May 2, 1998 – Matthew Broderick / Natalie Merchant (S23 E19)

Segments are rated on a scale of 1-5 stars

THE LADIES’ MAN
Leon Phelps takes calls & puts Viagra to the test

— This sketch’s growing popularity has gotten to the point where the sketch is now appearing as the cold opening for a change.
— This is the first of what will be quite a number of Viagra mentions in tonight’s episode, which serves as a reminder of just how big a story Viagra was when it first came out around this time.
— I like Leon Phelps singing a brief “Old man’s penis” jingle.
— Fun premise with Leon downing an entire bottle of Viagra to see if it has any effect on him.
— Hilarious how Leon is using a “butt-ugly” picture of Sally Jessy Raphael to de-arouse himself, which ends up not working for him.
— I was about to say that it’s not necessary for them to repeat the joke from an earlier Ladies’ Man sketch where Leon gets disgusted when hearing about an old couple having sex, but we end up getting a nice twist this time with Leon actually being aroused by that due to the Viagra he took.
— I love Tim’s very intense delivery of “Live from New York…” at the end of this cold opening. One of my personal all-time favorite LFNYs.
STARS: ****


MONOLOGUE
TRM & JMB favor host with their rendition of Godzilla sound effects

I feel kinda bad for how Tracy’s entrance was met with dead silence, with the audience not giving him any of the usual applause that cast members in this era typically seem to get when they walk onstage as themselves in a host’s monologue.
— There’s a backstory about how this monologue is at least partly responsible for Jim getting fired after this season. Jim went into great detail about it in an interview I saw years ago on YouTube. My memory of it is pretty fuzzy, and the story is too lengthy for me to go into detail about here. Someone in the comments section of this review can probably dig up a link to the interview. If so, thanks in advance. I’ll just say that the backstory Jim tells about this monologue heavily involves Adam McKay and the negative tension that’s always existed between Adam and Jim. Adam is painted in a very negative light in the story.
— Ehh, this monologue is pretty much just a knockoff of the monologue that Jim did with Jeff Goldblum the preceding season, which itself was only mildly funny. Not sure this rehash was worth Jim getting into such a heated confrontation with Adam McKay over, jeopardizing his own job security.
— I do like the addition of Tracy to Jim’s routine. Tracy’s imitation of the Godzilla theme is fairly funny.
STARS: **½


FLEX
hormones & steroids included in Flex Speed Stick give you an animal edge

 

— I love the visuals of various cast members turning into scary beasts and going wild on innocent bystanders and animals.
— A huge laugh from Will letting out a spray of urine onto his victim.
STARS: ****


THE VIEW
the ladies fawn over George Stephanopoulos (host)

— For once, a View sketch has Debbie Matenopoulos being played by Ana instead of the blonde female who’s hosting SNL that night.
— I like Cheri-as-Barbara-Walters’ angry one-liner outbursts towards Ana’s Debbie Matenopoulos throughout the sketch, especially when Cheri’s Barbara follows one outburst of hers by putting her hand over her own mouth in a shocked “Oops!” manner.
— A good laugh from Molly’s Meredith Viera casually giving us way too many details of her sexual desire for George Stephanopoulos.
— Very funny part with Barbara forcing Debbie to go inside a cage.
— Tracy seemed to kinda botch his line “I would beat you on a cracker” (or whatever that was he was trying to say).
STARS: ****


SPARKS
Zimmermans take offense when neighbor (host) tries unambiguous foreplay

— The Zimmermans officially become recurring characters. Unlike their first appearance, where they were by themselves, they now have another couple to play off of, which would go on to be a regular thing for these sketches.
— I like Molly’s sour hint that she and Matthew aren’t very sexually active with each other.
— Some pretty good laughs from Chris repeatedly banging his hand on the table while sexually-aggressively telling Cheri where to place the painting.
— Tonight’s installment of this recurring sketch is definitely working better than the first installment, now that the Zimmermans have a normal couple to play off of.
— Good turn with Cheri using her sexual flirtatious method on Matthew, with Matthew eventually getting really into it until he makes a raunchy statement that offends everybody.
STARS: ***½


PRETTY LIVING
joyologist Helen & her seashell craftsman boyfriend (host)

— (*sigh*) Oh, god. Now this sketch officially becomes recurring. I don’t have a shred of the goodwill towards this sketch that I have towards the Zimmermans sketches.
— This sketch is really missing something without Julianne Moore as Ana’s co-host, who provided my only laughs in the first installment of this sketch.
— What happened just now? Why did Ana and Matthew both go off-script to pick something up off the floor and hand it to Molly’s Helen Madden? I guess Molly accidentally dropped something when doing one of her many leg-stretches, but I can’t tell what it was.
— As usual, the audience is eating up Molly’s endless “I love it!” leg-stretching routine while I sit completely stone-faced through the entire sketch.
— Okay, I finally got a laugh, from Ana bitterly letting us know what crappy gift she got when her fiancee went to Hawaii. However, that kinda felt like a line that would’ve been more fitting for Julianne Moore’s co-host character from the first installment of this sketch.
STARS: *½


VIAGRA
Regis Philbin [real] & men on the street angrily say “no Viagra for me”

— I love how the men being interviewed on the street about Viagra are played by the entire male cast, Matthew Broderick, and some male SNL writers and staff members.
— Hilarious seeing Leon Phelps as one of the men being interviewed about Viagra, especially given the cold opening he did earlier tonight. Weird seeing Leon with a goatee, though. I guess this was filmed earlier this week before Tim shaved for tonight’s episode.
— Akira Yoshimura! (the third-to-last above screencap for this sketch)
A rare non-Update appearance from Colin.
— Regis Philbin’s message is hilarious, especially him telling us with a calm smile “You can go straight to hell.”
— A very fun and fast-paced segment.
STARS: ****


WEEKEND UPDATE
COQ wants to see Bill Clinton exercise executive privilege to the max

— During Colin’s obligatory opening straight-to-camera rant, I like his whole side bit about people at SNL running up the show’s bill and stealing things from the show.
— Ooh, a Joe Piscopo joke. And as expected, the punchline is about him being a washed-up has-been.
— Some strong jokes from Colin so far in this Update.
— Colin’s Jerry Springer joke reminds me that I recall once hearing there was a Jerry Springer Show sketch that got cut after this episode’s dress rehearsal. In the sketch, Matthew Broderick played Jerry Springer, and his guests were Darrell and Ana as the Clintons. I believe I also heard that Darrell suffered a real-life injury at one point in the sketch (which may be the reason for the sketch getting cut), when he got hit by a chair thrown in the air as the performers were acting out a typical Jerry Springer Show fight.
— Holy hell, Update is over already? This Update was seriously only about 3-4 minutes long. I kid you not, people. This may have topped the Update from the Roma Downey episode as the shortest Update in recent memory.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Kind & Generous”


THE CELINE DION SHOW
Shania Twain (MOS) & Gloria Estefan (host)

— Yet another talk show sketch tonight? And has EVERY SINGLE SKETCH so far tonight been recurring?
— At least the segment with Darrell as Celine’s husband is something that wasn’t done in the first installment of this sketch.
— Another difference from the first installment is that all the guests are brought on together instead of one-by-one.
— A cheap laugh from how unfeminine Matthew looks in drag.
— I’m getting bored with the repetitive joke of Ana’s Celine always singing over her guests whenever each of them try to sing a solo song. I like Ana’s Celine impression, but I’m glad this ends up being the last time we ever see her in her talk show sketch (I recall her appearing in some good non-talk show sketches later on).
STARS: **½


PRIME MINISTER’S QUESTIONS
Tony Blair (host) hears British MPs’ questions on Teletubbies & more

— Kinda surprised they’re bringing back this sketch from over a year ago when Mike Myers hosted. Oh, and by the way, that makes this yet ANOTHER recurring sketch tonight, keeping alive tonight’s streak of all recurring sketches.
— A second rare non-Update appearance from Colin tonight.
— I love Will’s voice in this.
— Hmm, I see Will’s Oasis obsession from the first installment of this sketch has been replaced tonight with a Teletubbies obsession. I admit, there’s more comedic potential in this Teletubbies obsession of his.
— A funny out-of-place appearance from Tracy as an American tourist.
— It was unnecessary for this sketch to end the exact same way the first one did, with the host repeatedly punching Will.
STARS: ***


PROM LIMO
(CHO), (host), (MOS), (WIF) think their prom limo ride is the coolest

— Finally, an actual ORIGINAL sketch tonight. Unfortunately, I never cared for this particular musical sketch during my previous viewings of tonight’s episode. I’ll try to keep an open mind this time.
— I do always enjoy Will’s portrayal of young, fratboy-ish, overconfident guys.
— The musical that the prom teens are singing kinda has its charm, but otherwise, I’m a little bored during this.
— A funny random ending gag, in which Will gets beheaded by an overpass. I’m surprised by how fast they were able to switch Will with a headless body double.
STARS: **½


TENACIOUS D
Tenacious D [real] performs “The History of Tenacious D” & “Double Team”

— For the first time since way back in 1986, SNL has credited special guest comedians perform their own comedy act on SNL’s home base stage, something that used to be common for SNL. Too bad tonight’s return to this old tradition ends up just being a one-time thing. (However, I think I recall once hearing that Johnny Knoxville’s whole Jackass routine was originally in consideration to be a recurring SNL segment for season 25, a year before Jackass became a big breakout show on MTV. Knoxville and his buddies were going to perform their Jackass comedy act live onstage at SNL, but SNL ended up passing on the idea. I’m not sure of the validity of that whole story, though.)
— Funny opening intro that Matthew is forced to read off of an index card that Tenacious D gave him.
— Interesting seeing a young, pre-famous Jack Black.
— I’m probably not the best person to judge a Tenacious D song, as I’m not all that familiar with their work outside of their later SNL appearances, but I’m aware of the basic gist of their act in general, and I’m enjoying their performance tonight. And I love how out-of-the-ordinary this whole segment feels for this SNL era. It truly does kinda feel like I’m back to reviewing an SNL episode from the 70s and early-mid 80s, back when special guest performers doing their comedy act was common.
— A crazy high note that Jack sang just now.
— I like the turn with Jack acting out a soft conversation with off-camera audience members.
— The “sucking on toes” part of the song right now is very funny.
STARS: ***½


COMIC MINDS
the drug humor of Orbit (WIF) & Larry (TRM) was based on PCP

— The name of Matthew’s character, Matt Peedman, seems to have been based on then-current SNL writer Matt Piedmont.
— Tracy has been getting more airtime than usual tonight.
— Very funny concept of Will and Tracy’s comedy team trying to one-up Cheech and Chong’s marijuana-themed comedy team by making their drug theme PCP, of all things.
— The first sound clip played of Will and Tracy’s PCP comedy act is hilarious, especially Tracy’s panicked repetition of the line “I got the ice in me!” Tracy’s delivery of that line is priceless.
— The second sound clip is also cracking me the hell up. I love Will’s insane panicked screaming.
STARS: ****


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— I don’t feel too crazy about this episode, though it really wasn’t too bad. However, a large chunk of the episode had a bit of a lazy, too-familiar feel, especially with the heavy over-reliance on recurring sketches (which is something that this season had thankfully been moving away from), talk show sketches, and even a rehashed monologue. It didn’t help that some of the recurring sketches were things I didn’t need to see be brought back. There was still a pretty good number of sketches I enjoyed tonight, though, even some of the recurring stuff.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Greg Kinnear)
a mild step down


My full set of screencaps for this episode is here


TOMORROW
Season 23 comes to an end, with host David Duchovny. It’s also the end of the road for Jim Breuer’s SNL tenure.

October 15, 1988 – Matthew Broderick / The Sugarcubes (S14 E2)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Dan Quayle (host) plays Graduate to Nancy Reagan’s (JAH) Mrs. Robinson

— Good entrance from Jan as Nancy Reagan.
— Great turn with this turning into a The Graduate parody.
— And there goes a recreation of The Graduate’s classic leg shot.
— Jan is always fantastic at playing seductive.
STARS: ***½


MONOLOGUE
host outlines monologue rules- vulnerability, craziness, plug, wash hands

— I really like this Ferris Bueller-esque “Tips For The Monologue” format, with Matthew’s asides to the camera after going through each typical monologue cliche.
— Pretty solid monologue overall.
STARS: ***½


MCDONNELL-RAND
medical waste isn’t all bad- it can also improve your life in small ways

— Pretty funny concept.
— The casual everyday use of medical waste has some really good laughs, especially the part with Dana happily using syringe needles as corn cob holders.
STARS: ***½


THE FIVE BEATLES
flashback reveals why former 5th Beatle Albert Goldman (PHH) is bitter

 

— Funny gag with a screen ripple effect appearing when Phil throws to a flashback, only for the screen to immediately cut back to Phil still in present time, which he responds to by saying “Oh, concentrate harder, for goodness sake!”
— The Beatles performance with Phil as an out-of-place Beatle is pretty funny, especially him breaking out into a trombone solo, which kills the teen crowd’s enthusiasm.
— Dana’s Liverpool accent is very funny.
— Good casting of Jon as young Ringo, as I can see a resemblance.
— Kevin’s pretty funny as Elvis.
— I like the irony of Elvis telling Phil’s character to never let his weight get out of hand.
STARS: ***½


COOKING WITH MONKEY
(DAC) gives helpful hints for primate preparation

— Love the audience groaning when Dana reveals he’ll be cooking a monkey dish.
— Dana’s casual delivery of “Guests can be intimidated by the sight of a flaming monkey” was very funny.
— Another great bit with Dana showing a picture of baby monkey he’ll be preparing, and talking about how good a sample of that baby monkey tasted.
— This sketch is priceless so far.
— A lot of laughs from the restaurant guests’ various requests for which live monkey they’d like that’s on display in a glass cage.
— Dana, in a voice-over: “As we bid adieu to the French Monkey House, we……. say……. goodbye to the French Monkey House.”
— A big laugh from Dana’s line about one of his “patented monkey de-boners”.
— Clever detail with “Cooking with Monkey”’s mailing address being “Top of the Empire State Building”.
STARS: ****½


MUSICAL PERFORMANCE
musical guest performs “Birthday”


WEEKEND UPDATE
AWB is worried about the high animal extinction rate

 

— Wow, this Update opens with a particularly HUGE extended applause break for Dennis, even moreso than he usually gets. Even he himself looked kinda surprised.
— Liked the random baseball bit with Dennis, and it resulted in his trademark “Ha-HAAAA!” laugh that always kills me.
— Fantastic joke from Dennis regarding Dan Quayle holding a pumpkin.
— Hmm, a Trump joke.
— A. Whitney’s hair has really grown out over the summer.
— A decent overall commentary from A. Whitney tonight, with my favorite line being his comment regarding us needing animals for medical research.
STARS: ****


NUDE BEACH
at a nude beach, (host) & some other guys talk about their penises

— Funny use of a strategically-placed beam to hide the guys’ nudity.
— We’re surprisingly seeing Dennis making a lot of non-Update appearances tonight.
— Kevin, upon greeting Dana: “Hey, penis looks great today.”
— Love Kevin casually telling Matthew he has a pretty small penis.
— The frequent casual use of the word “penis” in general is freakin’ priceless.
— Holy hell, this Penis Song they’re singing is hilarious.
— Kevin’s mock-serious message to the camera has some really funny lines, especially him saying he’s disheartened by the snickering he heard from the audience throughout the sketch, and telling those of us who missed the point of the sketch to “grow up”.
— An overall absolutely fantastic, classic sketch. You can tell by the energetic audience applause at the end that they loved it too.
— This sketch was originally cut after dress from the previous week’s Tom Hanks season premiere. I’m aware that version of this sketch is available in the extras section of Hanks’ SNL “Best Of” DVD, but I’ve yet to see it. While the sketch was classic enough with Matthew Broderick in the role, I can only imagine how EVEN BETTER it must’ve been with Hanks, who would’ve been PERFECT for this sketch.
STARS: *****


THE THUMPER FAMILY
fundamentalist clan threatens damnation for hassles

— Interesting intro from Don Pardo’s voice-over.
— Not sure if I’m going to like this sketch. This is a point I’ve brought up before (when talking about The Loud Family and The Widettes sketches from the original era), but I’m usually not big on sketches where the premise is everybody in a family having the same distinctive trait. More often than not, I find that type of sketch pretty groanworthy, though there are some exceptions, of course.
— I will say Jan is giving a great performance.
— Excellent outburst from Phil upon his entrance.
— Hmm, this sketch isn’t too bad. It’s so ridiculously over-the-top that it’s hard for me not to laugh.
— Decent ending.
STARS: ***


LEARNING TO FEEL
Denise Venetti gives frightened patients simple answers

— OH, NO. Not this again. I was hoping they left this in season 13.
— Hmm, no “look at yourself” advice from Nora to tonight’s first guest? Maybe tonight’s installment of this sketch is going in a different direction after all.
— Jon’s pretty funny as a paranoid guy who’s convinced he’s always being followed by someone.
— Hmm, Nora didn’t give a “look at yourself” advice to tonight’s second guest either. However, the advice she’s substituting it with isn’t any funnier.
— Okay, with this third interview taking place right now, I’m noticing the pattern where Nora’s advice to tonight’s various guests is making them realize “You’re frightened”, which automatically solves their problems. Yeah, not funny.
STARS: *½


LAURIE HAS A STORY
(LAM)’s yarn is sidelined; Catherine O’Hara cameo

— Hmm, a random Laurie Metcalf/Catherine O’Hara film.
— IIRC, this must’ve been around the same time the sitcom Roseanne debuted.
— Is SNL doing this film to make up for the fact that Laurie Metcalf has the dishonor of being an SNL cast member for only ONE episode, in Dick Ebersol’s hastily-retooled SNL a mere month after Jean Doumanian’s firing?
— Seeing Catherine O’Hara alongside Laurie Metcalf reminds me that they were almost SNL castmates. In the aforementioned hastily-retooled SNL at the end of season 6, Catherine O’Hara was originally one of the new cast members hired. However, she immediately quit after being scared off by Michael O’Donoghue’s berserk antics behind the scenes. Upon telling Ebersol she quits, O’Hara recommended fellow SCTV cast member Robin Duke as her replacement, which is how Robin got hired for the show.
— The brief Andy Warhol story was pretty funny.
— I liked the whole choking part at the end.
— Pretty good film overall.
STARS: ***


HOLLYWOOD SALUTE
gangster film actor (JOL) extended persona to western

— Wow, this is now Dennis’ FOURTH non-Update appearance of the night. This has got to be an all-time record for him.
— Jon and Phil playing their General Custer and Indian roles as 1920s gangsters seems fairly funny.
— This sketch hasn’t been all that great so far, though I’m liking it more for the performances than for the writing. Phil and Jon are playing off of each other very well here.
— The joke with Jon’s unconvincing Indian war-whooping as he made his exit was pretty funny.
STARS: **½


MUSICAL PERFORMANCE
musical guest performs “Motorcrash”


BABY
baby (host) & fairy (PHH) nonchalantly answer others’ taunting questions

— Boy, this is kind of a strange sketch.
— Some good humor from Matthew’s deadpan delivery while casually explaining his baby traits to his obnoxious teasing peers.
— Fun random walk-on from Phil as a fairy.
— Like Matthew, Phil’s lines explaining his fairy traits to the teasing peers are made funnier by his casual, proud delivery.
— Overall, this was one hell of a goofy, silly sketch. I’m kinda not sure what to think of it, but it had a weird charm that I liked. I feel like only this SNL era could make a sketch like this work.
STARS: ***


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A comedown from the phenomenal season premiere, but that was to be expected after how ridiculously high the bar was raised by that episode. I still enjoyed tonight’s episode, even though it was just average as a whole. The first half of the episode was fine, but there was a noticeable drop-off in quality during the last half-hour or so. However, we at least got the classic Nude Beach sketch tonight, as well as an underrated, forgotten gem in Cooking With Monkey.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Tom Hanks)
a step down


My full set of screencaps for this episode is here


TOMORROW
John Larroquette