March 14, 1992 – John Goodman / Garth Brooks (S17 E15)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Jerry Brown (DAC), Paul Tsongas (ALF), Bill Clinton (PHH) court Trekkies

— Very funny and dead-on Jerry Brown impression from Dana, especially all of his endless ranting.
— When Dana’s Jerry Brown displays his 800 number, does anyone know what the “not flaky” bit is a reference to? I never understood that part of this sketch.
— Even though I have no familiarity with what Paul Tsongas sounds like, I’m finding Al Franken’s Tsongas voice to be an absolute riot. The occasional cough he does is very funny too.
— Funny bit with Mike as a Trekkie speaking in the exact same voice as Tsongas.
— A significant moment right now, as we get the debut of a Bill Clinton impression on SNL. Phil Hartman gets the honors here.
— Phil’s spot-on Clinton voice is immediately getting big laughs from the audience.
— The whole Clinton portion of this sketch is great, especially him destroying the podium in a tantrum at the end.
— According to GettyImages, Rob Schneider was cut from this sketch as a Trekkie standing next to Phil’s Clinton (pic here).
STARS: ****½


MONOLOGUE
musical, car chase, monster movie clips from host’s movie The Babe

— I like how John’s frequent hosting has gotten to the point where he opens tonight’s monologue by saying a lighthearted “It’s great to be hosting blah blah blah!”
— A laugh from him referring to his movie King Ralph as a “fat little turd”.
— The clip of John as Babe Ruth doing a cheesy upbeat “I’m the Babe” musical number is cracking me up.
— The other fake movie clips with John’s Babe Ruth, one involving a car chase and another with him as Godzilla, are decent, though nothing particularly great to me.
— Good callback to the beginning of this monologue, with John ending this by saying “Stick around, cause blah blah blah!”
STARS: ***


UNFORGIVABLE
album of Natalie Cole (ELC) “duets” with deceased singers

— I really like the idea of this parody of Natalie Cole’s “Unforgettable” album, by having her singing with her father’s dead friends and titling the album “Unforgivable”.
— This is getting increasingly fun with the more and more outlandish celebrity choices they’re throwing in, such as Mama Cass, a not-dead-yet Tammy Wynette, and John as old fat Elvis (after Rob played young thin Elvis earlier in the sketch).
STARS: ****½


MY 75 KIDS
sperm doctor Cecil Jacobson (host) deals with his offspring

— An inspired and funny idea for a parody of an infamous then-topical story.
— The opening credits to this sitcom has lots of hilarious images, especially the kid-filled bus called the “Spermmobile”.
— Great visual of a living room full of chubby little John Goodman lookalikes.
— I love John reminiscing which Sports Illustrated swimsuit magazine he looked at when “conceiving” each child, and him telling one kid “You were an accident; I was reading Newsweek.”
— Dana’s Uncle Charlie is always hilarious (even if I have no familiarity with My Three Sons), and he had a lot of great lines at the end of this.
STARS: ****


DEEP THOUGHTS BY JACK HANDEY
on feeding drumsticks to the dolphins


UNFROZEN CAVE MAN LAWYER
Cirroc feigns naivete in front of City Council

— Second sketch in a row tonight to open with a screen crawl explaining somebody’s backstory. Both screen crawls even use the same font.
— This wonderful sketch officially becomes recurring.
— As usual, top-notch fake sponsors from Jack Handey, with my favorite tonight being Dog Assassin.
— Victoria makes what turns out to be her only appearance all night, and it’s just a very minor role with no lines. More and more as this season goes on, it truly feels like her presence on the show is disappearing right before my eyes. As I said in my last episode review, it’s gotten to the point where I kinda forget she’s even still in the cast.
— Phil-as-Cirroc’s lines in this installment are even funnier than his lines in the first installment from earlier this season.
— Very funny “next week’s episode” preview at the end, with a drunk Cirroc on a plane.
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “Rodeo”


WEEKEND UPDATE
CHF objects to St. Patrick’s Day parade gays, points out audience Irish
KEN asks Cajunman about his spring break trip to Daytona Beach
footage shows Ed McMahon (PHH) getting married to third wife Pamela (BEC)

 

— Kevin’s usual dark suit has been replaced tonight with a much lighter-colored one.
— Not sure what exactly the point is of Farley ranting against gays in the St. Patrick’s Day parade, but I’m enjoying the random brief interludes with him calling out Irish-named friends in the audience.
— Cajunman officially becomes recurring, giving Adam what I believe is his very first major recurring character.
— Unlike his first appearance, Adam’s Cajunman delivery tonight sounds more like how it’s remembered today.
— The usual good laughs from Cajunman’s shtick, especially him detailing the “hallucina-shown” he experienced when drunk.
— Interesting bit with footage of Phil’s Ed McMahon getting married. Though it’s a thin premise, there’s still pretty good laughs from the use of Phil’s typical McMahon-isms as answers to questions the priest asks him.
— Not sure we needed Kevin’s “When asked if he was nervous, Ed said ‘Yes!’” addendum after the Ed McMahon segment ended.
STARS: ***


THEATRE STORIES
Katharine Hepburn (SIF) & others recall performances

— This sketch officially becomes recurring. Mike’s character looks a bit different tonight compared to the first installment and all subsequent installments.
— We get the birth of a running gag in these sketches, with Mike’s character referring to himself by the nickname Cucumber Jones.
— Dana’s Mickey Rooney has interesting new additions of tiny legs and old man make-up (the latter of which is actually the same old man makeup Dana wore earlier tonight in the My 75 Kids sketch).
— This would turn out to be the only Theatre Stories sketch they would ever do without Julia’s Dame Sarah Kensington character.
— Hate to say it, but after two installments of this sketch, I’ve gotten tired of Dana-as-Mickey-Rooney’s endless repetitions of “I was the number one staaaaarrr….. in the wooooorrrrld…..” I used to love Dana’s Rooney impression, but I didn’t realize until now how overly reliant on the same catchphrase it is. Dana does have a tendency sometimes to go a little overboard with the catchphrases of some of his characters and impressions, though most of that doesn’t bother me. I recall an online SNL fan once referring to Dana, Jon Lovitz, and Mike Myers as the “Catchphrase Bullies” of the late 80s.
— I’m enjoying Siobhan’s Katharine Hepuburn impression.
— Funny random bit with Mike telling us how he “often says things twice, only the second time much slower”, which he proceeds to prove by repeating that exact same statement… only much slower.
STARS: ***½


ANTON MESROBIAN, TEEN DERMATOLOGIST
teen dermatologist Anton Mesrobian (host) divines true causes of acne

— Some laughs from John being able to tell so many details of what secret is causing the blackheads on Julia’s nose.
— John’s dangerous, ill-fated advice to his patients is pretty funny, especially him advising Rock to join a gang.
— Overall, John played his role very well and there were some laughs, but I felt the material was fairly dull in some spots.
STARS: **½


MUSICAL PERFORMANCE
musical guest performs “The River”


COUNTRY SINGER NAMES
country singer (host) seeks catchier name from agent Schlomo Fuchs (PHH)

— Phil has some funny reveals of famous country singers’ real names, such as Eddie Rabbit really being named Eli Rabinowitz.
— The ending reveal of Phil’s name being Schlomo Fuchs was merely okay; I don’t feel that punchline landed quite as well as it should’ve.
— The overall sketch had some charm and chuckles throughout, but something about the sketch felt a little empty.
— This sketch kinda felt like it was setting up an appearance from tonight’s musical guest Garth Brooks, but he was nowhere to be seen here. In retrospect, knowing what a surprisingly strong two-time host he would turn out to be later in this decade, I wish they did give him a role here or in any other sketch tonight.
STARS: **½


SIDE NOTE:
A strange gaffe just now. Right after the preceding sketch ended, the camera shows the SNL Band about to play the show to commercial, but G.E. Smith immediately raises his hand in the air to signal the rest of the band not to play yet (screencap below). Then a Deep Thoughts segment awkwardly begins playing (with some audio glitches at first). I wonder what went wrong.


DEEP THOUGHTS BY JACK HANDEY
on running like an angry rabbit


THE IDES OF MARCH
sauna-goer (host) interrupts a meeting about the assassination of Caesar

— Pretty weak sketch so far, with a dull main joke consisting of John repeatedly interrupting the guys’ secret plan to assassinate Caesar.
— I am getting some good laughs from how Farley’s solution to every problem is to stab it.
— Weak ending.
STARS: **


DEEP THOUGHTS BY JACK HANDEY
on being sprayed by a golden skunk


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— An episode with a very strong first half, a pretty good middle, but an unremarkable ending with the final three ho-hum sketches. Overall, though, the highlights in the first half were strong enough to make this episode worth watching. John Goodman, by this point, has become official as a sure-fire solid and fun host who can handle anything he’s given with total ease.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Roseanne and Tom Arnold)
a slight step up


My full set of screencaps for this episode is here


TOMORROW
Mary Stuart Masterson