November 11, 2000 – Calista Flockhart / Ricky Martin (S26 E5)

Segments are rated on a scale of 1-5 stars

THE PRESIDENTIAL COUPLE
odd couple George W. Bush (WIF) & Al Gore (DAH) will share the presidency

— SNL does their very first parody of the historic Florida recounts fiasco that prevented us that week from finding out the winner of the 2000 presidential election. SNL will be making comedy gold out of these recounts during these next two months.
— I remember when this cold opening originally aired, I didn’t understand why Will’s Bush was wearing a small band-aid on his face, especially since it’s never addressed here. I wondered if maybe something happened to Will himself, until I saw him in later sketches tonight without a band-aid. I didn’t find out until the Weekend Update from later in this episode that the real Bush sported a small band-aid on his face that week.
— Bush: “We don’t want to be dividers. We want to be unificators.”
— Fantastic turn with Bush and Gore mutually deciding that they’ll both be president.
— An absolutely hilarious Odd Couple-esque opening credits sequence for this dual presidency. Classic.
— I love Bush and Gore demonstrating the use of rock-paper-scissors to settle their disputes.
— We get our very first instance of Darrell’s Gore famously complaining about someone being “snippy”, which was based on a complaint from the real Gore at the time.
STARS: *****


MONOLOGUE
host gives constructive criticism to Ally McBeal (RAD)

— Good sudden entrance from Rachel’s Ally McBeal impression.
— There is a somewhat uncanny resemblance between Calista Flockhart and Rachel whenever Rachel makes those Ally McBeal facial expressions. This reminds me of Rachel playing Christina Ricci’s twin in Ricci’s monologue from the preceding season.
— Calista makes a self-deprecating dig at all of the criticisms of her own thinness, by telling Rachel’s McBeal “For god’s sake, eat a burger!”
— Solid part with Rachel and Calista both saying the same rant in unison. Perfect timing there on both Rachel and Calista’s parts, so much so, that I remember it kinda creeped out then-teenage me at the time, but then again, teenage me also always found it creepy when twins speak in unison.
STARS: ***½


CRACKLIN’ OAT FLAKES
(WIF) raves after eating MDMA-containing Cracklin’ Oat Flakes

 

— Hilarious turn with Crackin’ Oat Flakes containing ecstasy of all things. Great image of the Cat In The Hat-dressed raver on the cereal box too.
— All of the crazy actions from Will on ecstasy are absolutely priceless. This is such a perfect Will Ferrell-y commercial that it’s hard to imagine anyone else selling this as well as he is.
— A great rave-type commercial jingle, and lots of great screen effects all throughout this commercial.
— Ha, what in the world is that stuff that Will can be seen insanely smearing all over his face during one brief part?
STARS: *****


GORE RALLY
at a Democratic rally, Marty & Bobbi perform a political medley

— A good topical setting for The Culps.
— Calista’s intro is quite longer than the usual intros that hosts give to The Culps, but Calista’s entire bit is solid.
— Good energetic applause from the audience when The Culps make their entrance tonight.
— Some great laughs from Marty Culp describing his after-effects of being blasted back by an amplifier earlier in the day.
— Tonight’s Culps song medley is coming off even more fun than usual, with how it’s relating to the elections. I particularly love the Culps’ take on the song “You Ain’t Seen Nothing Yet”, a take which has really stuck in my memory over the years.
— Overall, one of the best Culps sketches.
STARS: ****


NICK BURNS, YOUR COMPANY’S COMPUTER GUY
a fellow tech support worker (host) gives Nick Burns his first kiss

— Ah, a good change of pace for a Nick Burns sketch.
— This ends up being the ONLY Nick Burns sketch that appears in this entire season, which I suppose is good news for those of you who don’t like these sketches. I think I’m in the minority, but I personally have never had much of a problem with these sketches, except that some installments of them can feel a little too same-y, though that’s certainly not the case in tonight’s installment.
— Some pretty good laughs from the nerdy insider tech jokes between Nick and his friends.
— I like Kattan doing a variation of his usual “I don’t like that guy” line from the beginning of each of these Nick Burns sketches, by telling Nick and his friends “I don’t like you guys” before dashing out of the office.
— Parnell’s screenname being Sexyman48 is pretty funny.
— Jimmy’s been making quite a lot of PlayStation 2 mentions on SNL lately.
— I like how we’re actually getting some character development with Nick Burns in this sketch, which feels rare for recurring characters in recent decades like this.
— Nice twist at the end with having Calista say Nick Burns’ usual ending line “And by the way… you’re welcoooome!” after their kiss.
STARS: ***½


VICE PRESIDENTIAL ADDRESS
Al Gore (DAH) wants his constituency to be able to revote

— Great to see another Gore sketch tonight addressing the Florida recounts.
— I love Darrell’s Gore going on about how “complicated” and “confusing” the ballots are.
— Plenty of laughs from Gore’s examples of the difficult time that some old people had in figuring out the ballots, especially the mention of one old couple eating their ballots.
— A hilarious line mentioning that the African-American and elderly Jewish residents will be given ballots printed in English, Hebrew, and Ebonics.
— Overall, a fantastic political piece, with perfect writing and an excellent Darrell Hammond performance. Tonight’s episode is on an absolute roll with all of this election-related satire.
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “She Bangs”


WEEKEND UPDATE
Bill Clinton (DAH) & Janet Reno (WIF) react to presidential uncertainty
in a terrible re-enactment, the Queen Mother (CHK) breaks her collarbone
Cameron Diaz (host), Drew Barrymore (RAD), Lucy Liu (MAR) excite JIF

— Ah, you KNOW there’s gonna be lots of good riffing on the Florida recounts here.
— Great to see yet another Darrell-as-Bill-Clinton commentary on Update, which usually always kill.
— I love Darrell’s Clinton questioning “Do we really need a president?”
— Great turn in the Clinton commentary, with Will’s always-hilarious Janet Reno impression suddenly interrupting. Will plays her so rarely by this point.
— Janet Reno: “I’ve held barbecues in Texas before, and I’ll be more than happy to go there and spark up another!” A fantastic reference to the whole Branch Davidians/Waco incident from 1993.
— Some unintentional laughs from Will’s real-life difficulty in saying the word “outsmart”.
— We get our very first edition of Kattan’s “Terrible Re-Enactments”, a silly quick gag that worked for me tonight. Goofy bits like this show how much fun SNL has been having with this new era of Weekend Update. I can never in a million years imagine something like “Terrible Re-Enactments” appearing in the Colin Quinn era of Update.
— I like the cutaway to an unhappy Tina telling Jimmy to focus when he’s being too distracted by the Charlie’s Angels actresses’ lovey-dovey interactions with each other.
— After the Charlie’s Angels commentary, the camera mistakenly cuts to Tina while displaying a graphic of a news picture next to her, as if it’s her turn to tell the next joke, but Tina then humorously tells the cameraman “The other dude”, which is followed by the camera cutting to a taken-aback Jimmy, who then does the next joke.
STARS: ****


THE CROCODILE HUNTER
Steve (CHK) & Terri (host) Irwin are attacked

— Yeah, not sure we needed to see this sketch return, as I wasn’t crazy about it when I reviewed the first installment in the preceding season. I do remember finding these sketches pretty hilarious when I was a teenager, though. My original review of tonight’s episode that I wrote back in 2000 is unfortunately lost, but I’m assuming that then-teenage me gave this sketch a fairly high rating back then in my review.
— Back when this episode originally aired, I remember someone on an online SNL board pointing out that Calista, in this sketch, looked strangely like Amanda Bynes, who, at the time, was still just a teenager and appearing in Nickelodeon shows. Calista could almost pass for a teenager herself in tonight’s episode, by the way. She has a very youthful face.
— I see that unlike the first Crocodile Hunter sketch, the bloody injuries are happening to Steve Irwin’s wife Terri instead of Steve himself. Still not very funny, though.
— In an interview years later, Jerry Minor shared a story about how the African characters that he and Tracy play in this sketch were originally written to look like very stereotypical, spear-carrying jungle natives, complete with a bone sticking through their respective nose. Jesus Christ, this really shows how bad SNL’s white writers typically are at writing for black performers. (Damon Wayans has a similar story about how he once refused to perform in a “Master Thespian in Africa” sketch in season 11, because they wanted him to dress in a similarly offensive way that Jerry and Tracy were originally written to be dressed in this Crocodile Hunter sketch.) During the table read, when seeing the ridiculousness of how his and Tracy’s characters were written to look, Jerry spoke up and suggested that his and Tracy’s African characters instead be dressed as military officials, to make their characters really come off threatening. SNL ended up going with that idea.
STARS: **


MUSICAL PERFORMANCE
after ejecting a faux Ricky Martin (CHK), musical guest performs “Loaded”

— An interesting out-of-the-ordinary fake-out at the beginning of this musical performance, with it being revealed that the Ricky Martin we’re seeing is actually just Kattan impersonating him, before the real Ricky shows up. I love when SNL breaks format like this, especially in more recent decades like the one that this episode comes from, as format-breaking has become such a rarity on SNL in recent decades (then again, the very next episode, hosted by a certain unique someone who I will name at the very end of this review, will be having A LOT of format-breaking, for better or worse).
— Interesting how tonight’s host and musical guest have BOTH been impersonated by a cast member while standing right next to them, at separate parts of this episode.


LADIES & COCKTAILS
middle-aged barflies’ (MOS) & (host) advances creep out (JEM) & (JIF)

— Geez, is this the first time we’re seeing Molly ALL NIGHT??? I’m telling you people, as this season progresses, Molly has gradually been coming off more and more out of place as a veteran in this cast. Again, I ask, why couldn’t she have left with Cheri?
— I can already tell I’m not going to care much for this “new” character of Molly’s. It’s feeling like Molly is just treading old territory here.
— A pretty good laugh from Will’s sleazy character saying he’s gonna go and shake the dew off of his “lily”.
— I do admit that some of Molly and Calista’s dirty, gross one-liners to Jimmy and Jerry are making me laugh, but I’m still not crazy about some of this sketch.
— I’m still waiting for SNL to start letting Jerry show his strengths as a performer. So far in his tenure, aside from the old-school rappers bit in the season premiere, SNL has been wasting him in nothing but generic, dull roles, including this sketch.
— Spit-takes tend to come off hacky at times, but I’m not gonna lie – Jimmy and Jerry’s double spit-take just now made me laugh out loud.
— Will is stealing this sketch in his occasional walk-ons.
— The very funny visual of Will pouring powder down the front of his pants results in Molly breaking as usual. It seems to be almost impossible for Molly by this late stage of her SNL tenure to make it through a single sketch without cracking up out of character.
STARS: **½


CBS SPORTS
Dan Rather (DAH) uses loony expressions while projecting NBA winners

— This sketch is already starting off hilarious with some priceless analogies from Darrell’s Dan Rather.
— A great way of making fun of CBS jumping the gun with that year’s election results.
— This election season in general has been giving Darrell what has got to be his best airtime of his entire SNL tenure, and tonight’s episode in particular just may be his single greatest night on SNL.
— Dan Rather, on Utah’s excitement over the Jazz being the next NBA champions: “It’s gotta be New Years Eve, 4th of July, and your first handjob all rolled into one.”
— Even Darrell-as-Rather’s ending sign-off was hilarious, with his Soul Train reference.
STARS: ****½


GOODNIGHTS

— Horatio, who wasn’t in ANY sketches at all tonight, can be seen in these goodnights dressed as Babar The Elephant. The reason he’s in this costume is because a sketch was going to air in which, IIRC, Babar The Elephant tried to vote in the presidential elections (my memory of the description for this cut sketch is fuzzy, as I last read it way back in the early 2000s from, I believe, an online SNL fan who went to this episode’s dress rehearsal), which would’ve made this yet ANOTHER election-related sketch in tonight’s episode. This sketch was going to be Horatio’s first and only appearance all night, but the show ran long and the sketch had to get cut at the last minute. Man, so far this season, Horatio has been having a rough go in terms of airtime. The show has barely been doing anything with him.


IMMEDIATE POST-SHOW THOUGHTS
— A very strong episode. Lots of highly-rated sketches, THREE of which received a perfect five star-rating, and lots of fantastic material centered on the historic Florida recounts. I remember feeling that this episode’s very topical nature with the heavy focus on the Florida recounts was really fun at the time, but it’s also fun in retrospect, twenty years later, as it provides a fascinating time capsule of what a confusing, crazy time this was for the nation.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Charlize Theron)
a step up


My full set of screencaps for this episode is here


TOMORROW
Tom Green. Hoo, boy. Needless to say, this is going to be quite an odd episode to review.

15 Replies to “November 11, 2000 – Calista Flockhart / Ricky Martin (S26 E5)”

  1. I’ll be honest, I’ve grown really appreciative of Tom Green over the years (I didn’t like him at the time) – I wouldn’t mind seeing his episode again.

  2. I’m also a fan of Nick Burns. It has a similar vibe to a lot of the late 80s/early 90s sketches I like, such as Richmeister or Unfrozen Caveman Lawyer. Fallon’s delivery could be better but I appreciate the concept. Also I’ve worked in tech support so I appreciate the subject matter and friendly jabs at IT people 🙂 . The Brits later made a whole sitcom around the concept called The IT Crowd which is pretty funny.

  3. The media was RELENTLESS about Calista Flockhart’s figure (for the children reading, Ally McBeal was a very zeitgeist-y, pop culture phenomenon in its first few seasons), so I love the utter satisfaction on her face after telling Ally to eat a burger. Speaking of 2000, Ricky Martin was and remains sex on a stick.

    I still remember that Tina “it’s the other dude” moment! I love when hosts show up on WU, and the goofy Queen Elizabeth bit cracks me up.

    Now we have to go from this to Tom Green??? Uggghhhhh.

  4. This episode is another that I have vague memories of watching at the time – the Odd Couple sketch came back when I saw your writeup. And the Charlie’s Angels Update piece did as well. Unfortunately it’s also an episode that is all but impossible to find online – Hulu doesn’t have this season, there are only two clips on NBC’s site and some on Youtube that I got to see mostly through hard work. So your review really is very invaluable for long-term preservation.

    I absolutely could not stomach Ally McBeal, and it wasn’t difficult to let that dislike trickle down to the actress who played her, but Calista Flockhart really did prove herself here (as she would several times over later in her career). She had a theatrical background, which undoubtedly helped with confidence playing live material, but also in being willing to go on SNL after some of the tough punches thrown her way the previous season. She was a fine host and I’m glad she got the opportunity. The Charlie’s Angel Update piece is just hilarious – she’s right on par with Rachel and Maya, which isn’t easy, as this type of stuff is Rachel at her best (who else could get so many laughs out of calling everyone “Pooh”?). Seeing Jimmy get drawn into their vapidity as Tina puts her foot down is a great use of this Update team dynamics.

    My main complaints about the Nick Burns sketches are down to casting and repetition – you essentially have a very handsome, confident guy awkwardly trying to play a nerd who goes around being horrible to people for kicks. Many past SNL recurring bits would have characters who were either unknowingly unbearable, or who were badly treated by the people they met. There were a few exceptions, like Phil’s Frank Sinatra, but Phil could pull that type of material off. The earlier Nick Burns sketches felt more like an SNL twist on Mad TV, whose popular recurring characters around this point were just incredibly horrible to everyone. The main difference is that someone like the Vancome Lady wasn’t supposed to be likeable (she would be fired or get run out of town most of the time), which is the type of role that Jimmy just couldn’t pull off – and the show rarely had other characters seriously confront Nick. So you get a lot of confused unpleasantries and not much else. Seth Meyers ended up doing his own variation of this character, which was also pretty annoying, but was a little more tolerable for me because the hosts were often thrown in and we got a battle back and forth.

    Presumably someone at SNL had some concerns of their own, given the big format shakeup in this one. He was mostly horrible to someone just like him, and we got to see him on the backfoot with Calista’s character. Calista did a fine job with her role, and worked well with Fallon. Having the sketch end with her kissing him and saying his catchphrase as he looked on in muted shock was a great idea. I wish this had been the last one as it would have been a perfect close.

    That 7 minute Gore piece must have been hell for Hammond, but he absolutely nailed it. You could sort of sense the not-so-subtle disdain toward Gore in the writing (about pursing legal action – this was a common complaint against him at the time), but Hammond never lets that seep into his performance.

    Did James Anderson write or co-write that Molly sketch? It’s not far off the type of hammy stuff he gives Cecily and Kate in recent years. The only other thought I had while watching this was that I think someone was inspired, at least stylistically, by the Ruby Romaine character:

    1. Were you referring to the Seth character of “Zinger”? While not the greatest concept in the world, I have a guilty pleasure love for those sketches, both due to the hosts and Chris Parnell’s affable straight man.

    2. Yeah. I have a soft spot for sketch Seth (he himself has said repeatedly that he was poor in sketches), so I give him some leeway. I do enjoy some of the Zingers.

      I had forgotten, or blocked out, that a lot of the ‘bad boys’ era material did sort of pave the way for these Nick Burns sketches, only those were much worse. Maybe the trauma of some of that stuff is one of the reasons these make me bristle.

  5. Is this Molly character a pre cursor to Sheila Souvage? I’d bet Paula Pell wrote this one as well.

    I believe the bar setting in that sketch is the same one used in the Norm episode from the previous season

  6. I just watched this one again recently and overall, just a fantastic episode from an unexpectedly good host. I believe this is the only time they’ve done what Tina calls sneaker-uppers for both the host and musical guest in the same episode.

    This episode plays a big role in my SNL fandom. While looking online for sketches from the Dana Carvey episode I stumbled upon stes like alt.snl.tv, Frank Serpas’s SNL episode guide which Stooge uses for these reviews, Sean Bradley’s saturday-night-live.com and SNL transcripts.

    This episode is also the first time I heard about the theory that whoever is Conan’s guest on Thursday is that weeks SNL host. People online got really excited because it was announced beforehand that Adam Sandler was going to be on November 9th to promote Little Nicky and the rumors that he was going to host this episode ran wild on SNL fan sites and messages boards. I was crushed during the Charlize Theron episode when Don Pardo announced “Next week: Calista Flockhart with musical guest Ricky Martin”. I also remember hearing about that Babar sketch that Stooge mentioned on a fan site.

  7. When a big news story happens and some normie says “I can’t wait to see what SNL does with THIS” I think this is the kind of episode they should really be hoping for. Nowadays, SNL will take a huge, juicy news story, compile all their best gags and concepts and roll them into one long, aimless sketch. Modern SNL (2010 to current) is packed with confused, ill-written sketch concepts absolutely packed with sound, solid jokes. The small pieces are generally good, but the whole is far less than the sum of its parts.

    This episode gets that part absolutely bang on. With one of the craziest news cycles in the show’s pre-9/11 and pre-Trump history, SNL lets that speak into roughly 60% per cent of the show. That leads to direct parodies (“The Odd Couple” – leaps and bounds better than the debate sketches) and indirect parodies (CBS Sports – maybe my favorite of the night), as well as bolstered rehashes (The Culps) and an especially zesty Update. Each of these sketches (including the very strong Gore piece) approach the subject from different angles. There’s no overkill, but they wring every laugh possible out of the fiasco and continue to for the next few weeks. The big bonus is that when the show veers away from the big story, as it must, they have a game host who helps keep things lively throughout. This is one of the more underrated and impressive episodes of this era.

    1. Brilliantly said.

      The show also seems to be very afraid of tackling events now – afraid, apathetic, or both. I have my share of criticisms of the writing in this era, but they really did go for it, leaped right into the fray for coverage, and the decision paid off.

  8. Funny I remember the South Park episode on the election more than this snl episode. I seem to remember South Park getting more attention but maybe I’m forgetting stuff there

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