even his constant stumbling during the “Friends theme song” bit didn’t hurt it.
STARS: ****


THE CIRCUS WITH KYLE
KYM has difficulty finding worthwhile interview subjects

 

— Yes!!! Our second (and sadly final, IIRC) SNL short with Kyle doing his “awkward man-on-the-street interviewer” routine from his pre-SNL days. There was, I believe, one cut from SNL’s 40th Anniversary Special earlier this season and would subsequently be posted online.
— Kyle has been having a huge night, being a lot more prominent than usual and seeming really comfortable playing various roles. Between the Dakota Johnson episode and now this, Kyle’s really come into his own lately.
— The tense back-and-forth between the father and son is very funny, as well as how uncomfortable it makes Kyle.
— I love the kid who confidently talks about how he could join the circus one day.
— Like the previous “awkward man-on-the-street interviewer” short of Kyle’s, there are pretty much non-stop laughs here.
— Another great kid, the one who just bluntly says a nervous “I don’t wanna” when Kyle comes up to him while asking a question.
STARS: ****½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A very strong episode, and one of this season’s best. An impressively large number of highly-rated segments, and only one segment all night that I didn’t care much for (Dinner Date). Dwayne Johnson continues to be more and more of an extremely dependable host with each passing hosting stint.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Bambi
WrestleMania Promo
The Circus with Kyle
Pep Boys
Weekend Update
Improv Show
Monologue
Interrogation
Cooking with Paul
The Rock Obama
Brogaine
Escape from Jungle Island
Dinner Date


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Chris Hemsworth)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Michael Keaton

March 7, 2015 – Chris Hemsworth / Zac Brown Band (S40 E15)

Segments are rated on a scale of 1-5 stars

A MESSAGE FROM HILLARY CLINTON
driven Hillary Clinton (KAM) is unconcerned about email scandal threat

— The official debut of Kate’s Hillary Clinton impression, a role that was last regularly played by the still-on-the-show-at-this-point Vanessa Bayer. We previously got a sample of Kate’s Hillary in a sketch where several women played Hillary in separate, different-themed biopics (Kate played a Breaking Bad-themed version of Hillary in that).
— There’s the very first display of what’s now known as Kate-as-Hillary’s trademark laugh (“Ha-HAAAAAAA!”). That Hillary laugh of Kate’s always gets me.
— Right out of the gate, Kate is fantastic in her Hillary portrayal here, and is coming off so at ease, likable, and effortlessly funny in her execution of this material. No slight intended towards Vanessa, who’s obviously a great performer in general, but Kate’s Hillary is definitely a gigantic step up from Vanessa’s version.
— This cold opening’s material itself is only pretty funny for the most part, though there are a few strong bits, like the displayed email that Hillary sent to her husband Bill.
STARS: ***½


MONOLOGUE
Kellam Hemsworth (KET) joins brothers host, Liam, Luke [real] onstage

— Liam Hemsworth makes his second monologue cameo this season alone.
— A cheap laugh from the initial sight of Kenan entering as one of the Hemsworth brothers.
— The second consecutive “audience interaction” monologue. I’m getting season 19 vibes. Where’s Sarah Silverman when you need her?
— A decent performance from Kate, but I could’ve done without her working in a variation of her “Ha-HAAAAA!” laugh from the Hillary cold opening. That almost makes her come off like a one-trick pony, though I know she’s not. Also, now that I think of it, she’s always done a similar laugh in the Sheila Sovage sketches.
STARS: ***


AMERICAN EXPRESS
American Express member host had an easy path to Hollywood success

— An okay spoof of the real American Express commercial(s) of this kind that aired around this time.
— I particularly like the line from Chris Hemsworth about the hardships of stumbling around Hollywood for days.
— This is the kind of thing that normally might come off as too genuinely self-indulgent and ego-stroking under certain types of hosts, but Chris Hemsworth manages to come off likable in this.
STARS: ***


BROTHER 2 BROTHER
twins Marky (TAK) & Matty (host) are easy to identify

— I wonder if this is a Mikey Day-written sketch, knowing how skilled he is at writing accurate spoofs of children’s entertainment, which the first half of this sketch certainly is.
— A pretty good laugh from Cecily’s overly detailed and self-esteem-damaging descriptions to Taran’s character of the differences between him and his twin brother, while Taran’s character stands there with a forced smile, constantly trying to change the subject.
— Aidy (in her only appearance all night, by the way) getting into the pointing-out-the-differences-between-the-twin-brothers act is also pretty funny.
— A good line with Taran’s character desperately blurting out “My dick’s bigger!”
— An audio gaffe, as the ending theme music fails to play during the closing title sequence. It’s pretty funny, though, hearing nothing but Taran’s off-camera sobbing while the closing title sequence is playing.
STARS: ***½


EMPIRE
out-of-place white character (host) brings diversity

— Che in a sketch!
— An okay premise of Chris as a new, out-of-place white character on Empire.
— I can’t speak to the accuracy of the specific Empire-isms being spoofed in this commercial, but they’re still coming off decently funny even without me having much familiarity with the real show.
— I got a laugh from the way Chris walks backwards out of the room after cheerfully walking in with balloons and immediately witnessing a violent confrontation.
STARS: ***


SPACESHIP
spaceship is saved when chicken captain sacrifices herself via microwave

— Uh…..what a concept.
— I’m starting to get an I Married A Monkey vibe from Cecily’s interaction with the chicken.
— Chris’ ad-libs when trying to get the chicken to look at him during his romantic speech to her are giving me even further I Married A Monkey vibes. I’m strangely enjoying this, probably because of how much I typically liked the I Married A Monkey sketches and how they got mileage out of SNL’s live format. While Chris Hemsworth is no Tim Kazurinsky, he (and Cecily, too) is selling this well with how perfectly straight he’s playing his interactions with the chicken.
— Even the microwave gag is working for me.
— Kenan gets a good moment at the very end.
— Overall, probably one of the better James Anderson/Kent Sublette-written sketches from around this time.
STARS: ***½


THE IGGY AZALEA SHOW
Iggy Azalea’s (KAM) rap appropriation bugs Azealia Banks (SAZ)

— Boy, that is some unconvincing-looking butt padding Kate’s wearing as Iggy Azalea. Looks more like she’s hiding Tupperware inside the back of her pants.
— So far, this sketch hasn’t been doing it for me. Your standard boring, uncreative “celebrity-hosted talk show” sketch that SNL relies too often on, and rarely works for me in recent eras like this. Did they only come up with the idea for this particular sketch because Chris is Australian, like Iggy Azalea?
— I am starting to kinda like Sasheer’s cranky performance, which is more than I can say for anything else in this dull sketch.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “Homegrown”


WEEKEND UPDATE
whether via foot or subway, getting around Manhattan frustrates LEJ

COJ & MIC trade jokes on Ben Carson’s “homosexuality is a choice” quote

telling a penis-size joke meant for MIC backfires on COJ

The Girl You Wish You Hadn’t Started A Conversation With At A Party is superior & wrong

— I sometimes try to guess from what Colin says in his commentary intro if he’s introducing a Leslie Jones commentary, and this time, I was finally correct.
— I love Colin’s “Good transition” ad-lib to Leslie at one point of her commentary.
— Some of the usual funny loud outbursts from Leslie here, and I love her delivery of “Did rat feces dust…just fly…into my MOUTH?!?”
— I like Leslie demonstrating her intimidating “Compton stare”.
— A surprisingly good Valley Girl imitation from Leslie.
— When Colin responds to a shocking story of Leslie’s by saying “Daaaaaamn!” in an urban manner, I got a pretty good laugh from Leslie immediately telling him, “Shut up! Don’t you EVER say that again!”
— Hilarious comment from Michael, after Leslie’s commentary ended with her expressing sadness over losing her ability to scare people: “She still scares the HELL outta me.”
— Oh, are we doing the “Update anchor(s) tells the same joke multiple times in a row, with a different punchline each time” gag from the Meyers/Poehler and solo Meyers eras of Update?
— Yep, we are! As much as I’d don’t like how some of the lesser aspects of the solo Meyers, Meyers/Strong, and Strong/Jost eras of Update have carried over into the early Jost/Che era, I’m always a sucker for the “Update anchor(s) tells the same joke multiple times in a row, with a different punchline each time” routine. It never fails to be damn fun.
— Michael is even stumblier tonight than he usually is in these early Updates of his, though it’s not hurting this Update for me.
— The bit with Michael letting Colin take his next joke is, in hindsight, a precursor to the famous and well-loved joke-swapping routine that would later become a tradition of Jost/Che Updates in either every Christmas episode or season finale. (I can’t remember which, as it’s been a few years since I’ve last seen a new episode. Do they do the joke-swapping thing in both the Christmas episode and season finale? Or is the season finale when they do their favorite jokes that were previously cut after dress rehearsal?)
— A priceless and very memorable gaffe during the “Colin reads a joke that was written for Michael” segment, where Colin accidentally misreads “3.6 inches” as “36 inches” when telling us the average length of a male’s flaccid penis. An off-camera, loudly-laughing Michael delivers a solid ad-lib during this: “See? My jokes ARE harder to read!”
— Man, tonight’s whole “Colin tells a joke originally written for Michael” segment is freakin’ classic, partly helped by Colin’s gaffe. This segment is an important moment, as it’s one of the very first (if not THE first) official things that solidifies the success of the Jost/Che teaming. I can definitely see why this bit would end up turning into an annual “Colin and Michael swap jokes” routine.
— Girl At A Party: “If you took all the homeless men in the world and stacked them on top of each other…(*makes a ‘fwoosh’-type vocalization*) Jenga, Michael. JENGA.”
— Girl At A Party, on her spring break plans, after Michael shares his run-of-the-mill spring break plans: “(sternly) I’m bringing democracy to Syria! Via Instagram!”
— Overall, the best Jost/Che-era Update to air up to this point, and probably remains one of their best-ever Updates to this day in 2021. This is also the first time in what feels like ages that I’m giving a Weekend Update this high of a rating. (I wonder if the Norm Macdonald era of Update was the last one to receive this rating.)
STARS: ****½


ACTION NEWS 7 SPECIAL REPORT
media hound Thor (host) is jubilant following Avengers’ defeat of Ultron

— For some reason, it feels kinda funny seeing Cecily playing a very normal, straitlaced, professional character immediately after seeing her play her Girl At A Party character at the end of Update. That Girl At A Party voice gets so in my head that it was kinda jarring immediately going from that to hearing her speak in a normal voice.
— Not all that crazy about this concept itself, as it seems pretty corny. However, Chris is fun and likable here, and is executing this decently enough.
— Judging from that voice he’s using and that cocky gum-chewing he’s doing, Taran seems to think he’s playing Burt Reynolds instead of Iron Man. I do like his performance here, though.
— Something about Pete’s concerned delivery of “I think I ate a guy!” made me laugh even harder than it was probably intended to.
— There’s something I find unintentionally funny about how SNL didn’t even commit to that “dumping a bucket of Gatorade all over Nick Fury” gag. First of all, there was only a tiny amount of Gatorade in that huge bucket, yet Jay’s Fury reacted like he got a TON of Gatorade dumped on him. On top of that, that “Gatorade” was clearly just plain water. SNL didn’t even bother using a colored liquid. Something about all of this cheapness is strangely amusing to me. Maybe SNL’s live constraints prevents them from being able to dump a large amount of liquid on a performer, which would explain the absurdly tiny amount of water dumped on Jay in this sketch. Oh, but then again, that Whale Park sketch with Chris Farley, people. And probably lots of other live sketches I’m forgetting that had a performer getting doused with a huge amount of liquid.
— I love Bobby’s pained reaction after being high-fived by Thor.
STARS: ***


MOVIE SET
acting coach from The Jeffersons (KET) elicits cartoonish takes in drama

— Meh, a showcase of the typical hammy tendencies and odd word pronunciations that are a frequent staple of both the writing of James Anderson & Kent Sublette and Kenan’s performances earlier in his SNL tenure (before he became a more grounded performer and toned his hammier tendencies down to a degree).
— I don’t get why they’re using The Jeffersons as the show where Kenan’s character originally taught these silly double take techniques. Since when was The Jeffersons ever known for having over-the-top, cartoonish double takes?
— Ah, never mind. It’s just now been revealed that Kenan’s character was an acting coach on The Jeffersons for only one day.
— A few of Kenan’s double take demonstrations are admittedly making me chuckle, but Kate and Chris’ double takes are not working much for me.
STARS: **


REALITY HOUSE
reality show manufactures conflict among housemates (KYM), (BEB), (host)

— Beck has been pretty invisible tonight. I almost thought this was the first time we’ve seen him all night, until I remembered his small, forgettable appearance as Captain America.
— A funny and very random reveal that this normal scenario is actually a typical reality show, complete with confessionals.
— This is nailing so many reality show tropes, in such a humorous way. I’m loving this, particularly the way such mundane things are causing typical reality show drama and tension.
— I like how this is now even featuring an elimination sequence, ala The Bachelor and other dating reality shows.
— A very funny sudden angry, violent outburst from Beck and Kyle at the end.
STARS: ****½


MUSICAL PERFORMANCE
musical guest & Chris Cornell [real] perform “Heavy Is The Head”


DOLCE & GABBANA
(host) & vacuous ex-porn stars endorse Dolce & Gabbana

— The last two prior installments of this usually-strong recurring sketch were disappointingly lackluster. Hopefully, it returns to form here.
— Vanessa: “We’re not porn stars anymore, but that doesn’t mean we can’t smell a great deal when we snort it off a mirror.”
— Vanessa: “Adios, a-sea-ghost.” Cecily: “(said like ‘arrivederci’) I-reamed-a-donkey!”
— Vanessa: “What’s that thing you press it and it sprays out?” Cecily: “Prostate.” Vanessa: “No, no, but…it holds all the liquid.” Cecily: “Mouth.” Vanessa: “Bottle.” Cecily: “Oh, right, bottle.”
— I just now realized how odd it is that Cecily’s Girl At A Party character and these ex-porn starts characters are appearing in the same episode (can’t remember if that happened before or not), as both recurring pieces rely on malaprop-filled one-liners, and I think Colin is the writer behind both recurring pieces.
— Overall, while still not reaching the glory days this recurring sketch used to have, this was definitely an improvement over its last two prior installments.
STARS: ***


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— An average episode. Not many things to praise as particularly strong, but not many things to complain about either. Chris Hemsworth was a better host than I would’ve expected. While far from being the funniest host, he had a total ease as a performer that made him come off likable, and his charm helped elevate some of the iffier premises he was given. A welcome contrast to what an awkward, iffy, and lacking-in-confidence host Dakota Johnson was in the preceding episode. I can see why SNL brings Chris back as a host later this same calendar year.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Weekend Update
Reality House
A Message From Hillary Clinton
Brother 2 Brother
Spaceship
Empire
American Express
Action News 7 Special Report
Monologue
Movie Set
The Iggy Azalea Show


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Dakota Johnson)
a step up


My full set of screencaps for this episode is here


TOMORROW
Dwayne Johnson

February 28, 2015 – Dakota Johnson / Alabama Shakes (S40 E14)

Segments are rated on a scale of 1-5 stars

GIULIANI BIRDMAN
Birdman (BEB) personifies Rudy Giuliani’s (TAK) post-9/11 glory days

 

— A fairly interesting novelty to see Vanessa’s Gretchen Carlson impression appearing outside of the Fox & Friends sketches and leading her own sketch.
— Initially, the utter lack of effort that the usually-good-impressionist Taran Killam puts into sounding like Rudy Giuliani is very jarring and off-putting, and I remember how that, coupled with the fact that Taran was considered way too young-looking to pass as Giuliani, made some people on an SNL message board say things like “See? This is exactly why SNL desperately needs an older male in the current cast.” However, it turns out there’s a twist coming in this cold opening that I guess explains why Taran’s not making an attempt to imitate Giuliani’s voice.
— Ah, there’s the twist, with this turning out to be a Birdman spoof. I love the idea of this, and it’s being executed pretty well.
— Solid Michael Keaton imitation from Taran once the Birdman twist starts. Taran even has a natural facial resemblance to a young Keaton when making certain expressions, which I previously pointed out when he played Keaton in the memorable You’re A Rat Bastard, Charlie Brown pre-tape.
— Great use of SNL’s backstage, and it’s also unintentionally funny seeing the attempt SNL made at hiding the fact that this is their own backstage and not the backstage of Gretchen Carlson’s show, by taping wallpaper over the usual SNL photos on the walls.
— Not much in terms of actual laugh-out-loud humor here, but the emulation of Birdman’s style is being pulled off so damn well that I’m still enjoying this.
— Great delivery from Beck of his very first solo LFNY.
STARS: ***½


OPENING MONTAGE
— For some reason, the SNL Band makes a huge change to the usual arrangement of one small portion of the theme music: the one around the Pete Davidson/Leslie Jones/Colin Jost section of this montage. Not sure why the change, especially since this ends up being the ONLY episode with this altered arrangement of the season 40-43 theme music.


MONOLOGUE
host’s parents Don Johnson & Melanie Griffith [real] are in the audience

— Oof. Dakota Johnson’s very iffy, poor, low-volumed delivery of jokes so far is not giving me much confidence in her as a host.
— At least Kyle has shown up to add some much-needed comic relief.
— Turns out Kyle’s (and Kate’s) bit is only mildly funny at best, but it’s still a welcome alternative to watching a shaky Dakota Johnson struggle to deliver jokes.
— I do like the nod that Dakota gives to her mother, Melanie Griffith, having once hosted SNL in 1988. Is it true what Dakota says about her father, Don Johnson, proposing to Melanie immediately after the episode Melanie hosted, and Dakota being born nine months after that?
STARS: **


ISIS
proud father (TAK) says goodbye to his daughter (host) as she joins ISIS

— After that extremely rough Shark Tank sketch from this season’s Chris Rock episode, I’m not sure I needed another dodgy ISIS-themed sketch. I hope they at least don’t screw this one up as badly as they did the previous one.
— Seeing Taran in this dad role is yet another reminder of how some online SNL fans felt that he was too young-faced to be believable in middle-aged, utility roles like this.
— Not a bad comedic twist, and I admit that, yes, it made me laugh.
— Kyle delivering the statement “Death to America” in a mock-dramatic, soft-spoken, poignant manner gave me a decent laugh.
— Overall, an improvement over the Shark Tank sketch. It probably also helps that this was a commercial parody, meaning it was too short to belabor the touchy point like the Shark Tank sketch did.
— Unsurprisingly, there would end up being a fairly big controversy over this commercial. Can’t remember if it led to this commercial initially being pulled from online or not. As for whether or not this commercial was pulled from the NBC rerun, this episode in general never received an NBC rerun (though I’m not 100% sure on that). I recall briefly catching a portion of a syndicated 60-minute rerun of this episode on a cable channel once, but I didn’t see if this commercial was left in there or not.
STARS: ***


CINDERELLA
Cathy Anne (CES) is third wheel as Cinderella (host) meets Prince Charming (TAK)

— Ugh, stop trying to make Cathy Anne work as a sketch character, SNL. As hindsight has taught us, she would work far better later on as a Weekend Update character.
— Was it necessary to have Cathy Anne repeat that exact same “C U Next Thursday” line from her previous sketch appearance?
— This sketch at least isn’t quite as cringe-inducing as that unbelievably wretched Magic Bridge sketch that Cathy Anne previously appeared in. That being said, there still isn’t a single laugh or merit to be found here.
STARS: *


SAY WHAT YOU WANNA SAY
women eschew social niceties & say what they wanna say

— For some reason, I had mis-remembered this as appearing in season 41. Maybe I was getting it mixed up with the similarly-styled Bad Girls pre-tape from that season’s episode hosted by……uh…….He Who Shall Not Be Named (as of now).
— A good comedic conceit to this, a format that’s both pretty fun and funny, and the ladies are all performing well. However, I don’t know what exactly, but there’s something about the execution of this that isn’t making me find it to be quite as strong as I feel like I should. I’m still enjoying it, though.
— Kate’s bathroom scene is very funny. Speaking of which, another similarity between this short and the aforementioned Bad Girls short is they both feature Kate sitting on the toilet in one scene.
STARS: ***½


PRESS JUNKET
young reporter (KYM) unsettles host at Fifty Shades Of Grey press junket

— It feels like Kyle has been a lot more prominent in this episode than he usually is.
— The concept of this reminds me an awful lot of that pre-tape where Andy Samberg played a 13-year-old consultant on the set of Game of Thrones.
— Interesting character voice from Kyle, which I’ve never heard him use in any other sketches. And I like the charming innocence he’s giving to his characterization, which is helping this not come off as too much of a copy of the aforementioned Game of Thrones pre-tape.
— Something about the camera angle in all of the close-ups of Kyle throughout this sketch looks odd (seen in the first above screencap for this sketch), like it’s off-centered and/or showing too much space above Kyle. Is there a chance that’s intentional, as a way of emphasizing the small size of Kyle’s child character?
— Dakota’s timing continues to be a little iffy tonight.
STARS: ***


I CAN’T
complainers (BOM), (host), (CES) downplay officemate’s (AIB) broken arms

— Oh, no. I had completely forgotten all about this “I literally can’t even…” sketch, and am blindsided by the sight of it in my current viewing. I now recall HATING this sketch when it originally aired, and considering it to be emblematic of so many things typically wrong with James Anderson and Kent Sublette’s writing on SNL.
— Speaking of Anderson and Sublette (because it’s so damn hard for me not to do when reviewing a typical bad sketch of theirs), what is their fascination with having Aidy play characters with two broken arms? First that awful Steakhouse sketch from the preceding season’s Seth Rogen episode, and now this.
— Aidy’s delivery of this unfunny material is at least good, which is more than I can say for her delivery in that aforementioned Steakhouse sketch. Maybe it helps that she’s not speaking in an exaggerated southern accent here like she and all the other performers did in the Steakhouse sketch.
— At least this overall sketch was short. I was pleasantly surprised by how early the end came.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “Don’t Wanna Fight”


WEEKEND UPDATE
contented Ruth Bader Ginsberg (KAM) burns things worthy of derision

Kanye West’s (JAP) self-aggrandizing apology is “Good Morning” variant

Riblet upstages MIC with his newsreading skills before dropping the mic

— Oh, right, this was around the time that ridiculous “Is this dress blue and black or white and gold?” debate took the nation by storm. (That also brings to mind the similar “Yanny or Laurel?” debate from later in that same decade.)
— That “possible presidential run” joke about a certain someone (the fifth above screencap for this Weekend Update)…oh, season 40, why must you keep reminding me of the nightmare that awaits me in this SNL project of mine?
— This is the first Weekend Update appearance from Kate’s Ruth Bader Ginsburg impression, which previously appeared in one of those Kickspit Underground Festival commercials, where Kate used a voice that was completely different from the one she’d famously use in all her subsequent RBG appearances.
— Most of tonight’s RBG commentary is working for me, but I could do without those CONSTANT “Ya just got Ginsburned!” dance routines, which are coming off like a warmed-over reprisal of the dance routines that Kenan’s Jean K. Jean character used to do, and it was a chore enough for me back then.
— Speaking of Kenan, I just now realized he hasn’t made a single appearance in tonight’s episode so far. Very surprising at this point of his SNL tenure.
— I was worried that the punchline of Colin’s “runaway llamas” joke would be yet another use of the Yakety Sax chase music, which has been an overused Weekend Update punchline since the Seth Meyers days. Thankfully, the punchline of Colin’s joke ended up not going in that direction.
— Ha, that real-life Kanye apology tweet to singer Beck (“I would like to publicly apologize to Beck, I’m sorry, Beck.”) always cracks me up.
— Meh, Jay’s Kanye song isn’t doing much for me, aside from a few lyrics.
— Ha, I love Michael ad-libbing a deadpan utterance of “So dumb” after Colin’s extremely lame ADD Study joke.
— The return of Riblet, this time making his entrance by suddenly blocking the camera while Michael is mid-joke.
— Even though tonight’s Riblet commentary is just treading the same ground as his previous commentary, it’s still working for me, Bobby’s still killing it in his performance, and his Update jokes tonight are actually genuinely funnier than the ones he told last time.
— I absolutely love the gag with Riblet going a step further in his one-upping of Michael by removing his own urban clothes, revealing a newscaster suit he has on underneath, and pulling off the sides of his hair (accompanied by a great “Yoinks!” vocalization by Bobby and accidentally-delayed “pop” sound effects from SNL) to look more professional.
— Then-writer Mikey Day walking on in a speaking role! (The last above screencap for this Weekend Update, though the FedEx hat obscures his face a little). This is the second thing tonight that I had mis-remembered as appearing in season 41, as I had recalled Mikey getting a few speaking roles in the homestretch of that season, shortly before he gets added to the cast in season 42. Anyway, it feels interesting hearing Mikey’s now-familiar voice this early in my SNL project. When this episode originally aired and a lot of online SNL fans (including myself) had no idea who that was playing Mikey’s role, I remember thinking Mikey’s voice sounded very Jost-esque, a resemblance I no longer hear now that I’ve gotten so used to Mikey’s voice over the years.
STARS: ***


EMERGENCY ROOM
patient (TAK) dies while surgeon (KET) explains why he’s dressed as Worf

a photo of Leonard Nimoy as Spock marks his passing

— Well, I guess those Worf prosthetics show why Kenan was M.I.A. in this episode until now. However, those prosthetics don’t look extensive enough that it would take the entire first half of this episode to apply. Even Bill Hader was able to get those Cat In The Hat prosthetics applied to his face in only about 15 minutes when he hosted earlier this season.
— Funny cutaway to Leslie’s very deadpan face in response to a line of Kenan’s.
— Yikes. When Kenan asks Dakota to look into his eyes, what was with Dakota’s giggly, very hesitant, low-volumed delivery of “I can’t” and “No, I can’t. You look so stupid”? Her delivery of that was absolutely horrible, and made it seem like she was going off-script, dropping character, and genuinely saying those things as herself instead of as her character, though I doubt that was actually the case, since Kenan seamlessly responds to it like it was in the script (unless that’s just a sign of what a damn good pro Kenan has developed into over the years).
— Uh, what the hell kind of sketch am I watching? I don’t know what to make of it, despite Kenan’s best efforts and likable performance. I think this is going for a “So bad, it’s good” sketch. If so, they apparently forgot the “it’s good” part of that. I can actually see some people finding the badness of this sketch to be good, but I’m afraid I can’t agree.
— Man, it can’t be said enough how much I hate Dakota’s delivery throughout tonight’s episode.
— I did get a laugh just now from Vanessa’s overly concerned question to Kenan of if his Worf face was the last thing her grandfather saw before dying.
— That…that’s the end of this sketch??!? That incredibly lame “Worf M.D., coming this fall to NBC” twist?
— When the screen is fading to black during the sketch-ending audience applause, Kenan, who apparently isn’t aware that his mic is still on, can be heard dropping character and saying, in his real voice, “Cue that applause” in a relieved, breathless manner, as if he’s acknowledging how bad the sketch was and that he’s glad it’s finally over with. Kinda reminds me of him dropping character, getting up from the floor, and casually walking right off the set before the screen even faded to black at the end of that extremely-questionable St. Kat’s Middle sketch (a.k.a. the “Kenan falls out of a wheelchair over and over for five minutes” sketch), which is another sketch that lots of people seemingly find to have a “So bad, it’s good” quality, but I unfortunately am not able to.
— The In Memoriam photo of the then-recently-deceased Leonard Nimoy, while certainly well-meaning on SNL’s part, feels kinda wrong coming at the very end of such a baffling, unfunny, seemingly-intentionally-bad sketch that we even heard audio of Kenan openly admitting was rough.
STARS: *½


NET EFFECT
online archetypes struggle to explain net neutrality concept

— Another reference tonight to the “Is this dress blue and black or white and gold?” debate.
— In my last review, where I covered SNL’s 40th Anniversary Special, I mentioned having a strange liking of the odd-couple dynamic between Pete and Leslie in the segment they did together in that special, and I expressed disappointment that we, as far am I’m aware, rarely get to see them interact over the years after that. It’s funny how the episode that immediately follows those comments of mine gives us two rare Pete/Leslie interactions in two separate segments (the Say What You Wanna Say pre-tape and this sketch).
— Bobby’s angry pornos tirade is hilarious and steals the sketch. There ain’t much to steal, though, as the rest of this sketch hasn’t been doing much for me. (I feel like I’m saying that about a lot of things in this episode.)
— The mere visual of that silly-looking thick white beard on Taran’s face is cracking me up. However, I don’t care much for the gag with him entering this sketch just to slap each panelist in the face, because it’s just a knock-off of Bill Hader doing the same thing in that The Comments Section sketch from the season 37 Melissa McCarthy episode.
— After having nothing but negative things to say about Dakota’s general hosting performance throughout this review, I will say that her delivery of “Harder!” after getting slapped in the face was decent.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Gimme All Your Love”


MR RIOT FILMS
(KYM) & (BEB) use hidden camera shams to raise social consciousness

 

— Kyle’s big night continues.
— Funny characterizations from Kyle and Beck here.
— I love the odd way Kyle and Beck’s characters keep pronouncing the word “bully”.
— The title of each segment within this short is cracking me up.
— I’m kinda surprised these two characters of Kyle and Beck’s end up never becoming recurring. I wouldn’t have minded seeing a least one more short with them.
STARS: ****


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A pretty mediocre episode, and a disappointing showing for SNL’s first regular episode after their huge 40th Anniversary Special. I found myself being very bored throughout a number of segments in tonight’s episode, and there was very little that I found to be above average. Even some of the better segments of this episode didn’t reach the heights that I felt they had potential to (Giuliani Birdman and Say What You Wanna Say). Going along with the subpar quality of this episode, Dakota Johnson was a bad host, like an even worse version of Katie Holmes’ awkward, iffy hosting performance in season 26. Perhaps it was nerves on Dakota’s part. Even SNL themselves seem to agree this episode is weak, as it never received an NBC rerun, as mentioned earlier.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Mr Riot Films
Giuliani Birdman
Say What You Wanna Say
Weekend Update
ISIS
Press Junket
Net Effect
Monologue
Emergency Room
I Can’t
Cinderella


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING REGULAR ONE (J.K. Simmons)
a big step down


My full set of screencaps for this episode is here


TOMORROW
Chris Hemsworth

February 15, 2015 – 40th Anniversary (S40)

NOTE: For this special, only the full-length new comedy segments will receiving a rating. None of the intro segments or highlight reels will be rated.

Segments are rated on a scale of 1-5 stars

JUSTIN & JIMMY
JIF & Justin Timberlake [real] do medley of SNL characters’ catchphrases

— A nice way that Jimmy Fallon and Justin Timberlake segue into this SNL medley song.
— This SNL medley song is fun as hell, well-detailed, and is featuring great segues. And, as an SNL nerd, I am absolutely loving all of the rapid-fire references from various eras. So rapid-fire, in fact, that I can’t even catch them all in my current viewing.
— Even the Debbie Downer walk-on adds well to this.
— Great shot of the much-larger-than-usual, celebrity-filled audience when Jimmy and Justin are saying LFNY.
STARS: ****


OPENING MONTAGE

— Very cool motif to this, with how matching shots from different opening montages are shown either side-by-side or one after another.
— I’m really liking the occasional SNL clips that are shown in side-by-side thin bars throughout this.
— Lots of great little new touches to the usual season 40 theme music, giving it a very epic, special, almost-goosebumps-inducing sound.
— An overall strong anniversary special opening montage, and a huge improvement over the one from the 25th Anniversary Special, which I’ve always felt was drab and seemingly a little half-assed.


MONOLOGUE
Steve Martin & Tom Hanks [real] debate comedians vs. actors as SNL hosts

— Steve Martin, after comparing this anniversary special to a high school reunion: “A high school that is almost all white…”
— The usual great Steve Martin-style one-liners from Steve.
— A very memorable gag were Steve mentions Jon Lovitz as an example of SNL greats no longer with us, which is immediately followed by a perfect cutaway to a baffled and offended Jon in the audience.
— Alec Baldwin, after Steve says he counts this as an extra hosting stint of his: “Steve, this isn’t official – it’s Sunday.” Steve: “*I* don’t know that.”
— Melissa McCarthy noticeably looking a lot thinner than she did in her previous SNL appearances.
— Steve, to Chris Rock: “I actually forgot you were a cast member.” Chris: “So did the writers.”
— Not even Billy Crystal’s typical smug-fest can hurt this monologue for me.
STARS: ***½


1975-2015 HIGHLIGHTS
clips of SNL moments from throughout its 40-year history

   

— Ah, seeing that opening clip of SNL’s inaugural Wolverines cold opening in this particular context brings back significant memories for me as a reviewer, given the fact that it was (obviously) the very first sketch I reviewed in this SNL project of mine.
— Very nice how, among the very famous, often-seen clips during the 1975-1980 highlights, they include Laraine Newman’s forgotten, underrated Sherry character, presumably because of an appearance that character will be making in a certain new sketch later tonight.
— On a similar note to above, I appreciate how the 1980-1985 highlights aren’t just an Eddie Murphy/Martin Short/Billy Crystal montage, and are including some stuff from that era’s lesser-remembered cast members.
— The point where this chronological highlight reel reaches the 1999 period is significant for me, as 1999 was the year I first discovered SNL.
— Also significant when this highlight reel reaches the then-current era (which I guess can still be called the current era today in 2021), because it really makes me realize just how far along I’ve come in this SNL project of mine.
— Overall, a well-put-together and fun 1975-2015 highlight reel. While I liked how the previous two anniversary specials aired a separate highlight reel for each five-year period instead of airing a single highlight reel of all the eras like tonight did, it was fascinating to witness the evolution of SNL in tonight’s highlight reel. However, one thing I miss from the previous two anniversary specials was an individual highlight reel(s) of musical guests. While this 40th Anniversary Special showed a few poignant musical guest clips throughout this 1975-2015 SNL highlight reel, that’s not the same thing. The 25th Anniversary Special aired an individual highlight reel for each decade of musical guests, and the 15th Anniversary Special did something I especially love and found fascinating to watch, where they showed a single highlight reel of musical guests in reverse chronological order, going from the then-current year 1989 to 1975 (though, for some reason, they completely snubbed season 10). I’d love to see an updated version of the latter musical guest highlight reel, going from today to 1975, or even the other way around, going from 1975 to today.


SUPER BASS-O-MATIC 2150
technology of Super Bass-O-Matic 2150 has changed little since 1976 model

 

— Our first misstep of the night. I guess SNL’s hearts are in the right place here, but this verbatim Bass-O-Matic reprisal feels pointless, and it’s painfully obvious that Dan Aykroyd no longer has anywhere near the manic fast-paced delivery he had in his younger days, which played a part in why the original Bass-O-Matic commercial was so fantastic. His generic, slow-paced delivery in this reprisal doesn’t work nearly as well with this material.
— At least the disgusting visual of a dead, uncooked fish being destroyed in a blender on live TV is always worth a good laugh.
— Certainly nice that they’re having Laraine reprise her brief role from the original version of this sketch (and the now-forgotten Bat-O-Matic variant), even wearing the exact same outfit.

     

— Ha, a genuine gaffe at the end of this, where Dan can’t get the blender to work after cramming several fish into it. Instead of giving up and just smiling into the camera when that gaffe happened, it would’ve been nice if Dan threw in some kind of ad-lib, which 1976 Dan Aykroyd probably would’ve done.
STARS: **


BUMPER
bumper slide recognizes former host Buck Henry


CELEBRITY JEOPARDY
Sean Connery (DAH) & many other celebrities irk Alex Trebek (WIF)

— YES!!!!
— Feels interesting seeing a current cast member appear with SNL alums in a new comedy bit in this anniversary special.
— A good decision to put Alec’s always-hilarious Tony Bennett impression into this sketch.
— And there’s our obligatory category mix-up of tonight’s Celebrity Jeopardy sketch: Darrell Hammond’s Sean Connery misreading “Who Reads” as “Whore Ads”. However, the camera accidentally zooms in on the wrong part of the board during this gag, which hurts it a little. Presumably, the reason for this gaffe is the lack of a dress rehearsal, as SNL doesn’t do the traditional evening dress rehearsal for their anniversary specials (well, at least not the 25th and 40th anniversaries; not sure about the 15th).
— I mentioned in a recent review that Kate McKinnon’s initially-hilarious Justin Bieber routine was starting to wear slightly thin for me earlier this season, but it’s working for me in this particular venue.
— YEAH!!! Norm Macdonald’s Burt Reynolds out of nowhere!
— And, of course, Norm’s Burt makes Will Ferrell’s Alex Trebek refer to him as Turd Ferguson. Classic.
— As always, Norm’s Burt is IMMEDIATELY killing in this sketch.
— An interesting coincidence(?) about Taran’s Christoph Waltz suddenly filling in for Kate’s Bieber is the fact that the real Bieber and Waltz hosted back-to-back episodes two years prior to this. If this order of succession had continued throughout this sketch, Jay Pharoah would’ve replaced Taran’s Waltz as Kevin Hart, given the fact that the real Hart was Waltz’s successor as a host two years prior.
— I’m loving the escalation to this sketch, with more and more celebrities randomly appearing out of nowhere as contestants. Also a great way to get cast members and former hosts involved, given the gigantic amount of people at SNL tonight.
— I like how Jim Carrey’s appearance as Matthew McConaughey even has a voice-over from him, ala his Lincoln ads.
— And there’s our second obligatory category mix-up of tonight’s Celebrity Jeopardy sketch: Darrell’s Connery misreading “Let It Snow” as “Le Tits Now”. By far the funnier and more classic of the two category misreadings tonight.
— The return of Turd Ferguson’s old cowboy hat!
— A big oh-so-wrong laugh from the Bill Cosby bit. Also funny is Ferrell’s Trebek panicking after that, and explaining “We filmed that back in June!”
— Speaking of the Bill Cosby bit, it would later be revealed that SNL originally wanted Eddie Murphy to play Cosby in this, but he declined because he “didn’t want to kick a man when he’s down”.
— Aw, no “Final Jeopardy” segment in tonight’s installment of this sketch?
STARS: ****


INTRO
PED & LEJ introduce clips of SNL auditions

— Nice to see SNL’s two newest cast members get their own little segment in this anniversary special.
— There’s something I strangely like about the pair that Pete Davidson and Leslie Jones are making here, despite (or maybe because of) the juxtaposition of their personalities. Over the years after this, we’d pretty much never see them paired together on the show. Hell, I can barely even think of any times they so much as interact with each other in sketches.


AUDITIONS
clips of SNL auditions

   

— Oh, I absolutely love the idea of this particular highlight reel. These auditions are a blast to see.
— Given what an SNL pro Amy Poehler would go on to be, it’s actually charming to see a display of greenness in her audition clip, when she’s completely lost on how to start her audition.
— Speaking of charming, the SNL queen of charm, Gilda Radner, is exuding her trademark charm all throughout the clips we see of her audition.
— Baby Kenan!
— Very meaningful how they’re using clips of Phil Hartman’s audition as a way to introduce different themes (e.g. characters, impressions) within this audition highlight reel.
— The portion showing auditions from unhired people who later went on to become superstars is particularly fascinating.
— It’s often been debated just when exactly Jim Carrey auditioned for SNL. The general consensus seems to be that it was in 1980 for season 6, but if you look at his audition clips in this highlight reel, they’re clearly from 1986 for season 12, as the visual quality of the clips and the stage that he’s auditioning on match the clips of Phil, Jan Hooks, and Dana Carvey’s season 12 auditions (some comparisons below).

In fact, I recall once hearing that, after these season 12 auditions, Lorne had to decide between Carrey and Carvey (funny how there’s only a one-letter difference between their last names), and ultimately, he chose Carvey. Too bad we couldn’t have gotten both, though I have a hard time picturing Jim’s trademark comedy style fitting in with that late 80s cast. Maybe that would’ve made a nice contrast, though.
— I remember that, when this anniversary special originally aired, I completely failed to recognize Zach Galifianakis in the “auditioners who didn’t make it” segment. I wondered who the heck that was, and felt bad that I couldn’t figure out his identity, especially given how I easily recognized all of the other now-superstars in that “auditioners who didn’t make it” segment. Zach looks like a completely different person in that audition compared to his now-trademark look.
— Speaking of Zach’s audition, does anyone know when exactly it took place? I know he had a guest writing stint at SNL towards the end of season 25. Is that also when his audition clip came from, or was that from a different time. Thanks in advance if anyone answers my question.
— Great decision to end this audition highlight reel with another charming clip of lovable Gilda.


INTRO
Robert DeNiro [real] introduces clips of SNL representations of NYC

— Uh-oh. Robert DeNiro live and onstage by himself? Well, that certainly spells disaster.
— Aaaaaand there goes the obligatory long blank pauses, halting delivery, and constant tripping over words that we’ve come to expect from DeNiro’s SNL appearances.
— When this originally aired, I did at least like DeNiro’s description of Rob Reiner’s season 1 monologue (which I hadn’t yet seen at the time), because, as I mentioned in my review of that monologue, DeNiro’s description of it here made me fascinated to finally see when it came time for me to review that episode for my SNL project.


NEW YORK HIGHLIGHTS
clips of SNL representations of NYC

— Again, seeing clips from SNL’s very first episode makes me nostalgic for when I first started my SNL project.
— As a born New Yorker (and currently living in New York), this New York highlight reel really speaks to me.
— I really like how the New York-themed clips from SNL sketches and short films are being interspersed with related shots from various SNL opening montages.
— A significant part when we reach the 9/11 portion of SNL’s timeline in this chronological New York highlight reel.
— That Alicia Keys “Empire State Of Mind” musical performance (from the season 35 Charles Barkley episode) never fails to make me emotional as hell, even moreso here with how audio of it is being played as we see wonderful and touching behind-the-scenes photos of cast members and hosts in New York City outdoor locations. The song and these photos go together so beautifully, and, again, it also speaks to me as a New Yorker. I’m not ashamed to tell you readers that my eyes are tearing up right now during this portion of the highlight reel.
— Ooh, I love how they even include an obscure season 6 clip of Gilbert Gottfried in the Pepe Gonzales short film (which I sorely underrated in my review of it, and would now give a much higher rating if I ever had a chance to review it again).
— Overall, bravo. This SNL New York highlight reel was beautiful, moving, and extremely well-put-together.


BAND SHOT
going to commercial, G.E. Smith [real] plays guitar with SNL Band


INTRO
Keith Richards [real] introduces Paul McCartney

— Ha, Keith Richards is seemingly standing in the wrong part of the home base stage, making the shot of him look kinda awkward.


MUSICAL PERFORMANCE
Paul McCartney [real] performs “Maybe I’m Amazed”


INTRO
Jack Nicholson [real] introduces political humor clips

— I’m still dumbfounded over the fact that Jack Nicholson somehow never hosted SNL.
— I’m enjoying the grim picture that Nicholson is painting of what the world was like in 1975 when SNL debuted.


POLITICAL HIGHLIGHTS
political humor clips

— That classic “black control room operators” clip from Jesse Jackson’s season 10 monologue never fails to slay me, no matter how many times I’ve seen it.
— The portion of this highlight reel where they reach the first Bush/Gore debate sketch is significant for me, as that’s the cold opening of the very first episode where I started regularly watching each new episode live from beginning to end as an SNL superfan. (Prior to that, I was only a casual SNL viewer and would seldom watch full live episodes. I’d usually flip back-and-forth between it and MADtv during the first half-hour of the SNL episode, and would often opt to watch something on cable during the last half-hour of the SNL episode.)
— A fun byproduct of seeing all of these various chronological highlight reels in this anniversary special is that you get to see how much SNL’s visual quality evolved from year-to-year.


THE CALIFORNIANS
pool boy (Bradley Cooper) & (Betty White) are a couple

(DAS) & (CES) say “buh-bye” to Californians performers

 

— Oh, why, why, why, SNL???
— Well, at least, much like earlier tonight, SNL gives a nod to Laraine’s forgotten Sherry character. Speaking of which, I remember some online SNL fans didn’t recognize Laraine in this sketch, due to her older age. (Possibly adding to the confusion among those SNL fans is the fact that I recall it once being pointed out that Laraine seemingly got a nose job by this point). During that discussion, one of those SNL fans even wondered if that was Stevie Nicks.
— The celebrity-filled audience is noticeably (and rightfully) not all that into this sketch, compared to SNL’s easy-to-please audiences of regular people in other episodes. That being said, the celebrity audience isn’t quite as hard on this sketch as I had remembered.
— Such an interesting novelty seeing Laraine Newman and Bill Hader standing side-by-side in a sketch. If only it was in an actually funny sketch.
— Bradley Cooper at least is coming off as a natural for this sketch.
— As for a former host who’s NOT coming off as a natural for this sketch? Taylor Swift. While she certainly surprised and impressed me with her general hosting performance back in season 35, her performance in this sketch is pretty dreadful. I also remember an online SNL fan pointing out that, even for this recurring sketch’s standards, Taylor’s Californian accent was so exaggerated that she downright sounded like she was doing an un-PC mentally-challenged voice.
— As always, Kristen Wiig and Fred Armisen have been giggling their way through most of this sketch. By comparison, the usually-easily-breakable Bill Hader is keeping it perfectly straight in this.
— I strangely appreciate how Betty White isn’t even attempting a Californian accent, and is just using her normal voice. Something about that decision is perfectly on-brand for Betty, and I don’t want to see her get sucked into the usual lame routine of this recurring sketch by doing the same dumb Californian accent that everyone else does.
— If they were going to give Betty some (much-deserved) airtime in this anniversary special, couldn’t they have at least given her actual funny lines in this sketch? Her long, non-comedic rambling in this sketch just leads to a cheap, unfunny make-out session between her and Bradley (something SNL previously did better with Betty and Will Forte in a MacGruber short).
— Ah, an actual welcome segue, as this sketch suddenly turns into a Total Bastard Airlines reprisal. Interesting choice to have Cecily Strong paired with David Spade here.
— Oof. While I’m enjoying this Total Bastard Airlines reprisal (far more than anything in the Californians portion of this sketch), the whole back-and-forth that David had with Bradley was ROUGH.
STARS: ** (the Total Bastard Airlines portion boosted the rating a tad)


WEEKEND UPDATE
as Roseanne Roseannadanna, Emma Stone [real] reads a viewer’s letter

as Stefon, Edward Norton [real] takes notes from Stefon & a jealous SEM

as Matt Foley, Melissa McCarthy [real] lectures AMP & JAC

Land Shark eats TIF

— Extremely mixed feelings on this special Update trio, given my well-documented ire towards the Fey/Poehler era of Update, and the fact that the re-pairing of them in tonight’s special Update trio is further glorifying their already-overglorified Update era. But screw it, we got Jane Curtin back at the Update desk! That alone is worth it.
— Tina and Amy’s jokes tonight aren’t bad so far, and I do like how the jokes are all SNL-related.
— A hilarious Fox News slam from Jane, delivered perfectly by her. She’s still got it. I’d pay money to watch a new Update with modern-day Jane anchoring it by herself.
— Speaking of me having mixed feelings, I don’t know why, but that’s my reaction to the whole “celebrities playing their favorite SNL character” portion of this Update. SNL’s heart is in the right place here, and I appreciate that these celebrities are getting to live out a dream, but there’s something about the way this is being executed that isn’t fully clicking for me. It doesn’t help that Edward Norton’s Stefon impression was fairly lousy here, which is surprising, given what a solid impressionist he proved to be in general in his season 39 hosting stint.
— Jane’s naturally giddy reaction when agreeing with Tina and Amy on how fun this is is such a charming moment.
— A decent reveal of the Update desk being a breakaway when Melissa McCarthy’s Matt Foley crashes through it.
— The ending of this was kind of a mess, especially with how awkwardly the Land Shark bit was executed.
STARS: ***


WEEKEND UPDATE HIGHLIGHTS
Weekend Update clips

— Love the start of this highlight reel, with a chronological succession of clips of (almost) every Update anchor doing their sign-on.
— Geez, was that the best joke they could’ve picked from a Colin Quinn-era Update? The joke itself wasn’t bad, but that absurdly long pause Colin took before delivering the punchline sadly sums up how awkward he generally was as an anchor.
— A few of the clip choices for Update jokes from other anchors are also rather questionable.
— I like how, instead of being shown in chronological order, the clips of Update jokes and memorable Update guests are being shown in a random order, as it feels pretty fun to see so many vastly different Update eras being shown one after another in a scattered sequence.
— Ah, an all-time classic O.J. joke from Norm. An Update montage wouldn’t be complete without one.
— Cecily’s tenure as an Update co-anchor has been completely snubbed in this entire highlight reel, which is surprising to me. I know her Update tenure was short-lived and not all that well-received (deservedly so, in my opinion), but it still seems odd for SNL to act like her Update tenure never existed, especially given how recent it was at this time.


CHEVY CHASE TRIBUTE
Weekend Update anchors KEN, NOM, SEM, COQ pay tribute to CHC

CHC’s words of thanks are repeated by GAM for the hard-of-hearing

— Seth Meyers: “23 people have anchored the Weekend Update desk.” Norm: “And this fact may surprise you: a few of them…were men!”
— An unintentionally very funny moment where, fittingly, Colin accidentally flubs the end of his line in which he blames his mumbling habit as an anchorperson on the cue cards constantly being dropped. Even funnier, he follows this flub by turning his head and making an “Aw, dammit!” face.
— After all these years, Kevin Nealon has still got it when it comes to his masterful subliminal routine.
— Can’t help but notice that Seth is the only one of these four anchors who has nothing comedic or particularly noteworthy to say here. He’s just delivering boring, straightforward lines, which is further proof of just how bland and lacking in a distinct Update persona he is, especially when compared to the three anchors he’s standing onstage with (and I’m not even all that big a fan of Colin’s Update tenure, nor the last third of Kevin’s Update tenure).
— Haha, Norm intentionally ruining his intro of Chevy Chase by jokingly delivering it in the most terrible, bizarre, stalling manner he possibly can, which makes Seth openly laugh his ass off. Only Norm could get away with ad-libbing something like this and make it hilarious.
— Oh, man. Chevy. Just…what can I say about how notoriously, shockingly horrible and unhealthy he looks and sounds in this? I mean, geez, the man can even be seen quietly going “Ooh!” in a pained manner when merely walking down a step to reach the front of the home base stage. And, judging from the audience’s eerie silence during his horribly-delivered sarcastic quip, “Thank you for that……………………..oh, oh……………………..lovely tribute” , you can just SENSE the entire audience thinking to themselves, “Oh, wow. What the hell happened to him???”, just like I and other viewers at home were thinking when this originally aired. To call this simply uncomfortable to watch would be a gigantic understatement.
— Ah, good ol’ Garrett to save the day! The “News for the hard-of-hearing” reprisal from a suddenly-appearing Garrett Morris thankfully takes away at least some of the depressing, cringeworthy feel from this Chevy segment.
STARS: Not sure this constitutes as a full-length comedy segment, and if it does, I’m lost on what kind of rating to give it. I really liked the pre-Chevy half of this with Norm, Kevin, Colin, and Seth, but the Chevy half itself? Oof.


COLON BLOW

Rerun from 11/11/89


BUMPER
bumper slide recognizes former commercial parody producer Jim Signorelli


BAND SHOT
during commercial, Cheryl Hardwick [real] plays piano with SNL Band


MUSICAL ACTS
MAS & Beyonce (MAR) pay tribute to SNL’s union of music & comedy

Garth & Kat make up a song; Marty & Bobbi perform a medley

Frank Sinatra (JOP), Derek Stevens, Operaman perform

musical performances inspire an interruption from What Up With That?

Steve Martin [real] performs “King Tut”

Nick “Ocean” & PAS perform the love scene from Jaws

Elwood & Zee (JIB) Blues perform “Everybody Needs Somebody”

— Uh, what’s this talk from Martin Short about only having hosted SNL just once? Which two of his THREE hosting stints is he forgetting? His season 12 and 22 stints?
— Was NBC’s Martin Short/Maya Rudolph variety show already in the works by this point, thus explaining this pairing of them?
— Before I have yet another aneurysm over yet another Garth & Kat sighting, I’m going to enjoy the dead silence that I remember this appearance of theirs deservedly receiving from the celebrity-filled audience.
— Ugh, I just realized that, with the Californians sketch having aired earlier tonight, this Garth & Kat appearance is actually our second display tonight of typical self-indulgent breaking from Fred and Kristen.
— Aw, dammit. Much like the Californians sketch, the audience is actually laughing a little more at this Garth & Kat commentary than I had remembered.
— Like I said in my review of the Culps revival in Ferrell’s season 37 hosting stint, it’s an interesting and fun novelty seeing The Culps cover popular 2010s songs during their usual medley, given how associated these characters are with the late 90s/early 00s era of music.
— Another nice instance tonight of SNL giving an unexpected nod to the often-neglected Ebersol era, as Joe Piscopo gets to reprise his Frank Sinatra.
— Awkward moment where Dana has to actually prompt the audience to applaud at the end of his Choppin’ Broccoli reprisal. Ha, he had a very “What’s WRONG with you people?!?”-type non-verbal reaction towards the audience.
— Great to see a new Operaman bit after such a long absence.
— I see Sasheer Zamata has randomly been added in as the newest of the two What Up With That backup singers, a role she never played prior to this. Did Vanessa Bayer not feel like reprising this role tonight? Still, I appreciate that SNL surprisingly gave the typically-underutilized Sasheer something to do in this anniversary special.
— I like how Jason Sudeikis’ new beard makes his typical gleeful facial expressions as his dancing red tracksuit character from What Up With That look even more crazed here.
— Ha, Steve wearing a flesh-colored garment under his King Tut costume, ’cause SNL knows nobody wants to see a 60/70-something-year-old Steve Martin shirtless.
— And here comes the best moment of this whole Musical Acts segment, and one of the absolute best moments of this entire anniversary special: the Jaws song from Bill Murray’s Nick The Lounger Singer.
— Bill is absolutely KILLING IT in this hilarious Jaws song, and is showing that, after all these decades, he hasn’t lost a single step as his Nick The Lounge Singer character.
— I think you can even hear Leslie Jones’ distinct laugh off-camera at one point during this Nick The Lounge Singer bit. Also, in the backstage area behind Bill during this segment, Eddie Murphy and Chris Rock (both getting prepared for an upcoming segment) can be seen watching Bill’s musical number, and Chris is clearly loving it.
— Ha, Bill gets so into his intense singing of this Jaws song that he even ad-libs(?) a muted-out passionate shout of “goddamn” at one point. I guess the fact that it was muted out shows that this special is airing on a seven-second delay. They would also mute out what appeared to be an s-bomb from Chris Rock a little later in this special.
— Yeeeaaah, I could do without this geriatric Blues Brothers revival (and you thought it was sad to see 1998 Dan Aykroyd still doing this routine), and I’m not too crazy about the decision to have it close out this whole Musical Acts segment, though it is pretty fun to see all the performers from earlier in this segment gather together onstage during the climax of the Blues Brothers number.
STARS: ***


EDDIE MURPHY TRIBUTE
CSR credits EDM with being his comedic inspiration & saving SNL

EDM is happy to be back at SNL

— Nice and heartfelt words from Chris about Eddie, especially him going into detail of 1) how he was inspired by Eddie to become a comedian, and 2) the important and groundbreaking things Eddie accomplished as a cast member, including saving SNL from cancellation in 1981.
— Chris: “Eddie hosted the show while he was still a cast member. I’m sure the rest of the cast loved that! Shit, I was on the show for three years, I was lucky to get a guest spot on Punky Brewster.”
— Ah, here’s the man of the hour in this Chris Rock segment: Eddie Murphy, making his first SNL appearance in over 30 years. This was a huge deal at the time.
— Aaaaaaaand Eddie’s segment is already over, after he came out, said absolutely NOTHING noteworthy (just generic “Great to be back” mumbo-jumbo), and threw to a commercial. That loud sinking sound you heard was the collective disappointment from SNL fans all over the world. I mean, what the hell?!?!? All that long-winded, glowing build-up from Chris Rock to such a highly-anticipated, long-awaited SNL return for the legendary Eddie Murphy, only for…THAT to be what we end up getting when he finally appeared? An epic letdown, to say the least. I remember how, between all the notoriously bad movies he had been doing since the mid-90s and now this huge disappointment of an SNL return he made here, this anniversary special made me come to the depressing conclusion back in 2015 that Eddie no longer “had it”. Thankfully, the year 2019 would later prove me wrong, between the highly-acclaimed Dolemite movie and Eddie’s SNL hosting stint. I actually haven’t seen the latter yet (for those who don’t know, I’ve been on a hiatus from watching new SNL episodes ever since December 2018), but I’ve certainly heard many glowing things about how successful he was in that episode. (That, the season 44 Adam Sandler-hosted episode, and the season 45 “SNL At Home” episodes are the ones that I’m most eager to watch when I review episodes from December 2018 and beyond. I would’ve included the second Dave Chappelle episode in there, given how much I love his first episode, but I’ve heard some not-so-great things about his second one.)
— What the hell went wrong the end of this? As if Eddie’s little (very little) “Great to be back” speech wasn’t awkward enough, we get an extremely awkward, baffling, and uncomfortable moment afterwards where he confusedly says to someone off-camera, “I thought you guys were gonna.. right there…no?”, then shrugs his shoulders and says “Okay, well, I’ll say it again”, and then proceeds to comically repeat his “Great to be back” speech as the show abruptly goes to commercial. I do admit that him repeating his speech actually made me (and the audience) laugh, but what the hell happened there in general?


BUMPER
bumper slide recognizes former producer Dick Ebersol


INTRO
Derek Jeter & Peyton Manning [real] introduce sports-related clips

— There’s nothing I can really find to say here. A decent pairing of two of the better athlete hosts SNL has ever had, at least.


SPORTS HIGHLIGHTS
sports-related clips

— Again, I can’t find anything to say here, but this is a well-edited reel.


ESPN CLASSIC
Pete Twinkle & Greg Stink do a spot for show sponsor Epilady

— Very nice to see these characters back, and it’s a clever decision to follow the sports highlight reel with this.
— The usual funny clueless comments from Will Forte’s character.
— Jason: “Epilady Feminine Razors – unsightly hair growth can sure be a drag, so when you’re munchin’ carpet, don’t let it be shag! (*long pause while the audience laughs hysterically*) Epilaaaadyyyyy!”
STARS: ****


INTRO
Win Butler & Candice Bergen [real] introduce Miley Cyrus


MUSICAL PERFORMANCE
Miley Cyrus [real] performs “50 Ways to Leave Your Lover”


BAND SHOT
during commercial, Steve Turre [real] plays conch with SNL Band


AUDIENCE Q&A
Jerry Seinfeld [real] takes questions from celebrities in audience

— Jerry Seinfeld’s opening bit about being told that Brian Williams was a member of the original cast probably looked dumb on paper, but was well-delivered by Jerry.
— So fun to spot cast members, hosts, and other celebrities in the audience throughout this segment.
— Uh…I hate to ask, but is John Goodman drunk off his ass here? He certainly sounds it, and it doesn’t seem to be acting.
— Blah at James Franco’s emails bit. Unfunny, and very unnecessary for this anniversary special.
— Ah, the always-hilarious Larry David in his first SNL appearance since his days as a disgruntled writer in season 10. It’s also interesting seeing him here when you know in hindsight that this is just half a year prior to the Bernie Sanders impression giving Larry a renewed life on SNL.
— A nice surprise to see SNL give Ellen Cleghorne her own moment here. Also, her voice sounds almost completely different from how it sounded as a cast member.
— Upcoming SNL host Dakota Johnson asking Jerry Seinfeld for hosting tips is a fitting coincidence, given the fact that, much like her, Jerry himself hosted the first regular episode after SNL’s last anniversary special prior to this: the 25th Anniversary Special.
— Always a delight to see Timmy Meadows.
— Hilarious comment from Tim in regards to Rolling Stone Magazine’s infamous SNL cast ranking.
— Ha, boy, that Randy Quaid comment from Jerry…
— Oh, I forgot about this Sarah Palin appearance.
— Aaaaaand, with Palin’s appearance, we of course get a joke about her hypothetically choosing Donald Trump as her running mate in 2016. Oof, to say the least.
— Jerry, to Larry David: “You goin’ to the afterparty?” Larry: “…….NO!”
— Much like the Eddie Murphy segment earlier tonight, this ends awkwardly, as the director apparently missed his cue to cut to commercial after Jerry says “We’ll be right back” (a line that, in the director’s defense, was kinda drowned out by audience laughter), resulting in a long, awkward stretch of silence until Jerry says into the camera, “What? I said we’ll be right back.”
STARS: ***


MOM JEANS

Rerun from 5/10/03


BUMPER
bumper slide recognizes former photographer Edie Baskin


TRACY MORGAN MOMENT
Alec Baldwin [real] & TIF salute injured TRM

clip of Brian Fellow & parrot

bumper slide recognizes former cast member TRM

— A nice, touching, and funny segment with Tina and Alec honoring a still-injured-from-a-tragic-car-wreck Tracy Morgan. This segment also comes off interesting in hindsight, knowing Tracy would make a big post-injury comeback on SNL the following season.
— Alec’s Tracy Morgan impression always cracks me up.
— I’m glad that the Brian Fellow clip shown here to honor Tracy is from my personal favorite Brian Fellow installment: the parrot-involved one from the season 27 The Rock-hosted episode. I wish this clip of it went on longer, though.


INTRO
Christopher Walken [real] introduces Kanye West

— Wow, Christopher Walken’s brief intro here has a strangely spooky, grim-as-hell color filter on the screen (which is for Kanye West’s about-to-start musical performance), which is jarring but strangely fitting, given Christopher’s knack for naturally coming off creepy.
— Christopher’s voice noticeably sounds very aged and frail here, which is a sign of how much older he’s gotten since his last hosting stint. Presumably, him getting up there in age is the reason he no longer hosts SNL. A shame, because, like many other SNL fans, I’d still like to have seen at least one more Walken hosting stint after his 2008 one.
— Kinda hard to tell, due to how frail his voice sounded, but it sounded like Christopher mispronounced Kanye’s first name as “Can-ye”, which is lovably on-brand for Christopher.
— Oh, and by the way, this brief, straightforward, non-comedic intro sadly ends up being the ONLY thing Christopher gets to do in this entire anniversary special. Are you kidding me, SNL?!? A legendary, beloved recurring host like him being relegated to just doing a very brief, non-comical introduction to a musical guest??? And after how much Christopher memorably stole the show in the Audience Q&A segment from the 25th Anniversary Special???


MUSICAL PERFORMANCE
Kanye West [real] performs “Jesus Walks” & “Only One”

Kanye West, Vic Mensa, Sia [real] perform “Wolves”


INTRO
Louis C.K. [real] introduces clips of SNL films & other non-live material

— I absolutely love the quick, deadpan “Shut up” ad-lib that Louis C.K. jokingly makes in response to one off-camera audience member cheering something at him right after he started speaking.
— Very funny points from Louis about how SNL as a whole needs to be taped, and that they’ve been doing the show wrong for 40 years.


FILM HIGHLIGHTS
clips of SNL films & other non-live material

— Great way to start this, with the “Push button to explode building” bit with Tom Davis in season 7.
— I love the section of this highlight reel where we’re shown the names of famous directors who made some of SNL’s short films.
— As always, my heart warms and my eyes water up from the mere sight of Phil Hartman and Jan Hooks in the Love Is A Dream short.
— The Deep Thoughts clip shown was an excellent choice, and perfectly sums up Jack Handey’s style of humor.
— Some great segues throughout this highlight reel, like how they segue from the aforementioned Deep Thoughts clip to the TV Funhouse opening title sequence.


INTRO
Zach Galifianakis [real] introduces Digital Short

— The usual hilarious gag from Zach Galifianakis that he can sell effortlessly.
— I love the little “Wally, next card, please” comment that Zach randomly says to an off-camera Wally the cue card guy.


THAT’S WHEN YOU BREAK
ADS & ANS salute breaking in sketches with “Simply The Best” variant

— Great how this anniversary special even has a new Lonely Island Digital Short.
— Love this pairing of “Adam Samberg” and “Andy Sandler”, as Zach humorously introduced them as.
— Nice that this short has even given the always-underrated Chris Parnell a supporting role throughout.
— A fantastic premise to this short, focusing on moments of performers breaking in sketches over the years.
— Hilarious involvement from Bill Hader, especially the sudden tone shift after his initial “F(*bleep*)k you!” reaction to being insulted by Andy and Adam.
— Even the random mid-song interlude where Lorne is honored is fun and pulled off well.
— Love that one of the breaking clips is from the ad-lib-heavy Don Rickles episode (one of my all-time favorite episodes).
— The “And here’s another one of Fallon & Sanz” bit is a particularly excellent and memorable part of this short.
— Andy: “(singing) And we also made a movie that bombed!” Adam: “(speaking) Why would you bring that up???”
— Some of the breaking clips shown here are noticeably from dress rehearsal, including a never-before-seen clip of Julianna Margulies breaking HARD when trying to spit apple pie into Chris Kattan’s mouth in the famous Bird Family sketch. Seeing that particular dress rehearsal clip makes it all the more impressive that Margulies and the rest of the performers managed to perfectly keep a straight face in the live version of that sketch (aside from the part where Will Ferrell nearly choked on some food while going off on an angry tirade).
STARS: ****½


BAND SHOT
going to commercial, PAS plays organ with SNL Band


INTRO
BIM introduces In Memoriam reel

A straightforward but classy intro from Bill.


IN MEMORIAM
Leon Pendarvis [real] plays piano during In Memoriam reel

JOL protests his erroneous inclusion in In Memoriam reel

— A wise and fitting decision to precede this In Memoriam reel with a clip of John Belushi in the legendary Don’t Look Back In Anger short.
— Man, right at the very start of the In Memoriam reel, that slow motion close-up of the then-recently-deceased Jan Hooks is already making my eyes tear up, and is reminding me of how emotional I got when reviewing the tribute to her in the then-recent Bill Hader-hosted episode.
— Very classy how this In Memoriam reel is not only featuring cast members, but behind-the-scenes crew members as well.
— I recall it being speculated that the action figure sitting on Phil Hartman’s shoulder in the photo of him is possibly the Charles Rocket action figure from the Saturday Night Live Action Dolls sketch in season 6. It’s not. (side-by-side comparison below)

   

— After Phil’s portion of this In Memoriam reel, we get a clever decision to have Chris Farley’s portion immediately follow the now-legendary clip of him being cradled in Phil’s arms at the end of the So Long Farewell sketch from Phil’s final episode as a cast member.
— Charming and lovely Gilda, fittingly saved for the very end of the non-comedic portion of this In Memoriam reel. My tears from earlier are coming back again…
— Ha, a great callback to the Jon Lovitz gag from the monologue.
— A strong bit after the In Memoriam reel where Bill Murray states that one particular SNL alum death came too late for them to include in the reel, then after a pause, Bill reveals “Generalissimo Francisco Franco…is still dead.” I remember some online SNL fans said their heart practically skipped a beat before the Generalissimo Francisco Franco reveal, as they genuinely thought Bill was being serious about an SNL alum having just died.


WAYNE’S WORLD
Wayne & Garth present the Top Ten Things About SNL

— YES!!!!
— Fun decision to have a typical Wayne & Garth Top Ten list be on the topic of SNL.
— During the first shot of Kanye West getting forced back into his seat in the audience, I like how Taran Killam can be seen behind him initially laughing and then playing along with the gag by jokingly making a serious “Watch it, Kanye” facial expression toward Kanye.
— Mike Myers and Dana’s delivery is noticeably slower than it was even just a few years prior to this when they revived Wayne’s World in Dana’s season 36 hosting stint. They’re still doing absolutely fine here, though, when you accept the fact that they’re not their young selves anymore.
— Solid recovery from the awkward gaffe with the “Wigs” label on the Top Ten board initially being stuck behind another label, and I like how even Kanye gets in on at the action by ad-libbing a “pretend to get up angrily” move after Mike and Dana ad-lib another “Sit down, Kanye!” towards him.
— Love the bit with Mike and Dana both doing spot-on Lorne impressions. Dana’s is especially strong.
— A classy way to end this Wayne’s World segment, by giving SNL’s crew their props for all of their hard work.
STARS: ***½


BUMPER
bumper slide recognizes former writer JID


INTRO
Jack White [real] introduces Paul Simon


MUSICAL PERFORMANCE
Paul Simon [real] performs “Still Crazy After All These Years”


GOODNIGHTS
LOM joins everyone onstage

— Man, look at all the decades of SNL power on that home base stage right now. An absolutely incredible sight to behold.
— Ha, a gathering of the SNL Fallons: Siobhan and Jimmy! (the second-to-last above screencap for these goodnights, though it’s hard to see them behind the scrolling credits)
— Speaking of Siobhan, I believe it was said in a press release that the only cast members SNL invited to this anniversary special were people who were in the cast for more than one season (or, in the case of Martin Short and Billy Crystal, I guess one-season wonders who also hosted), due to space limitations in the audience. If that’s true, how did one-season-wonder Siobhan make it in? In fact, I think I heard that the also-one-season-wonder Denny Dillon was in attendance at this anniversary special.


IMMEDIATE POST-SHOW THOUGHTS
— A very well-put-together anniversary special, and it was an absolute blast to watch and review. As much as I loved the 15th and 25th Anniversary Specials, I really appreciate how this 40th Anniversary Special went in a much different direction than them, especially with how this featured plenty of new sketches. And the novelty of seeing cast members from different eras working together was so fun. Lots of great and well-edited highlight reels, too (my favorites being the ones for New York City, auditions, and short films). And, much like when I watched (but didn’t review) SNL’s 15th and 25th Anniversary Specials earlier in this SNL project when I arrived at those respective parts of SNL’s timeline, I kinda looked at the retrospective aspects of this 40th Anniversary Special as my own personal celebration of how far I’ve made it in this SNL project of mine in such a short amount of time. Given the fact that I’m now 40 seasons into this project as opposed to the comparatively-measly 15 and 25 seasons I was at when watching the previous two anniversary specials, it made me even more proud when the old SNL clips shown in this 40th Anniversary Special would make me reminisce about having previously reviewed those clips in the respective episodes they originally aired in.
— After having watched and reviewed this special right now, I’m so glad I came to the decision to make the one (and ONLY) exception in my strict “I will only review regular episodes in this SNL project; no specials allowed” rule. All the credit in regards to me coming to that decision goes to the people in the comments section of my reviews who convinced me to review this anniversary special. Thank you so much, commenters. I’m not going to lie. The past week or so prior to this review, I had been feeling burned out on doing reviews for this project of mine, and lacking a bit of the motivation I once had for it. Reviewing 40 seasons on a day-to-day basis for 2+ years will do that to you, even if I am currently close to reaching the finish line of this project. Plus, you have to understand just HOW MUCH of my time this project consumes daily. However, watching and reviewing this anniversary special just now has given me a renewed sense of motivation, inspiration, and general appreciation for this huge “review one episode on a daily basis” undertaking I’ve gotten myself into. That renewed motivation, inspiration, and appreciation will hopefully be enough to take me through the remaining amount of time I need to officially complete this project.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS

   


RATED SEGMENTS RANKED FROM BEST TO WORST
That’s When You Break
Celebrity Jeopardy
Justin & Jimmy
ESPN Classic
Wayne’s World
Monologue
Musical Acts
Audience Q&A
Weekend Update
Super Bass-O-Matic 2150
The Californians


My full set of screencaps for this special is here


TOMORROW
Dakota Johnson. After all of the long and hard work it took for me to put this 40th Anniversary review together, it’ll be a relief to go back to reviewing regular, normal-length episodes. Also, given how utterly exhausted I am after spending days putting this 40th Anniversary review together, and the fact that I want to give people enough time to read and comment on this very lengthy 40th Anniversary review, I’ll be posting my review of the Dakota Johnson episode the day after tomorrow. Thanks for understanding.

January 31, 2015 – J.K. Simmons / D’Angelo (S40 E13)

Segments are rated on a scale of 1-5 stars

SUPER BOWL SHUT DOWN
Richard Sherman (JAP) & Marshawn Lynch (KET) get set

— As no surprise, Jay is nailing Richard Sherman’s voice, which is impressive, given how Sherman isn’t widely known for having a distinct, imitable speaking pattern, as far as I know.
— Kenan is funny as an uncooperative Marshawn Lynch.
— Jay has tons of fun energy here, and is carrying this cold opening well.
— Taran has shown up giving a fun, energetic performance of his own, as Pete Carroll.
STARS: ***½


MONOLOGUE
host gives Whiplash treatment to cast member drummers until FRA nails it

— I mentioned this in my review of the season 25 Jerry Seinfeld episode, but it bears repeating here: J.K. Simmons’ only two SNL appearances coincidentally happen to be in the first and last episode between SNL’s last two anniversary specials, the 25th and 40th. The first episode after the 25th Anniversary Special, which was the aforementioned Jerry Seinfeld episode, had J.K. making a guest appearance in the Oz short, and the last episode before the 40th Anniversary Special, which is this episode, has J.K. as the host.
— A decently funny bit with J.K. leading the audience into applauding for his Growing Up Fisher show before mentioning it was canceled, making the audience feel silly for applauding.
— I appreciate J.K.’s mention that he’s the voice of the yellow M&M, which I often forget.
— J.K., when mentioning that he plays a mean band conductor in the movie Whiplash: “That’s not me in real life at all. I’m a nice guy.” Well, that certainly telegraphs where this monologue is going to go.
— I like the mention of Kyle’s trademark oddball short films, with J.K. yelling at him, “This is not your little weird videos!”
— J.K.: “I think all hair is ridiculous.”
— Aidy, after J.K. berates her: “I really miss Blake Shelton!”
— As expected, a good angry outburst from Leslie towards J.K.
— (*Fred Armisen walks on for his 25,355th cameo since leaving SNL less than two full years prior, and Stooge responds to that by staring at the screen in furious, dumbfounded speechlessness for the remainder of this monologue*)
STARS: ***


TOTINO’S SUPER BOWL ACTIVITY PACK FOR WOMEN!
Totino’s Pizza Rolls Super Bowl Activity Pack infantilizes wife (VAB)

 

— Ah, the debut of Vanessa’s beloved Totino’s Pizza Roll ads, which become an annual tradition around every Super Bowl for the remainder of Vanessa’s tenure as a cast member, and goes through an excellent arc over these next few seasons.
— There’s the first of Vanessa’s now-significant mentions of “my hungry guys.”
— The overly simplistic, childish, demeaning activities for wives to do during the Super Bowl are hilarious, and Vanessa is selling this whole thing to absolute PERFECTION. The sticky-hand-on-the-fridge bit is a particularly standout moment.
— An overall fantastic ad, and great debut to this series of Vanessa-starring Totino’s ads.
STARS: *****


MISS TRASH 2015
undesirable (AIB), (CES), (KAM) compete in awful pageant

— Microphone issues for J.K. right out of the gate.
— I admit to getting a cheap laugh from the name of J.K.’s character being DaDonk Fontaine, just because of how it sounded when J.K. delivered it in his trademark voice.
— Kind of a lazy and cliched-feeling premise, one that I’m not excited about. The ladies are selling their roles well enough, at least.
— J.K. is a great straight man in this, especially his blunt delivery of the line, “It says ‘butt’ in English.”
STARS: **½


CINEMA CLASSICS
Nazi realities sway Ilsa (KAM) in Casablanca outtake

— The usual funny “Worst. (insert event here). Ever.” story that Kenan’s Reese De’What discloses in regards to something he once told his wife.
— I love the Ingrid Bergman accent from Kate.
— Kate’s jumpiness to get on the plane after being told that she’ll otherwise be put in a concentration camp is hilarious.
— Kate is executing this premise so damn well, giving an outstanding performance.
STARS: ****½


TEACHER SNOW DAY
instructors go wild when the weather closes school

— Ehh, I’m getting tired of this type of short. It definitely worked for me the first time in Boy Dance Party, but Office Christmas Party was average at best to me, and this Teacher’s Snow Day short just feels old hat. The novelty of this style of short is completely gone by this point. If this short is generally considered by a majority of SNL fans to be a classic or near-classic, put me in the “It’s overrated” camp.
— (*yawn*) Cue Aidy bragging about her ass, as if we’ve NEVER seen her do that before.
— Ha, I do admit I can’t help but crack up at J.K.’s solo part of this music video, just because of his delivery. That’s by far the biggest laughs I’ve gotten from this whole thing so far.
— Solid ending line from Pete (“Oh, I’m definitely passing chemistry now”).
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Really Love”


WEEKEND UPDATE
A One Dimensional Female Character From A Male Driven Comedy filters out COJ’s Super Bowl questions

MIC presents some other African-Americans he thinks should be on stamps

Jebidiah Atkinson slams Grammy Award nominees of the present & past

— Another flubbed Michael Che joke in this first season of his. Thankfully, the set-up that he flubbed tonight turned out to be the set-up to a mini-rant instead of the set-up to a typical quick Update joke, the latter of which would be hurt more by a flubbed set-up. That being said, this particular mini-rant Michael’s doing now isn’t doing much for me. Not his best material.
— For some reason, I thought for sure that the female guest commentator who Colin was setting up when saying “Here to give her thoughts on the Super Bowl is…” was going to be Leslie as herself. Instead, it turns out to be the return of A One Dimensional Female Character From A Male Driven Comedy.
— Tonight’s A One Dimensional Female commentary is basically treading the same ground from her previous commentary, but it’s still working for me. However, I’m getting a little tired of all of the befuddled comments from Colin (playing a similar type of “confused straight man character who excessively points out the already-obvious oddities in the scene he’s appearing in” role that would later be a staple of Mikey Day’s tenure as a cast member), which have gotten old and redundant.
— I got a good laugh from A One Dimensional Female’s line about Colin’s friends being named Fat Jerry and Horny One.
— Despite how tired I am of Colin’s straight man lines to A One Dimensional Female, I did love him asking if the obviously-fake baby she handed him is the baby from American Sniper.
— I love Michael’s whole segment about Black History Month stamps, which makes up for his subpar mini-rant from earlier in tonight’s Update.
— JEBIDIAH ATKISON! Yes! We haven’t seen him in a while.
— Jebidiah Atkinson, on Iggy Azalea: “Hey, Iggy, wake up and smell the azaleas – YOU’RE WHITE! The last time anyone stole THAT much from black people, everybody still dressed like me!”
— Jebidiah Atkinson: “Ugh, The Beatles. If anything, they ruined Yoko!”
— Jebidiah Atkinson, on Frank Sinatra: “His only decent hits were the ones the mafia did for him!”
STARS: ***½


MICROSOFT ASSISTANT
Microsoft Office animation Pushie (BOM) irritates computer user (host)

— Interesting structure to this sketch.
— Bobby is absolutely perfect in this annoying Clippy-esque role.
— A great turn this sketch takes with the emotional change in Bobby-as-Pushie’s tone when instructing J.K. on how to activate the “Disable Pushie” feature. Comically tugging at the heartstrings is something Bobby is typically great at doing.
STARS: ****


THE JAY Z STORY
supposedly-definitive biopic stars very white MOB

— Hilarious concept of a Jay-Z biopic starring Mike O’Brien playing him in a very Mike O’Brien way.
— I absolutely love the muffled scream reaction Mike has to being told by an exec that he’s great at rap.
— A priceless shocked, star-struck look on Pete’s face when Mike’s Jay-Z walks past him.
— Ah, Jason Sudeikis, an SNL alum who actually patiently waited two years to make his first cameo after leaving the cast, and would keep the frequency of his subsequent cameos at a respectable pace. (Hear that, Fred?) Good to see him here as Kanye West.
— Priceless casting of J.K. as Nas in a heated fight he gets into with Mike’s Jay-Z.
— Overall, while this was much different from previous Mike O’Brien short films, I loved this just as much as I typically love his films.
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “The Charade”


CAREER DAY
at career day, (host) tells schoolkids about being a Japanese “messy boy”

— I absolutely love J.K.’s casual reveal of “I am a Japanese messy boy”, and explaining in a perfectly straitlaced manner what exactly that means.
— This material is hilarious, mostly made by J.K.’s excellent delivery. He’s one of those performers who can sell the most absurd lines by delivering them completely straight.
— Leslie has some solid lines throughout this.
— Yeeeeeaaaaah, I’m just gonna ignore that extremely stereotypical Asian accent Taran’s doing over the phone.
STARS: ****½


GOODNIGHTS

— Wow, this is easily one of the longest goodnights not just in recent memory, but in SNL’s entire history. Given the fact that this is the last regular episode before a certain big, live SNL special that’ll be airing, something feels significant about these super-long goodnights.


IMMEDIATE POST-SHOW THOUGHTS
— A solid episode, and the first above average episode in a while. Some very strong highlights in this episode, especially in the post-Weekend Update half, where everything received a rating from me in the impressive 4-5-star range.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS

 


RATED SEGMENTS RANKED FROM BEST TO WORST
Totino’s Super Bowl Activity Pack For Women!
The Jay Z Story
Cinema Classics
Career Day
Microsoft Assistant
Super Bowl Shut Down
Weekend Update
Monologue
Miss Trash 2015
Teacher Snow Day


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Blake Shelton)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Put on your fancy formal wear, everyone! SNL’s 40th Anniversary Special is next, as the one and only special non-regular episode I’ll be reviewing in this SNL project. As a warning, given how that anniversary special is much longer than the 90-minute regular episodes I typically review, thus meaning it’s going to take a lot more time than usual for me to put together a review of that special AND make screencaps from it, there is absolutely no way I’ll have the review ready by tomorrow. Expect it the day after tomorrow at the earliest (it’ll probably be even later than that). Thanks for understanding.

January 24, 2015 – Blake Shelton (S40 E12)

Segments are rated on a scale of 1-5 stars

INSIDE THE NFL
Patriots ballboy (BOM) was responsible for Deflategate

— I remember someone on an SNL message board pointing out that a huge fart sound effect can be heard randomly going off at the beginning of the scene with Beck as Bill Belichick. That “fart sound effect” was actually Beck making a grumbling/growling vocalization in his grumpy portrayal of Belichick.
— Funny performance from Taran as a faux-clueless Tom Brady.
— Bobby immediately coming off goofily lovable.
— Very strong performance from Bobby during his speech, especially when he and Kate get into a heated back-and-forth.
STARS: ***


MONOLOGUE
cast members struggle to get in the spirit of host’s gentle Hee Haw gibes

— Another strong walk-on from Bobby tonight.
— Leslie’s misery during this whole Hee Haw act is a pretty good running gag.
— An overall okay monologue, even if I could barely find anything to say about it.
STARS: ***


FARM HUNK
Hollywood bachelorettes compete for a life in Iowa

— The debut of a sketch theme that would go on to be an annual January tradition for years (not sure if it’s still ongoing today, as I haven’t seen a new episode since 2018). I’ve always personally referred to these as the “Sorry, can I steal him for a sec?” sketches.
— Of all the installments of this annual sketch that I’ve seen, I think this is the only one where the bachelor role is played by that night’s SNL host instead of a cast member.
— Vanessa: “I’m a second grade teacher…in my pornos.”
— I’m enjoying the running theme with each female contestant turning out to have done porn.
— A fun structure this sketch, and each of the ladies has funny lines, particularly an occasionally teary-eyed Aidy.
— The usual scene-stealing appearance from Leslie, and I love the reveal that she’s actually playing herself.
STARS: ****


WISHIN’ BOOT
(KAM), (AIB), (host) sing about magical country shoe

— I remember hating this short when it originally aired, considering it to be lame as hell, and I would subsequently be dumbfounded to see it go on to be well-loved by a lot of SNL fans. Much like some other things that I used to strongly dislike but now want to understand why so many other SNL fans love, I will go into my current viewing of this short with an open mind.
— So far, this is at least a very spot-on and well-detailed spoof of typical country songs and country music videos.
— Still not too crazy about the comedic premise of a wishin’ boot.
— Okay, I do like the scene with Aidy receiving a prison visit from the Wishin Boot’.
— I’m currently near the end of this short, and yeah, I’ve barely been laughing. I’m enjoying it more for its charm than its actual humor.
— Overall, despite my lack of amusement towards this short and the fact that I still can’t understand why a number of SNL fans consider it to be pretty much a classic, I cannot hate this short at all anymore like I used to. It has a charm that I now can’t help but like.
STARS: ***


CELEBRITY FAMILY FEUD
stars of The Voice & American Idol vie

— Kinda unexciting to have an SNL host play themselves in an installment of this sketch.
— Meh, I could do without the return of Kate’s Keith Urban impression.
— I’m not as crazy about the collection of impressions in tonight’s Family Feud sketch compared to the previous two installments of this sketch. Kenan’s always-funny Steve Harvey is the only thing really carrying tonight’s installment so far.
— That’s it? This sketch is over? Easily my least favorite installment of this recurring sketch that has aired by this point.
STARS: **


MUSICAL PERFORMANCE
host performs “Neon Light”


WEEKEND UPDATE
MIC’s goofy high school friend Riblet (BOM) expertly reads news items

gay porn on PED’s computer represents confirmation of his heterosexuality

Nicole (SAZ) fights with ex-boyfriend MIC while giving financial advice

— The debut of Bobby’s Riblet character.
— Bobby is killing it as this Riblet character, and I love how different this feels for an Update commentary, especially with the various turns where Riblet suddenly tells an Update joke in a very professional, straitlaced manner. I also love how they even go through the lengths of showing an altered version of the Update opening title sequence, with Riblet inserted in Michael’s place.
— After the audience’s very iffy reaction to his joke about King Abdullah getting run over by a terrible woman driver, Michael humorously ad-libs “Riblet, everybody”, reminiscent of his great “Prince, ladies and gentlemen” ad-lib from earlier this season.
— Some decent lines from Pete throughout his gay porn anecdote, especially him telling Colin, “You’re like a straight 8 and a gay 10!”
— Second week in a row where we get the long-standing Weekend Update tradition of how the punchline to a joke about the death of a creator of something noteworthy is done in the style of said creation, a tradition that I always like, as I said in my last episode review. This particular joke, about the death of the creator of the instant replay, is fun and memorable, and I like an amused Michael ad-libbing to Colin, after the slow-mo clip of Colin getting hit in the face with a football, “You look so dumb.”
— Hmm, I have absolutely no prior memory of this commentary with Sasheer as Michael’s ex-girlfriend.
— The timing of some portions of Sasheer’s commentary is off.
— I like Colin nervously and slowly sliding out of the shot when he’s asked to chime in on Michael and Sasheer’s tense argument. What was with the extremely delayed camera cut to him, though? That just further proves my point that the timing in some portions of this Michael/Sasheer commentary feels off.
— I am liking the tense back-and-forths between Michael and Sasheer, and it’s an interesting and strangely refreshing novelty to see Michael convincingly acting in a scene like this.
— Ha, we get a very funny sudden twist at the end of Sasheer’s commentary, with her mysterious new boyfriend turning out to be Riblet. Solid callback, and I never would’ve guessed that’s where Sasheer’s commentary was headed.
STARS: ***


PAROLE BOARD
parole board nixes Texas Man Gobbler’s (KET) bid for a redemption

— Given the fact that The Shawshank Redemption is one of my all-time favorite movies, I’m interested in this spoof of Morgan Freeman’s legendary speech from that movie.
— A very funny sudden tone shift after Kenan’s poignant opening speech, with the parole board bluntly revealing that Kenan straight-up ate a person, and that Kenan’s NEVER going to get out of this prison.
— Kenan, when reflecting in regards to his eating people: “Would I do it again? Point me towards a homeless shelter.”
— The whole “last meal” discussion is cracking me up.
— Even the predictable text crawl ending made me laugh.
STARS: ***½


TOPEKA TODAY
widower (TAK) wrote song of 70-year marriage to awful (KAM)

— When Bobby compliments Taran and Blake on how beautiful their song is so far, I laughed at Blake frankly telling him in an un-amused manner, “There’s more.”
— A good dark turn this “loving” song takes, helped by the incongruity of these unflattering lyrics being sung while we see touching young black-and-white photos of Kate’s character. I feel the dark humor here should be going even further, but it’s fine for what it is.
STARS: ***½


MUSICAL PERFORMANCE
host performs “Boys Round Here”


MAGICIAN
formerly-skeptical audience member (host) asks magician (TAK) for powers

— Boy, Blake sure was late on his cue to utter “Fake!”, leading to almost five solid seconds of complete dead air.
— Some of Blake’s desperate requests to the magician are making me laugh, such as “I wanna be a black guy…just for one day” and “Guns for a head!” Otherwise, I’m pretty meh on this sketch.
— Okay, I did get a cheap big laugh just now from Blake’s “Give me the power…to go down on myself.” I also like the subsequent bit with him trying and failing to go down on himself behind the curtain.
— Blah, that “Magic isn’t real!” “I knew it!” twist didn’t come off anywhere near as clever as the writer of this sketch apparently THOUGHT it was. Maybe it was just Blake’s weak execution of that twist that made it not work very well.
STARS: **½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— An average and forgettable episode, in what’s been a string of episodes lately that have either been kinda meh or forgettably average. While there at least wasn’t anything that flopped too hard in this episode, and the first two post-Weekend Update sketches (Parole Board and Topeka Today) had some good dark humor, the only rated segment that stood out as strong to me all night was the “Sorry, can I steal him for a sec?” sketch.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Farm Hunk
Parole Board
Topeka Today
Weekend Update
Inside The NFL
Wishin’ Boot
Monologue
Magician
Celebrity Family Feud


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Kevin Hart)
a very slight step up


My full set of screencaps for this episode is here


TOMORROW
J.K. Simmons

January 17, 2015 – Kevin Hart / Sia (S40 E11)

Segments are rated on a scale of 1-5 stars

MARTIN LUTHER KING
in 2015, high-schooler (PED) helps Martin Luther King Jr. (KET) gauge social progress

— Interesting seeing Pete starring in a cold opening for his first time.
— A variation of the “MLK visits President Obama” cold opening from two seasons prior.
— Wait, Kenan’s MLK isn’t familiar with Obama in this cold opening??? I know I shouldn’t be looking for continuity in a simple SNL cold opening, but still. Hell, even just within this cold opening, the consistency is incredibly thin. Case in point, when Pete mentioned Wu-Tang Clan, Kenan’s MLK didn’t seem confused or lost at all, yet he has no idea who Obama or Macklemore are? So are we to assume MLK’s post-death knowledge of post-1960s figures doesn’t extend past the 90s for some reason?
— Good bit with Kenan’s MLK optimistically and misguidedly thinking the movie Selma must’ve received lots of Oscar nominations.
— Pete: “I’m a white kid……probably.” I take it that’s a tongue-in-cheek reference to how racially ambiguous Pete generally looks. (I mentioned in a previous episode review that, when I first saw a photo of Pete back in September 2014 when he was announced as SNL’s latest hire, I honestly thought he was half-black.)
STARS: ***


MONOLOGUE
host does stand-up about fearing wild animals in his neighborhood

— The humor of Kevin Hart’s raccoon story is very hit-and-miss.
— This has picked up with the bit about Kevin’s son.
— I can’t help but find Kevin’s “I can’t be with a woman that’s been attacked by a mountain lion” bit to be kinda off-putting, even if that may be part of the point.
STARS: **½


CALVIN KLEIN JEANS
Justin Bieber (KAM) plays drums & tries to act grown up

— Good to see they’re doing something different with Kate’s Justin Bieber this time, as the usual routine with Kate just silently doing Bieber gestures was starting to wear a little thin when this impression last appeared a few episodes prior.
— Lots of pretty funny quick little gags, and this is well-edited.
STARS: ***½


WHY’D YOU POST THAT?
(host) lambastes & punishes Instagram transgressors

— Yikes, we’re already getting a huge and awkward technical gaffe early on, as the screen next to Kevin starts malfunctioning during his intro and then fails to show Vanessa’s Instagram photo at the beginning of her interview, leading to lots of painfully awkward vamping from her and Kevin. Poor Vanessa in particular seems completely lost on how to ad-lib her way out of this technical gaffe.
— Yeesh, another technical gaffe, as the chair that Vanessa’s sitting on gets temporarily gets stuck when she and the chair are getting dragged into some kind of smoky dungeon.
— A very slow start to this sketch, as, even ignoring the aforementioned technical issues, Kevin’s questioning of Vanessa wasn’t all that funny. However, the sketch has improved somewhat with Aidy’s interview. This sketch in general is still no great shakes, though.
STARS: **½


BUSHWICK, BROOKLYN 2015
Bushwick thugs (KET), (host), (JAP) have adapted to gentrification

— A very funny cutaway to the Martha’s Mayonnaise shop in this urban neighborhood.
— Lots of other hilarious cutaway visuals of uncharacteristically whitebred/hipster-esque actions from Kevin, Jay, and Kenan’s characters. This is a very well-done and memorable commentary on the gentrification of urban neighborhoods.
— I’m loving even the non-comedic parts of Kevin, Jay, and Kenan’s conversations, just because it has a great realism to it that really puts you into this scene.
STARS: *****


GET ON UP
during a 1971 performance, James Brown (host) seeks assent from his band

— Beck looks hilarious in the background, stiffly dancing in that afro while having an uncomfortable, wide-eyed look on his face.
— Oops, another technical gaffe tonight, as what appears to be a camera accidentally blocks part of the shot right now for a few seconds.
— I like Sasheer’s delivery of “I’m not bringin’ out no damn capes!”
— I’ve always gotten parts of this sketch mixed up with an absolutely DREADFUL sketch from the following season’s episode hosted by………uh…….oof, well, let’s just say a certain host who will be the ultimate chore for me to review and probably the most difficult episode I’ve EVER had to cover in this entire SNL project of mine (you get who I’m talking about now, don’t’cha?), where said host-who-shall-not-be-named plays the laser harp in a band. However, I’m finding this James Brown sketch to be the better of the two. The humor here is only mildly funny, but I’m enjoying the general style of this sketch, and it’s fitting for Kevin.
STARS: ***


NANCY
(VAB) gets clownish music during soap opera cast reunion

— Ugh at the direction the conceit of this sketch is taking.
— Yeah, it’s now a minute or so later, and I haven’t been caring at all for the repeated gag of the farty music only playing for Vanessa.
— I did at least laugh just now at Vanessa’s affable, smiley delivery when telling Kevin, “Um, that doesn’t make any sense.”
STARS: *½


CALVIN KLEIN JEANS
Justin Bieber (KAM) acts immature around a model (CES)

— Some more laughs, even if I’m not finding this to be quite as strong as the first installment of this ad from earlier tonight.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Elastic Heart”


WEEKEND UPDATE
Mrs. Santini (KAM) reads snide notes she wrote to people in her building

— I’m always a sucker for Michael’s rants about a news story, which he does here on the controversy over the lack of Oscar nominations for actors of color.
— The first appearance of Kate’s Mrs. Santini character, an occasionally-appearing recurring character I had completely forgotten about until now.
— A very funny disturbing bit from Kate’s Mrs. Santini about animal skeletons.
— I love the random detail of Mrs. Santini’s notes being written on odd things like a red napkin and a brown paper bag. I also love the increasingly humorous ways she addresses tenants in the salutations of her notes (e.g. “Dear Mario Batali of hot garbage”).
— I always like the long-standing Weekend Update tradition of how the punchline to a joke about the death of a creator of something noteworthy is done in the style of said creation, as we get here with Colin’s joke about the death of Home Shopping Network’s creator. Corny but funny.
— Michael’s addendum to the woman-in-China-cutting-her-husband’s-penis-off-twice story was delivered too awkwardly.
— Wow, an overall fairly short Update. I also think this is the first one-commentary-only Jost/Che-era Update, as well as the first Jost/Che Update to NOT end with a guest commentary.
STARS: ***


THE JOURNEY
everyone in the kingdom but (host) sings about need to flee dragon attack

— Judging from how the first song the characters break out into is immediately followed by Kevin asking them “What the hell was that?!?”, it looks like I’m in for an inferior knock-off of the famous West Side Story/Evita sketches with Norm Macdonald.
— Okay, Kevin’s at least now doing a little more than just emulating what Norm did in the aforementioned West Side Story/Evita sketches, but that’s still not stopping this sketch from being lousy. I’m getting little-to-no enjoyment from this sketch.
— Taran’s extremely low-pitched, stretched-out singing during his solo is funny, at least.
— I was hoping Leslie would save this sketch in her walk-on, but no dice.
STARS: *½


KEVIN’S SON
mannerisms of (LEJ)’s son (JAP) reveal him to have been fathered by host

— I am loving Jay’s impression of Kevin here. Even though he seems to be having trouble keeping the voice at certain points of this sketch, the impression is fun and amusing, especially after this episode had got me so used to hearing and seeing Kevin’s voice and mannerisms.
— A very weak, abrupt, and empty ending.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Chandelier”


LISTENING PARTY
rapper (host) performs song for his crew that reveals their secrets

— Kevin starting his rap with musical yells of “PEW-PEW-PEW-PEW! BOP-BOP-BOP! GUNSHOT SOUNDS! BOP!” is cracking me up, and has stuck in my memory over the years.
— Oh, so THAT’S why Beck’s character had his hand covering his mouth the whole time prior to the lipstick reveal.
— Some funny personal revelations from Kevin about his friends.
— Funny fake-out regarding the song supposedly being over.
— Okay, they don’t have to overdo the “GUNSHOT SOUNDS!” bit all throughout this sketch. It’s not making me laugh as much anymore.
— The second consecutive sketch with a questionable ending, as something about this particular sketch’s ending came off awkwardly executed.
— Did Taran and Cecily seriously go through this entire sketch without uttering a single word, nor having any lyrics about them sung by Kevin? If so, then what was the point of Taran and Cecily even being in this sketch? Were they the victims of last-minute trimming done to this sketch for time reasons?
STARS: ***


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— An extremely average and forgettable episode, so much so, that I can’t even find anything else to say about it here. I’ll at least add that the Bushwick, Brooklyn 2015 short film is one of my favorite segments of this entire season.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Bushwick, Brooklyn 2015
Calvin Klein Jeans (Part 1)
Kevin’s Son
Weekend Update
Martin Luther King
Calvin Klein Jeans (Part 2)
Listening Party
Get On Up
Monologue
Why’d You Post That?
Nancy / The Journey (tie)


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Amy Adams)
a very slight step up


My full set of screencaps for this episode is here


TOMORROW
Blake Shelton

December 20, 2014 – Amy Adams / One Direction (S40 E10)

Segments are rated on a scale of 1-5 stars

A VERY SOMBER CHRISTMAS WITH SAM SMITH / DR. EVIL ADDRESS
Dr. Evil (MIM) thinks North Korea & Sony Pictures should up their game

— At first, I almost thought Beck’s opening voice-over was him attempting to do a Don Pardo vocal imitation.
— Taran’s Sam Smith impression is always funny.
— Was it intentional for Taran to point in the wrong direction when singing the “decorate the tree” lyric? The tree is in the opposite direction he pointed to.
— Wow, Mike Myers as Dr. Evil out of freakin’ nowhere!
— Mike has absolutely still got it as Dr. Evil.
— Ha, when this originally aired, I remember wondering if that Uber mention from Dr. Evil infuriated the SNL fans who complained online about the various Uber mentions that this season’s Chris Rock episode contained.
— Some good lines and slams from Mike’s Dr. Evil here, including the self-deprecating Love Guru slam. However, the humor in this Dr. Evil speech isn’t quite as strong as I want it to be, and a few of his slams feel too tame.
STARS: ***½


MONOLOGUE
KRW adds pizzazz to host’s rendition of “We Need A Little Christmas”

— MUSICAL MONOLOGUE WARNING
— Wait, screw what I said above. More like: KRISTEN WIIG CAMEO WARNING
— The audience proceeds to give Kristen’s entrance what practically feels like a 30-second applause break. Oh, so you mean she’s NOT still in the cast? Could’ve fooled me with how often she’s appeared after leaving.
— Amy Adams, to Kristen: “Isn’t this the second time you’ve crashed my monologue?” Hell, Amy, it’s the second time Kristen crashed someone’s monologue THIS SEASON. Also, to nitpick, Kristen technically didn’t crash your previous monologue, Amy. You brought her up onstage yourself to address the facial resemblance that people say you and her have.
— At least Kristen appearing in Bill Hader’s monologue earlier this season made sense, given the Skeleton Twins movie Bill was promoting. But this??? Come the hell on, SNL. Learn to cut the umbilical cord with Kristen already!
— I did at least get a laugh just now from Kristen randomly telling an SNL stagehand, “Thank you, Mariah Carey.” Kristen is admittedly always solid at delivering random one-liners like that in a very straitlaced, deadpan manner.
— Ugh, this Wiig-involved “We Need A Little Christmas” musical number is a chore to sit through. And I hate that I’m being so salty towards such a jolly, fun-loving traditional Christmas song, but a Wiig cameo in an era bombarded with Wiig cameos tends to have that effect on me.
STARS: *½


ASIAN AMERICAN DOLL
to avoid political incorrectness, Asian American Doll is a blank slate

— I love Cecily-as-the-voice-over’s disclosure that the company had to have a lot of sensitivity meetings about their doll.
— Yikes, an odd audio gaffe during a close-up of Vanessa (in the ONLY appearance she’ll be making all night, by the way) speaking, where you can hear audio of an SNL stagehand testing out a microphone live in SNL’s studio, which drowns out the line that Vanessa’s saying at this moment.
— Cecily, in a kind manner, towards the little girl asking a string of questions about the Asian American Doll: “You ask a lot of questions. You should go play outside”, a very funny line that’s accompanied by a great shot of Vanessa guiding that little girl out of the room.
— Hilarious bit with Vanessa getting cut off when struggling badly to come up with a non-offensive phrase that the Asian American Doll can say when you pull her string.
— So many fantastic lines from Cecily, doing terrific work as the commercial’s voice-over.
— An absolutely priceless bit with one of the little girls questioning the puppy and chef hat accessories by wondering if the chef hat is so the doll can eat the puppy because she’s Asian, resulting in Cecily as the voice-over going into a total panic and Vanessa nervously leaving the room in a hurry. To me, that’s the moment that officially propels this already-perfect commercial into a bonafide classic.
— I feel that, in a lot of ways, this commercial is like a companion piece to The Dudleys commercial from earlier this season in the Woody Harrelson episode. (And Chris Kelly & Sarah Schneider wrote both, I believe.) As fantastic and sharp as that Dudleys commercial is, I’ve personally always felt that this Asian American Doll commercial is an even better variation of that concept, which is why I only gave The Dudleys a four-and-a-half-star rating in my review of it. I was saving the five-star rating for this.
STARS: *****


TENDERFIELD CHRISTMAS 2014
family’s video Christmas card documents unhappy events from the past year

— An interesting and unique structure to this sketch.
— I like the way the “…in my Christmas sweatpants!” lyric is being used as a recurring lyric throughout this, especially whenever it’s said after a disturbing revelation.
— I’m enjoying the increasingly unfortunate family stories being told.
— The way this ended felt kinda flat.
STARS: ***


SERIAL
Sarah Koenig’s (CES) podcast has Kris Kringle (KYM) skepticism

— I’m admittedly not familiar at all with Serial, but that’s never stopped me from finding this spoof of it to be absolutely fantastic. Even without having any familiarity with the source material, I have no trouble following the tone and style that this spoof is going for, and this spoof absolutely works for me on its own merits.
— Another outstanding performance from Cecily tonight.
— I absolutely love Kyle as a realistic, dodgy Kris Kringle. In particular, the phone calls messages of him throughout this are excellent.
— Man, the tone of this short, the acting, the humor, the way such a silly concept is being played so straight… everything in this is pure perfection.
— The courtroom sketch drawing of Aidy is hilarious, and is accompanied perfectly by the specific voice she’s using in her voice-over during it.
— Overall, an absolutely brilliant pre-tape, a season highlight, and an SNL highlight in general. I remember there were a lot of SNL reviewers at the time who didn’t like this Serial spoof at all and considered it to be overlong and a complete bore, and I wouldn’t be surprised if there are some SNL fans who still feel that way about it today, but let’s just say I strongly disagree and can’t understand the negativity.
STARS: *****


GIRLFRIENDS TALK SHOW
dance squad members (musical guest) enchant Morgan

— Much like the Ex-Porn Stars recurring sketch, this Girlfriends Talk Show recurring sketch making its first appearance this far into the season is proof that it’s being phased out.
— I love Aidy’s delivery of her character’s awkward attempt at a sassy comeback: “You better take your chewable vitamins…along with your bitch sandwich…and then…go ahead and sit on the sandwich AS WELL!”
— Cue the incessant screams from teen girls in the audience upon One Direction making their obligatory sketch appearance of the night.
— Cecily’s “My boyfriend’s crazy” stories are beyond formulaic and tired by this point.
— Overall, aside from some good lines from Aidy as usual, this recurring sketch continues to be well past its expiration date, and the unnecessary One Direction involvement didn’t exactly help solve my lack of enthusiasm towards this sketch.
STARS: **


OFFICE CHRISTMAS PARTY
workers go mildly wild in corporate environment

— The first of many Pete Davidson rap videos, though, IIRC, these don’t become a regular thing until years later.
— The song itself isn’t very catchy, unlike a lot of SNL’s songs in this type of music video in this era (e.g. Boy Dance Party), but there are enough amusing things shown happening in this video, such as a drunken, uncontrolled Aidy diving into the Christmas tree. However, I’m not finding this short anywhere near as epic as SNL wants me to.
— Something about Pete’s rapper voice is coming off Samberg-lite at certain points of this short, though I know that’s not intentional.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Night Changes”


WEEKEND UPDATE
sniper attention leads BOM to call off his Kim Jong-un impression

MIC’s hard-luck neighbor Willie (KET) has unwarranted positive attitude

songs from Hanukkah album by Garth & Kat seem rather off-the-cuff

 

— The direct message that Michael delivers towards Kim Jong-un is funny, right from his memorable opening line: “Look, Kimberly….”
— A solid meta turn to Bobby’s Kim Jong-un commentary, reminding me of the Update commentary that Andy Samberg once did as Sarah Palin.
— The sniper laser bit is a very funny ending to Bobby’s commentary, as is him trying to save face by claiming he’s Seth Rogen.
— Ah, our very first of many instances over the years of Michael or Colin doing an Update joke where the punchline is about their co-anchor. In tonight’s case, Michael’s “Now That’s What Jost Calls Music” punchline was hilarious, as was the accompanying photo of that album cover (the fifth-to-last above screencap for this Update).
— The debut of Kenan’s Willie character, who I’ve always loved.
— Lots of funny depressing stories from Willie about himself, delivered in a jolly manner. However, with this being his first appearance, the disturbing nature of his stories is fairly tame here compared to later appearances of his, where they up the ante on the disturbing humor.
— I recall hearing that Michael took some heat from some online SNL fans for his mispronunciation of “sedatives”, leading him to go off on one of his infamous back-and-forth arguments with people online. Did such a heated, nasty argument really break out over a mere (and understandable) mispronunciation of a word? Geez, I guess it’s a good thing social media didn’t exist yet when Joe Pesci mispronounced “maniacal” in a Joe Pesci Show sketch he cameoed in.
— The return of Garth & Kat?!?? ARE YOU FUCKING KIDDI– (*without even finishing that last sentence, Stooge immediately douses himself with gasoline and sets himself aflame, welcoming the sweet pain that brings, finding it to be far more soothing than sitting through another dreaded Garth & Kat commentary*)
— Once again, I ask, has Kristen Wiig left the cast? Oh, the same goes for Fred Armisen, for that matter.
— Oh, how I look forward to seeing these wretched Garth & Kat characters deservedly bomb HARD with the audience when they appear in SNL’s then-upcoming 40th Anniversary Special that I’ll be reviewing when we come to that point of this season.
STARS: *** (as usual, Garth & Kat’s commentary was bad and overlong enough to bring Weekend Update’s rating down half a star)


A VERY CUBAN CHRISTMAS
lifted embargo inspires a scattershot special

— Because we didn’t already have enough Fred Armisen in our lives, we now hear him doing the voice-over throughout this sketch. Is he further trying to prove my point that it doesn’t feel like he ever left the cast?
— So far, the format of this sketch seems very boring, and seems like the type of “musical TV special” sketch I often dislike in recent SNL seasons like this.
— It’s now a minute-and-a-half later, and yep, I’m indeed very bored by this sketch.
— Kate playing her stock “brash hardass” role. As been-there-done-that as it feels here, it’s still working more for me than almost anything else in this sketch.
— Aaaaaaand there goes Fred now appearing in person in this sketch. (*sigh*) I know he’s part Venezuelan, but his appearance in this Cuban sketch still feels completely unnecessary. Lorne’s endless hard-on for nostalgia towards SNL’s then-recent late 00s/early 10s era just makes me shake my head, given how way-too-recent that era is at this point in 2014 for constant nostalgia and mini-reunions.
— Poor Beck has been almost completely non-existent tonight. I could use his and Vanessa’s extreme lack of appearances tonight as another excuse to bitch about how Fred and Kristen are taking away airtime from actual current cast members, but I don’t even have the strength anymore.
— Not even the Obama bit is anything great.
STARS: *½


MUSICAL PERFORMANCE
musical guest performs “Ready to Run”


A MAGICAL CHRISTMAS
in 1947, raccoons (KAM), (host), (CES) get to be human nightclub singers

— I recall absolutely hating this sketch when it originally aired, dismissing it as typical James Anderson/Kent Sublette-written tripe. However, it would later grow on me. I’m not even fully sure why it grew on me, but I think it has to do with the fact that, when re-watching it and knowing in hindsight about the raccoon reveal at the end, it causes Amy, Kate, and Cecily’s questionable actions to make sense and come off funnier to me than it did when I originally watched this sketch live and had no knowledge of the ending twist that was coming.
— I’m still enjoying this sketch in my current viewing, despite some typical annoying Anderson/Sublette tropes in this (e.g. Amy’s character being named Frebecca).
— The comically brief songs from the ladies are amusing me.
— As I somewhat implied above, I strangely like the ending reveal of the ladies actually being raccoons, and I also like the silly visual of puppet raccoons singing one of the (oddly catchy) brief jingles from earlier in this sketch.
STARS: ***


WHISKERS R’ WE
Barbara & her new girlfriend (host) give away cats

— Are literally half of this episode’s sketches (including the monologue) written by Anderson and/or Sublette?
— I liked this sketch in its first installment, but I can’t say this is working much for me as a recurring sketch. I’m finding most of the humor here only mildly funny at best. And it’s pure laziness to just repeat the same sexually frisky behavior that the character played by the host displays towards Kate’s character. At least give the character played by the host their own individual characteristic in each installment of this sketch.
— I did like Kate’s line just now towards a touchy-feely Amy: “I think you know where the cat ends and my boobs begin.”
STARS: **½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— Despite two outstanding highlights, both of which are all-time favorites of mine (Asian American Doll and Serial), this episode was fairly meh as a whole. There were too many things that I either didn’t care for or felt were forgettably average, there was too much of the tired and completely unnecessary cameos from Kristen Wiig and Fred Armisen, and there was a little too much of a “James Anderson/Kent Sublette influence” feel to the night (even if I liked their raccoons sketch).


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Asian American Doll
Serial
A Very Somber Christmas with Sam Smith / Dr. Evil Address
A Magical Christmas
Weekend Update
Tenderfield Christmas 2014
Office Christmas Party
Girlfriends Talk Show
Whiskers R’ We
A Very Cuban Christmas
Monologue


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Martin Freeman)
a big step down


My full set of screencaps for this episode is here


TOMORROW
We enter the year 2015, with host Kevin Hart