November 11, 2000 – Calista Flockhart / Ricky Martin (S26 E5)

Segments are rated on a scale of 1-5 stars

THE PRESIDENTIAL COUPLE
odd couple George W. Bush (WIF) & Al Gore (DAH) will share the presidency

— SNL does their very first parody of the historic Florida recounts fiasco that prevented us that week from finding out the winner of the 2000 presidential election. SNL will be making comedy gold out of these recounts during these next two months.
— I remember when this cold opening originally aired, I didn’t understand why Will’s Bush was wearing a small band-aid on his face, especially since it’s never addressed here. I wondered if maybe something happened to Will himself, until I saw him in later sketches tonight without a band-aid. I didn’t find out until the Weekend Update from later in this episode that the real Bush sported a small band-aid on his face that week.
— Bush: “We don’t want to be dividers. We want to be unificators.”
— Fantastic turn with Bush and Gore mutually deciding that they’ll both be president.
— An absolutely hilarious Odd Couple-esque opening credits sequence for this dual presidency. Classic.
— I love Bush and Gore demonstrating the use of rock-paper-scissors to settle their disputes.
— We get our very first instance of Darrell’s Gore famously complaining about someone being “snippy”, which was based on a complaint from the real Gore at the time.
STARS: *****


MONOLOGUE
host gives constructive criticism to Ally McBeal (RAD)

— Good sudden entrance from Rachel’s Ally McBeal impression.
— There is a somewhat uncanny resemblance between Calista Flockhart and Rachel whenever Rachel makes those Ally McBeal facial expressions. This reminds me of Rachel playing Christina Ricci’s twin in Ricci’s monologue from the preceding season.
— Calista makes a self-deprecating dig at all of the criticisms of her own thinness, by telling Rachel’s McBeal “For god’s sake, eat a burger!”
— Solid part with Rachel and Calista both saying the same rant in unison. Perfect timing there on both Rachel and Calista’s parts, so much so, that I remember it kinda creeped out then-teenage me at the time, but then again, teenage me also always found it creepy when twins speak in unison.
STARS: ***½


CRACKLIN’ OAT FLAKES
(WIF) raves after eating MDMA-containing Cracklin’ Oat Flakes

 

— Hilarious turn with Crackin’ Oat Flakes containing ecstasy of all things. Great image of the Cat In The Hat-dressed raver on the cereal box too.
— All of the crazy actions from Will on ecstasy are absolutely priceless. This is such a perfect Will Ferrell-y commercial that it’s hard to imagine anyone else selling this as well as he is.
— A great rave-type commercial jingle, and lots of great screen effects all throughout this commercial.
— Ha, what in the world is that stuff that Will can be seen insanely smearing all over his face during one brief part?
STARS: *****


GORE RALLY
at a Democratic rally, Marty & Bobbi perform a political medley

— A good topical setting for The Culps.
— Calista’s intro is quite longer than the usual intros that hosts give to The Culps, but Calista’s entire bit is solid.
— Good energetic applause from the audience when The Culps make their entrance tonight.
— Some great laughs from Marty Culp describing his after-effects of being blasted back by an amplifier earlier in the day.
— Tonight’s Culps song medley is coming off even more fun than usual, with how it’s relating to the elections. I particularly love the Culps’ take on the song “You Ain’t Seen Nothing Yet”, a take which has really stuck in my memory over the years.
— Overall, one of the best Culps sketches.
STARS: ****


NICK BURNS, YOUR COMPANY’S COMPUTER GUY
a fellow tech support worker (host) gives Nick Burns his first kiss

— Ah, a good change of pace for a Nick Burns sketch.
— This ends up being the ONLY Nick Burns sketch that appears in this entire season, which I suppose is good news for those of you who don’t like these sketches. I think I’m in the minority, but I personally have never had much of a problem with these sketches, except that some installments of them can feel a little too same-y, though that’s certainly not the case in tonight’s installment.
— Some pretty good laughs from the nerdy insider tech jokes between Nick and his friends.
— I like Kattan doing a variation of his usual “I don’t like that guy” line from the beginning of each of these Nick Burns sketches, by telling Nick and his friends “I don’t like you guys” before dashing out of the office.
— Parnell’s screenname being Sexyman48 is pretty funny.
— Jimmy’s been making quite a lot of PlayStation 2 mentions on SNL lately.
— I like how we’re actually getting some character development with Nick Burns in this sketch, which feels rare for recurring characters in recent decades like this.
— Nice twist at the end with having Calista say Nick Burns’ usual ending line “And by the way… you’re welcoooome!” after their kiss.
STARS: ***½


VICE PRESIDENTIAL ADDRESS
Al Gore (DAH) wants his constituency to be able to revote

— Great to see another Gore sketch tonight addressing the Florida recounts.
— I love Darrell’s Gore going on about how “complicated” and “confusing” the ballots are.
— Plenty of laughs from Gore’s examples of the difficult time that some old people had in figuring out the ballots, especially the mention of one old couple eating their ballots.
— A hilarious line mentioning that the African-American and elderly Jewish residents will be given ballots printed in English, Hebrew, and Ebonics.
— Overall, a fantastic political piece, with perfect writing and an excellent Darrell Hammond performance. Tonight’s episode is on an absolute roll with all of this election-related satire.
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “She Bangs”


WEEKEND UPDATE
Bill Clinton (DAH) & Janet Reno (WIF) react to presidential uncertainty
in a terrible re-enactment, the Queen Mother (CHK) breaks her collarbone
Cameron Diaz (host), Drew Barrymore (RAD), Lucy Liu (MAR) excite JIF

— Ah, you KNOW there’s gonna be lots of good riffing on the Florida recounts here.
— Great to see yet another Darrell-as-Bill-Clinton commentary on Update, which usually always kill.
— I love Darrell’s Clinton questioning “Do we really need a president?”
— Great turn in the Clinton commentary, with Will’s always-hilarious Janet Reno impression suddenly interrupting. Will plays her so rarely by this point.
— Janet Reno: “I’ve held barbecues in Texas before, and I’ll be more than happy to go there and spark up another!” A fantastic reference to the whole Branch Davidians/Waco incident from 1993.
— Some unintentional laughs from Will’s real-life difficulty in saying the word “outsmart”.
— We get our very first edition of Kattan’s “Terrible Re-Enactments”, a silly quick gag that worked for me tonight. Goofy bits like this show how much fun SNL has been having with this new era of Weekend Update. I can never in a million years imagine something like “Terrible Re-Enactments” appearing in the Colin Quinn era of Update.
— I like the cutaway to an unhappy Tina telling Jimmy to focus when he’s being too distracted by the Charlie’s Angels actresses’ lovey-dovey interactions with each other.
— After the Charlie’s Angels commentary, the camera mistakenly cuts to Tina while displaying a graphic of a news picture next to her, as if it’s her turn to tell the next joke, but Tina then humorously tells the cameraman “The other dude”, which is followed by the camera cutting to a taken-aback Jimmy, who then does the next joke.
STARS: ****


THE CROCODILE HUNTER
Steve (CHK) & Terri (host) Irwin are attacked

— Yeah, not sure we needed to see this sketch return, as I wasn’t crazy about it when I reviewed the first installment in the preceding season. I do remember finding these sketches pretty hilarious when I was a teenager, though. My original review of tonight’s episode that I wrote back in 2000 is unfortunately lost, but I’m assuming that then-teenage me gave this sketch a fairly high rating back then in my review.
— Back when this episode originally aired, I remember someone on an online SNL board pointing out that Calista, in this sketch, looked strangely like Amanda Bynes, who, at the time, was still just a teenager and appearing in Nickelodeon shows. Calista could almost pass for a teenager herself in tonight’s episode, by the way. She has a very youthful face.
— I see that unlike the first Crocodile Hunter sketch, the bloody injuries are happening to Steve Irwin’s wife Terri instead of Steve himself. Still not very funny, though.
— In an interview years later, Jerry Minor shared a story about how the African characters that he and Tracy play in this sketch were originally written to look like very stereotypical, spear-carrying jungle natives, complete with a bone sticking through their respective nose. Jesus Christ, this really shows how bad SNL’s white writers typically are at writing for black performers. (Damon Wayans has a similar story about how he once refused to perform in a “Master Thespian in Africa” sketch in season 11, because they wanted him to dress in a similarly offensive way that Jerry and Tracy were originally written to be dressed in this Crocodile Hunter sketch.) During the table read, when seeing the ridiculousness of how his and Tracy’s characters were written to look, Jerry spoke up and suggested that his and Tracy’s African characters instead be dressed as military officials, to make their characters really come off threatening. SNL ended up going with that idea.
STARS: **


MUSICAL PERFORMANCE
after ejecting a faux Ricky Martin (CHK), musical guest performs “Loaded”

— An interesting out-of-the-ordinary fake-out at the beginning of this musical performance, with it being revealed that the Ricky Martin we’re seeing is actually just Kattan impersonating him, before the real Ricky shows up. I love when SNL breaks format like this, especially in more recent decades like the one that this episode comes from, as format-breaking has become such a rarity on SNL in recent decades (then again, the very next episode, hosted by a certain unique someone who I will name at the very end of this review, will be having A LOT of format-breaking, for better or worse).
— Interesting how tonight’s host and musical guest have BOTH been impersonated by a cast member while standing right next to them, at separate parts of this episode.


LADIES & COCKTAILS
middle-aged barflies’ (MOS) & (host) advances creep out (JEM) & (JIF)

— Geez, is this the first time we’re seeing Molly ALL NIGHT??? I’m telling you people, as this season progresses, Molly has gradually been coming off more and more out of place as a veteran in this cast. Again, I ask, why couldn’t she have left with Cheri?
— I can already tell I’m not going to care much for this “new” character of Molly’s. It’s feeling like Molly is just treading old territory here.
— A pretty good laugh from Will’s sleazy character saying he’s gonna go and shake the dew off of his “lily”.
— I do admit that some of Molly and Calista’s dirty, gross one-liners to Jimmy and Jerry are making me laugh, but I’m still not crazy about some of this sketch.
— I’m still waiting for SNL to start letting Jerry show his strengths as a performer. So far in his tenure, aside from the old-school rappers bit in the season premiere, SNL has been wasting him in nothing but generic, dull roles, including this sketch.
— Spit-takes tend to come off hacky at times, but I’m not gonna lie – Jimmy and Jerry’s double spit-take just now made me laugh out loud.
— Will is stealing this sketch in his occasional walk-ons.
— The very funny visual of Will pouring powder down the front of his pants results in Molly breaking as usual. It seems to be almost impossible for Molly by this late stage of her SNL tenure to make it through a single sketch without cracking up out of character.
STARS: **½


CBS SPORTS
Dan Rather (DAH) uses loony expressions while projecting NBA winners

— This sketch is already starting off hilarious with some priceless analogies from Darrell’s Dan Rather.
— A great way of making fun of CBS jumping the gun with that year’s election results.
— This election season in general has been giving Darrell what has got to be his best airtime of his entire SNL tenure, and tonight’s episode in particular just may be his single greatest night on SNL.
— Dan Rather, on Utah’s excitement over the Jazz being the next NBA champions: “It’s gotta be New Years Eve, 4th of July, and your first handjob all rolled into one.”
— Even Darrell-as-Rather’s ending sign-off was hilarious, with his Soul Train reference.
STARS: ****½


GOODNIGHTS

— Horatio, who wasn’t in ANY sketches at all tonight, can be seen in these goodnights dressed as Babar The Elephant. The reason he’s in this costume is because a sketch was going to air in which, IIRC, Babar The Elephant tried to vote in the presidential elections (my memory of the description for this cut sketch is fuzzy, as I last read it way back in the early 2000s from, I believe, an online SNL fan who went to this episode’s dress rehearsal), which would’ve made this yet ANOTHER election-related sketch in tonight’s episode. This sketch was going to be Horatio’s first and only appearance all night, but the show ran long and the sketch had to get cut at the last minute. Man, so far this season, Horatio has been having a rough go in terms of airtime. The show has barely been doing anything with him.


IMMEDIATE POST-SHOW THOUGHTS
— A very strong episode. Lots of highly-rated sketches, THREE of which received a perfect five star-rating, and lots of fantastic material centered on the historic Florida recounts. I remember feeling that this episode’s very topical nature with the heavy focus on the Florida recounts was really fun at the time, but it’s also fun in retrospect, twenty years later, as it provides a fascinating time capsule of what a confusing, crazy time this was for the nation.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Charlize Theron)
a step up


My full set of screencaps for this episode is here


TOMORROW
Tom Green. Hoo, boy. Needless to say, this is going to be quite an odd episode to review.

May 8, 1999 – Cuba Gooding Jr. / Ricky Martin (S24 E18)

Segments are rated on a scale of 1-5 stars

DREAM
in Bill Clinton’s (DAH) dream, Monica Lewinsky [real] is his future wife

— Funny blooper right at the start of this cold opening, where the dog playing Buddy, seated next to Darrell’s President Clinton, runs out of the scene almost immediately. SNL would later replace this portion of the cold opening with the dress rehearsal version in reruns, in which the dog stays seated like it’s supposed to.
— Fun idea of Clinton having a futuristic fantasy of his own life, though it reminds me a little of that Oprah 2002 cold opening from this season’s premiere.
— Funny visual of Tim as a laid-back Vernon Jordan with two hookers by his side.
— And here comes Part 1 of tonight’s big Monica Lewinsky cameo, which I’m aware was heavily hyped in the media before tonight’s episode aired. Her appearance is the type of cameo that I’m sure I’d be very annoyed at if it happened when I was a current SNL viewer, but watching this decades later, it’s harmless enough.
STARS: ***½


MONOLOGUE
host induces tension by bypassing chances to say “Show me the money!”

— Fun energy from Cuba Gooding Jr. early on in this monologue.
— After Cuba’s first subversion to saying the famous “Show me the money” phrase, you can hear an off-camera audience member shout the phrase himself, which Cuba humorously responds to by ad-libbing “Watch out, it’s my show.”
— I love Cuba’s Boyz N’ The Hood reference.
— I like Tina Fey’s thoughts saying “I’m gonna get up there and say it…. no I’m not.”
— Horatio’s angry inner thoughts are hilarious.
— Great bit with Horatio and Jimmy somehow communicating with each other through their thoughts, much to Jimmy’s bewilderment.
— I love Cuba’s wild dancing all over the stage when finally saying “Show me the money!”
STARS: ***½


LOTTO
Lotto casts itself as a sensible alternative to a life insurance policy

— Funny reveal of how Lotto, of all things, should be the insurance policy of choice for your newborn baby, after this commercial had such a serious set-up.
STARS: ***½


BIBLE MINISERIES
(CHP) directs rush-job Biblical miniseries by encouraging improvisation

— A promising sketch concept of actors being forced to perform an improvised version of a biblical miniseries.
— A lot of laughs from the awkwardness of Will and Cuba when they’re having a hard time coming up with dialogue.
— I love Will’s Jesus hesitantly making up the fact that he has heat vision.
— Very funny addition of Horatio’s boom mic guy being forced to play “Barry”. I like Horatio awkwardly playing him in a very casual, bro-type manner.
— Good part with Will trying to weasel his way out of this mess by saying, during the filming, “Oh, you didn’t hear? Barry died.”
— Parnell is great as the director.
— Horatio: “What’s up, Jesus? You talkin’ smack about me?”
— I like the ending freeze-frame shot of Horatio after he says “Barry power!”
STARS: ****


BACKSTAGE
Barbara Walters (CHO) asks TIM & MOS where she can find Monica Lewinsky

— A fairly fun Lewinsky-related backstage bit. Nothing else to say.
STARS: ***


PRETTY LIVING
joyologist Helen & boyfriend (host) are into genderology

— Oh, dear god, here we go…
— We at least get a funny opening line from Ana regarding her antidepressants.
— Molly keeps speaking over Ana’s scripted dialogue to make unnecessary ad-libs.
— Cuba in that outfit is a fairly funny initial visual.
— When Cuba had a put-off facial reaction to Helen Madden detailing how she’d like to shrink Cuba and wear him as earrings, I was hoping this sketch would take a turn with Cuba openly reconsidering his relationship with Helen, but unfortunately, he ends up just going along with Helen’s quirkiness.
STARS: *½


LOTTO
Lotto avers that playing represents the courageous act of an underdog

— A good laugh from the onscreen caption of how Horatio’s meager Lotto winnings was shared with four co-workers.
— I like Kattan as the deadpan redneck.
— Funny ending with the “Non-winner” caption for a smiling Tracy.
STARS: ***½


THE LADIES’ MAN
Monica Lewinsky’s [real] experiences yield sex advice

— Leon Phelps’ “phone sex” story was really funny.
— Some laughs from how Leon is hiding Bill Clinton’s identity by referring to him as William Howard Taft during Monica’s phone sex story about Clinton.
— Ha, we get YET ANOTHER season 24 John Goodman cameo, just one episode after he hosted the show. Interesting how he’s making this particular cameo via phone.
— Funny bit about the loud sounds from Linda Tripp’s end of the phone call being people throwing things at her from outside the phone booth.
— I like the “How big” fake-out question that Leon asks Monica.
— Overall, an improvement over the forgettable last Ladies’ Man sketch from the Bill Murray episode.
STARS: ***½


TV FUNHOUSE
“AmbiguoBoys” by RBS- as teenagers, The Ambiguously Gay Duo fights evil

— Another interesting and fresh change of pace for The Ambiguously Gay Duo.
— Hilarious visual of Ace and Gary both pulling down their pants & underwear and bending over when they think the gym teacher is going to spank them as their punishment.
— Pretty funny seeing a young Big Head with hair.
— Very funny part with an off-camera Ace and Gary taking a very long time during the sequence where they’re supposedly changing into their superhero outfits together in the same bathroom stall.
— Hmm, during the ending credits of this TV Funhouse, Drew Barrymore gets a special credit as one of the voice actors. That makes her the second recent host to make a voice-only cameo in tonight’s episode. Are we getting a Ray Romano voice cameo next?
STARS: ****


BACKSTAGE
Barbara Walters (CHO) queries a maid as to Monica Lewinsky’s whereabouts

— Ah, this is a runner. A little strange how we have two different runners in the same episode (these backstage Barbara Walters bits and the Lotto ads).
— Funny bit with Cheri’s Barbara Walters speaking fluent Spanish during her and the Hispanic janitor’s foreign conversation.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Livin’ La Vida Loca”


WEEKEND UPDATE
Jesse Jackson (DAH) relates wisdom he’s gleaned from popular culture
JIF plays guitar & sings songs with lyrics inspired by The Phantom Menace

 

— Colin: “If every guy went around killing guys who had crushes on them, I would’ve murdered Chris Kattan years ago.”
— Wow, Colin is having a rare “on” night in this episode. He has another strong joke just now: “What do you get when you cross Joey Buttafuoco with a college education?” and the answer is a photo of Bill Clinton, giving a thumbs-up with a goofy open-mouthed smile. I also love how immediately afterwards, Colin adds, in regards to Clinton, “And you know he’s watching tonight.” It took me two seconds to get why Clinton would be watching SNL tonight, but once I realized why, I was howling.
— Surprisingly, I think this is the first time Darrell has played Jesse Jackson since Darrell’s second season on SNL.
— Darrell’s overall Jesse Jackson commentary was decent, especially the bit about quoting B.J. Thomas to impress a foreign woman.
— I love the audience’s put-off reaction to Colin’s joke about a washed-up Andrew McCarthy eating out of garbage cans.
— Jimmy’s Star Wars guitar song parodies are fun so far tonight, and an improvement over his forgettable last Update guitar songs for Valentine’s Day. I especially like Jimmy’s Eminem “My Name Is” parody about the character Mace Windu.
— I love Jimmy now doing a “Livin’ La Vida Loca” parody. I’m always a sucker for Jimmy parodying a musical guest’s song just minutes after said musical guest performed that very song on the SNL stage, like Jimmy did earlier this season with Alanis Morissette’s “Thank U”.
— Overall, one of the better Updates from the Colin Quinn era.
STARS: ***½


MANGO
obsessed host finds that Mango has a traditional suburban home & family

— And, of course, right after the Kattan gay joke on Update, we get a Mango sketch. How fitting.
— Believe it or not, this is only the second and final Mango sketch of this entire season. I never realized until now how refreshingly little Mango appeared this season. A huge contrast to how over-saturated the upcoming season 25 is going to be with Mango sketches. Brace yourselves for that, folks. Hell, at one point that season, they do THREE Mango sketches within just two consecutive episodes. I kid you not, people.
— Cuba playing some Teddy Pendergrass on the stereo to seduce Mango is fairly funny.
— When stripping on top of a table, Cuba actually pulls down the back of his speedo and flashes his entire bare butt at Kattan (the third-to-last above screencap for this sketch), which I hear wasn’t in the script, needless to say. After putting his speedo halfway on after that, Cuba also shows some buttcrack towards the camera (the second-to-last above screencap for this sketch), which the audience goes absolutely WILD at.
— Kinda interesting seeing Mango as a family man at home.
STARS: **½


LOTTO
Lotto appeals to the can-do American spirit of human achievement

— I almost mistook this for a real commercial at first, because it aired right in the middle of a commercial break that was left intact in the copy I’m watching of this episode. If you watch the same copy of the episode I’m watching and fast-forward through this commercial break, you’d probably miss this fake ad.
— Ehh, not much of a punchline here. The joke of these Lotto ads has gotten old.
STARS: **


MARTHA STEWART LIVING
Martha Stewart’s (ANG) Mother’s Day gifts hint at bitter familial ties

— A Mother’s Day-related Martha Stewart Living sketch? Are we getting a Joan Allen cameo, reprising her fantastic role as Martha Stewart’s mother?
— Nope, looks like there’s going to be no Joan Allen cameo. Too bad. I’m sure this sketch will still work, though, as these Martha Stewart Living parodies are always reliable.
— A big laugh from the drawing Martha Stewart’s daughter made portraying Martha as the devil.
— Martha Stewart: “My daughter sent me this ceramic Snoopy sleeping on a soccer ball. What the hell?”
— Martha Stewart: “About 10 years ago, my husband gave me this house and the finger. I haven’t heard from him since.”
STARS: ****


BACKSTAGE
bristling at the Monica Lewinsky hype, host wants more attention

— Pretty funny random opening bit about a Lincoln sketch that Tracy wants him and Cuba to do together.
— Good turn with Cuba being angry over getting overshadowed by Monica Lewinsky. I’ve always wondered if in reality, he truly did feel at least a little frustrated that Monica got booked as a special guest on what was supposed to be his week, but he seems like someone who’s a good sport.
— Cheri’s Barbara Walters, regarding Monica Lewinsky on SNL: “Monica could be their biggest ratings since Sinead went postal on the pope!”
— When Cuba’s complaining about what it’s like for an SNL host to be overshadowed by a scandalous guest, I like the bit about how nobody remembers who hosted the episode that Sinead O’Connor tore a picture of the pope in. Aww, poor Tim Robbins.
— Tracy: “(while shaking Lorne’s hand) H-hi, I’m Tracy Morgan!” Lorne: “(deadpan)……Right. (*immediately walks away*)”
STARS: ***½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A good episode. Minus two bad recurring sketches (Pretty Living and Mango, though the latter had a few fun moments from Cuba Gooding Jr.), this episode flowed pretty well and had good stuff throughout. Even Weekend Update was better than it usually is this season. The somewhat heavy focus on special guest Monica Lewinsky throughout this episode also didn’t hurt the show as much as some people at the time might have been worried it would.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (John Goodman)
a very slight step down


My full set of screencaps for this episode is here


TOMORROW
Season 24 comes to an end, with host Sarah Michelle Gellar