October 7, 2017 – Gal Gadot / Sam Smith (S43 E2)

Segments are rated on a scale of 1-5 stars

“I WON’T BACK DOWN”
Jason Aldean [real] marks Las Vegas shootings with “I Won’t Back Down”

— Another nice tribute from SNL after a mass shooting. Boy, were the 2010s a horrible decade in terms of shooting tragedies.
— A rare instance (especially in recent eras) of a cold opening being a full-fledged performance from a musical artist.
STARS: N/A (not a ratable segment)


MONOLOGUE
Times Square Wonder Woman (LEJ) compares herself to host’s version

— I didn’t even notice Gal Gadot’s accent here until she pointed it out.
— Leslie’s her usual funny and charming self as the Times Square Wonder Woman, and she has some pretty funny comparisons between herself and Gal’s Wonder Woman.
STARS: ***


E! NEW FALL LINEUP
E! offers brainless entertainment with Kendall Jenner (host) & others

— Pretty amusing how Gal’s playing two different roles in the same scene.
— A pretty good laugh from Gal’s Kendall Jenner using Alexa to find out her own identity.
— After sadly being shut out of his first episode the preceding week, Luke Null finally makes his very first appearance, and it’s not even live. His natural likability is still shining through in this role, though.
— A decent spoof of E! programming. The “Where’s Kanye” portion is standing out the most.
STARS: ***


FIRST DATE
no-longer-imprisoned O.J. Simpson (KET) has a dinner date with (host)

— A priceless reveal of Kenan playing a fresh-out-of-prison O.J. Simpson.
— Much like in his first episode, Chris Redd has the ability to get a big laugh out of me in just a small role.
— A lot of laughs from Kenan’s O.J. taking advantage of the fact that Gal doesn’t know who he is.
— Lots of other hilarious bits throughout this sketch, such as the reveal of Kenan’s O.J. having been given a plastic knife “for some reason”, Kenan’s O.J. expressing his anger over not being able to get back his trophies, and the reveal of a whole bunch of other restaurant patrons filming Kenan’s O.J. on their phones.
— Love the ending with Kenan’s O.J. saying “Still got it” into the camera.
STARS: ****½


THE CHOSEN ONE
fantasy world barely holds attention of pool boy Chad

— SNL continues to place Chad in good new settings in each short he appears in. I also like how this particular setting offers a change of pace from the previous Chad shorts’ premise of someone being in love with Chad.
— A particularly funny part where, after Cecily tells Chad she’ll gift him with her virginity, Chad responds “Dope!” and IMMEDIATELY drops his pants.
STARS: ***½


MIRAGE
mirage of (host) & Jamba Juice appears to (KET) & (BEB) in the desert

 

— Kenan in his old “Kenan & Kel”-era hairstyle, I see. He also used to wear a similar wig quite a bit way back in his earlier seasons on SNL, such as in the Good Morning Meth sketch from season 31.

— Another funny scene-stealing appearance from Leslie.
— All of the contrasts between the Gal mirages and the Kyle/Mikey mirages are pretty funny.
STARS: ***½


SAFELITE AUTOGLASS
Safelite AutoGlass worker (BEB) breaks windshields to be near teen (MEV)

— Oh, here’s a notorious piece. This would end up receiving complaints from Safelite due to the controversial content, resulting in SNL removing this commercial from both online (I think) and televised reruns. In the televised reruns, this Safelite commercial would be replaced with a cut-after-dress Beck/Kyle pre-tape.
— I think I recall that, during the aforementioned controversy over this commercial, it was even revealed that SNL modeled Beck’s character after a real-life Safelite worker seen in commercials, which would explain why Beck was given such a specific look for this.
— Beck is good in his performance as this creep, but I’m not finding this commercial all that great. I’m not HATING it, but there have been other times where SNL has done a better job of pulling off this kind of risky humor.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Too Good At Goodbyes”


WEEKEND UPDATE
Ruth Bader Ginsburg (KAM) burns her fellow Supreme Court justices

PED’s mental health would improve if more of his material made it on SNL

— Much like in the Weekend Update from the season 41 Amy Schumer episode, Colin and Michael are getting funny points out of the touchy subject of gun control.
— As much as I don’t like the always-tiresome “Ginsburned” dance breaks in Kate’s RBG commentaries, there’s a pretty funny gaffe & ensuing ad-libbing in regards to Kate’s glasses accidentally flying off during one of her dance breaks.
— Tonight’s overall RBG commentary mostly got only mild laughs from me, but there were some good lines towards the end.
— Oh, this is shortly after Pete was diagnosed with Borderline Personality Disorder.
— A lot of laughs from the concept of Pete trying to guilt SNL into helping his depression by doing more of his sketches.
— Pete, on why he doesn’t write sketches more often: “My sketches SUCK, because they’re all written by a depressed person. (pause) Lorne said that!”
— One of the requests in the note from Pete’s “doctor:” “Use more of [Pete’s] rap videos.” Looks like SNL would eventually fulfill that request, starting the following season, I believe.
— Pete, at the very end of his commentary while the audience is applauding: “How have I not been fired?!?”
STARS: ****


THE MAIDEN AND THE MICE
ballgown made from detritus by fairy tale mice doesn’t wow maiden (host)

— The mere sketch concept of a storybook character speaking to three magically-appearing tiny characters initially has me a little worried, thanks to those awful Kinky Elves sketches that I had to suffer through the last few seasons prior to this, but this sketch seems to be going its own route, thankfully.
— A pretty funny line from Aidy responding to Gal pointing out the shoddiness of the dress with “Well…yeah. We’re workin’ on a budget of zero dollars.”
— Another good line, from Kate saying “We only live for a year. We basically gave you our 20s.”
— Didn’t care much for the ending, and Beck’s role reminded me a little too much of his role in that The Princess And The Curse pre-tape from the preceding season’s Felicity Jones episode.
STARS: ***


ESPIONAGE
sexy webcam show of (CES) & (AIB) interferes with online ransom drop

— Live Luke! It’s about time. Unfortunately, Luke’s live role here is just a minor, non-comedic one.
— The various “sexy” actions that Cecily and Aidy are performing on their webcam are pretty funny.
— Good bit at the end with the 40 million dollars that Alex sends ending up unintentionally going to Cecily & Aidy instead of Gal.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Pray”


THEMYSCIRA
lesbians (AIB) & (KAM) are disappointed Diana (host) & Amazons aren’t gay

— Kate and Aidy are pretty funny in their constant frustration over the unintentionally homoerotic actions being performed by the non-lesbian Amazons. I especially like Aidy’s line, “It’s like we’re in a porn, but the plumber is just genuinely there to fix the pipes.”
— Gal: “Lay your head…on my tits.” Heh, that line came out of nowhere. I also think I recall hearing that the word “tits” in that line would later be bleeped-out (or muted-out) in a rebroadcast later that same night. If that’s true, that makes me wonder if Gal ad-libbed the usage of that word. Aidy did noticeably break out into what appeared to be a genuine giggle after Gal said it (while Kate, on the other hand, remained completely straight-faced and unfazed).
STARS: ***


THE NAOMI SHOW
(KET) becomes terrible teen’s (HEG) father figure

— Heidi gets her very first big role.
— A funny entrance from Heidi, bragging about her straws.
— Kenan’s getting laughs from me in his angry spiel as the sargent.
— The turn with Kenan becoming Heidi’s dad is a bit odd, and isn’t doing all that much for me. It’s certainly not awful, but I’m a little meh on it.
— I do like Kenan’s character admitting that he’s just an actor who previously appeared on Moesha.
STARS: **½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A very average episode. Certainly not bad, and, much like what I said in my review of the preceding episode, makes me puzzled over why the first three episodes of this season gave me such a bad omen of a big decline for this SNL era back when those three episodes originally aired, but I feel like this episode rarely rose above “pretty funny” (I found myself saying “pretty funny” waaaay too much in this review).


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
First Date
Weekend Update
Mirage
The Chosen One
Themyscira
Espionage
E! New Fall Lineup
Monologue
The Maiden and The Mice
The Naomi Show
Safelite AutoGlass


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Ryan Gosling)
a mild step down


My full set of screencaps for this episode is here


TOMORROW
Kumail Nanjiani

30 Replies to “October 7, 2017 – Gal Gadot / Sam Smith (S43 E2)”

  1. I don’t find the Safelite sketch to be horrible, either. In fact, I actually like it, and I’ll leave it at that.

    As for tonight’s episode, I’m not entirely sure how it’ll turn out, but I hope it’s not as average as the preceding five episodes, and I hope Aidy doesn’t bring out her dreadful Ted Cruz “impression”.

  2. Something about Kenan’s O.J. impression is so funny to me but I can’t really explain why. I think it’s just how disquietingly casual he is. It reaches its apex in the SNL at Home episodes.

    1. @Anton Spivack, I haven’t actually watched “The Last Fry”. I’ve only heard about it.

  3. Pete pissing away literally all the remaining goodwill he built up for my this season by doing a fucking NFT propaganda piece, all in service of ANOTHER dated Eminem parody?? Like, I don’t want to get too political, but this is the most pissed I’ve been at the show in YEARS (and in this era, that’s saying something).

    1. Also, whoever said Cecily felt more like she was doing cameos in the current season was dead on. It actually hurts how phoned in her performances feel compared to what she was doing even two years ago.

    2. @APC The back to back of that abysmal Kamala piece and the NFT pretape made me turn off the TV, haha. My patience for this current season is just gone.

    3. I think it helped that I don’t really know much about NFTs. Other than the Kamala sketch and that awful dance sketch nothing in the episode got to me that negatively.

    4. You should check out the Shining parody and the awards show sketch. MUCH better than what came before. But yea, those 2 sucked hard.

  4. Stooge, you strike again with the timeliness. Colin opened up tonight’s Update with another diatribe on gun control. A sad coincidence.

    1. Presumably he had a hand in writing that god awful dance studio sketch.

    2. That was Sublette who wrote the dance studio sketch.

      My guess is that Anderson wrote the cold open, since Maya’s character has a semi-dirty name.

      Also, Emily Spivey returned to the show for the first time since the end of season 35. She wroth the Kamala Harris Passover sketch.

    3. Yes! I knew I wasn’t the only one who thought that. I assume he also wrote the Barfly Awards sketch.

    4. Turns out I’m completely incorrect. According to SNL Stats on Twitter, Fran Gillepsie and Sudi Green are the credited writers of the cold open.

  5. Some trivia; I believe this was the first time a host delivered a monologue in a different language.

    And in something of a coincidence, a radio station in NYC would end up playing “Too Good at Goodbyes” as one of their final songs before changing from pop music to alternative rock about a month later (November 17, I believe); it was known as 92.3 Amp Radio beforehand, for those interested, and the change was primarily due to the station coming under new ownership (it was owned by CBS, but they elected to leave the radio business at that time). The out-and-out final song was, ironically enough, “Encore” by the previous episode’s musical guest, Jay-Z.

    1. Yeah the radio station 92.3 was under new ownership at the time. Cbs sold its radio division to Entercom which became the second largest radio station owner in america behind iheart media. 92.3 amp radio as well as other stations acquired by entercom would switch formats on November 17th, the day the merger was completed. Other stations that switched formats include AMP 103.7 in Dallas which also switched to alternative, oldies themed 104.3 WJMK Chicago switched to classic hip hop 104.3 KJams and Country KSON and top 40 KEGY swapped places. Also long time country radio station KMPS flipped to Christmas music before finally switching to soft AC.

  6. youtube.com/watch?v=raNcTqw-I-o

    (sorry, I know you knew about the link, @Stooge, just posting for any who don’t)

    I always enjoy watching Last Fry – just the sheer insufferable obliviousness of Beck and Kyle at their best. Long after this style of Beck and Kyle pre-tape (or, frankly, ANY Beck and Kyle pre-tape) had stopped appearing, they did one last hurrah in Rege Jean Page’s episode, with their likely replacement in the cast (Andrew Dismukes). Not quite as fun as this one, but still pretty good.

    Considering how corporate modern SNL is, I’m really not sure how Safelite managed to make it to the air. I agree with you that there’s nothing especially memorable here – the best part is probably Aidy’s escalating awareness of what Beck is doing.

  7. McKinnon says in the clip, ‘We’re Midwestern toads compared to this Mediterranean goddess (Gadot).’ Last time I checked, she hails from the North Shore of Long Island. Not exactly the Midwest.
    I’m not hating, I’m just saying it’s kind of odd to say that when you’re not from anywhere near the Midwest.

  8. Side-note: Sam Smith was accused of plagiarizing Tom Petty’s song “I Won’t Back Down” only for years later Jason Aldean performs Petty’s song on an episode featuring Sam Smith.

Leave a Reply

Your email address will not be published. Required fields are marked *

Discover more from The 'One SNL a Day' Project

Subscribe now to keep reading and get access to the full archive.

Continue reading