October 3, 2009 – Ryan Reynolds / Lady Gaga (S35 E2)

Segments are rated on a scale of 1-5 stars

OBAMA’S CHECKLIST
Barack Obama (FRA) defends himself by pointing to lack of accomplishments

— Wow, Fred’s already-mediocre President Obama impression has somehow gotten EVEN WORSE. Aside from a few occasional (very occasional) vocal mannerisms, Fred’s not even ATTEMPTING to sound like Obama tonight. He’s basically just speaking in his normal voice and pitch. Usually when he plays Obama, he at least deepens his vocal pitch somewhat (but nowhere near enough to match the real Obama’s deep voice).
— When this originally aired, there was a huge shock among online SNL fans that SNL, after long being accused of coming off way too supportive of and easygoing on Obama in their sketches about him, was actually taking a lot of shots at Obama and criticizing his presidency in this cold opening. This decision of SNL’s got good praise among those shocked SNL fans.
— This cold opening’s jabs at Obama are coming off funny and well-executed. Good enough for me to now even ignore the non-attempt Fred is making at sounding like Obama. In fact, something about Fred’s non-impression is actually strangely working for me in this context. It fits the laid-back tone of this cold opening’s conceit.
— Pretty funny bit with the “Chicago 2016” shirts.
— Fred’s Obama, during his discussion of his accomplishments as president: “I’m seeing two big accomplishments: jack and squat.”
— Overall, I feel this was EASILY one of the better Fredbama sketches. Too bad this new angle SNL found on Obama would not last, and the show would soon go back to their usual soft, boring, non-comical take on him.
STARS: ***½


OPENING MONTAGE
— Two changes have been made to the new opening montage that was introduced in the preceding episode: 1) the single shot shown of Kristen Wiig in the preceding episode’s montage is now bookended by two shots of her in a hallway, the first shot of which she’s posing for the camera in a model-like manner, and the other shot of which she’s leaning against the hallway walls while laughing. 2) The way the musical guest and host’s respective photo is displayed has been changed from being displayed as a full-screen photo to being displayed as a smaller photo in front of a live-action NYC backdrop.


MONOLOGUE
host shows the difference between romantic comedies & superhero movies

— I’m really liking Ryan Reynolds’ delivery here.
— Some okay laughs from Ryan demonstrating the various differences between superhero movies and rom-com movies.
STARS: ***


MOSTLY GARBAGE DOG FOOD
(JAS) figures Mostly Garbage dog food is good enough for his pet pooch

— Funny concept.
— As usual, very strong spokesman performance from Jason, who’s perfect for the concept of this particular ad. I can also imagine Will Ferrell pulling this off, probably because he starred in a few dog commercials kinda like this back in the day, such as Petchow Rat Poison.
— Funny story from Jason regarding his reaction to once finding his dog eating cat poop out of the litter box.
STARS: ***½


CELEBRITY FAMILY FEUD
incest subtext affects John (BIH) & Mackenzie (KRW) Phillips

— Feels a little odd in hindsight seeing a Celebrity Family Feud sketch that’s set in the past and is hosted by someone OTHER THAN Kenan’s Steve Harvey, given the recurring Celebrity Family Feud sketches SNL would later do in more recent years.
— During the opening “Next on the Game Show Network…” bumper sequence, the “Feud” in “Celebrity Family Feud” is misspelled “Fued” (screencap below). Kinda surprised a noticeable typo like that got past SNL’s editors.

— When this originally aired, I remember how surprising a lot of SNL fans, including myself, found it that SNL had the guts to spoof such a touchy and controversial topical news story.
— The casting of Kristen as Mackenzie Phillips and Nasim Pedrad as the mother of Mackenzie, Genevieve Phillips, feels like it should’ve been the other way around, because in this sketch, Kristen looks noticeably a lot older than Nasim, and it’s hard for me to buy Kristen as Nasim’s daughter in this, and thus, also makes it a little hard for me to buy Kristen as Bill’s daughter. Back when this originally aired, I recall taking this miscasting as both a sign of SNL’s continued Wiig favoritism and a sign that they probably didn’t want to give this sketch’s important role of Mackenzie Phillips to a mere featured player (which all of Kristen’s female castmates this season are). 11 years later, I’m now questioning if that assumption of mine was fair or not.
— A huge laugh from Bill-as-John-Phillips immediately answering, in a wide-eyed manner, “Secrets!”, during the “Things you keep for a long time” question.
— I’m not too familiar with Richard Dawson, but Jason seems to be doing a very specific impression in his portrayal of Dawson. Whether it’s accurate or not, I’m loving Jason’s performance. Nice to see him fairly prominent so far in tonight’s episode, by the way, given how ridiculously underused he surprisingly was in the preceding week’s season premiere.
— When Jason’s Dawson gives Kristen’s Mackenzie a kiss on the cheek, I love Bill’s John reacting to that with a lighthearted “Heeeyyyy, careful now.”
— When Jason’s Dawson asks Abby’s Marie Osmond and Kristen’s Mackenzie the topic “Things you do with your father”, the cutaway to Bill-as-John’s silent facial reaction is very funny.
— I can see and understand why some people might be bothered by this sketch, but the sketch is definitely working for me.
— Great tense response from Jason’s Dawson, when finally catching on to what’s going on between John and Mackenzie Phillips: “Ohhhhh. Okay, I got it. Okay, this episode’s over.”
STARS: ****


ON THE GROUND
misguided rebel (ANS) smashes objects; Elijah Wood cameo

— Yet another all-time memorable music video Digital Short from Lonely Island.
— Hilarious comedic conceit to this song, made even funnier by Andy’s angry singing and his over-the-top facial expressions when throwing things to the ground in slow-motion.
— I love Andy’s whiny constant delivery of “Maaaaaaaaaan!” throughout this.
— This is getting increasingly hilarious. The “My dad’s not a phone!” part in particular is having me practically rolling on the floor.
— Andy, regarding a kid offering him a piece of birthday cake: “Whatchu want me to do with this cake, eat it?!? HAPPY BIRTHDAY TO THE GROUND!”
— Man, this short is so damn epic.
— A huge laugh from Andy, OUT OF FUCKING NOWHERE, flipping over the restaurant table that “phonies” Ryan Reynolds and Elijah Wood are eating at.
STARS: *****


MIKE’S FOUNTAINRY
Mike’s Fountainry extends classy brand of Lexi’s dad’s Chandelier Galaxy

— Our third installment of this series of sketches.
— A sudden-but-plausible Scarlett Johansson walk-on, reprising her character from all previous installments of this sketch. At this time, she and Ryan Reynolds were either dating or married (I forget which, much like Megan Fox and Brian Austin Green’s relationship that I mentioned being unsure about in my last episode review), which explains her cameo (and the special flattering mention Ryan gives her during the goodnights at the end of this episode). This season is now 2-for-2 in the host bringing along their celebrity boyfriend/girlfriend in a cameo.
— I will say that Scarlett always sells her character in this recurring sketch well.
— I really like Ryan’s performance here. There’s something strangely kinda Will Ferrell-esque about his performance, especially the big, out-of-breath gasp he does when he’s finished with his speech.
STARS: ***


DEEP HOUSE DISH
musical guest & Madonna [real] get in a cat fight

— The first appearance this recurring sketch has made in a year…and even THAT appearance from a year ago was the sketch’s first appearance in over a year. This sketch is clearly being phased out. In fact, tonight’s installment ends up being the final one.
— For once, Andy’s T-Shane is already on the set while Kenan’s D.J. Dynasty Handbag is delivering his usual opening intro of the show into the camera.
— The echo mic bit with T-Shane made me laugh.
— Catchy melody to Kristen’s song.
— Speaking of catchy, I like the chorus part of Ryan’s “Danny McCooz Is…” Facebook song.
— I gotta say, I’m very surprised by how much I’m actually enjoying this Deep House Dish installment so far, given how I usually dislike these sketches. Maybe the year-long absences this sketch has been taking lately has done it some good.
— Not only do we have our obligatory Lady Gaga appearance, who’s obviously the reason why this recurring sketch was brought out of the mothballs tonight, but we surprisingly get a Madonna cameo with her.
— Despite the novelty of seeing Lady Gaga and Madonna interact with each other, I’m not caring much for the whole rivalry bit they’re doing in this sketch.
— Well, because of this sketch, Kenan Thompson can say he got the honor of being kissed by Madonna and Lady Gaga simultaneously, on opposite sides of his face. This Madonna/Lady Gaga/D.J. Dynasty Handbag kissing orgy eventually gets joined by T-Shane, closing out this sketch. What a wild and amusing way to end this recurring sketch’s run.
STARS: *** (I’m just as surprised as you are)


MUSICAL PERFORMANCE
musical guest performs “Paparazzi”


WEEKEND UPDATE
Arnold Schwarzenegger (DAH) will not defend Roman Polanski’s actions

Charles Barkley (KET) offers skewed observations on China’s 60th birthday

Mahmoud Ahmadinejad’s (FRA) fiesty wife (NAP) makes fun of him in English

— The recently-departed-from-SNL Darrell Hammond makes his first of several regular-episode cameos this season. He previously cameod in all three Weekend Update Thursday specials that aired earlier this season. With all of these cameos Darrell had been making around this time, I remember joking to myself back then that Darrell’s appearing more than he did in his final season as an actual cast member! (Actually, that’s probably not an exaggeration.)
— Never liked Darrell’s Ahnuld impression.
— While I’m not caring all that much for some of his dialogue in this Ahnuld commentary, Darrell’s big energy is making it fun, which is something I’m not used to saying these past few seasons, given Darrell’s perpetual sluggish, low-energy performances in his later seasons as a cast member.
— I like how Kenan’s Charles Barkley is constantly referring to Seth as “Screech”.
— The usual hilarious absurd dialogue from Kenan’s Barkley all throughout his commentary.
— The Barkley commentary is an early display of Seth laughing his way through a guest’s commentary, which, IIRC, would go on to be a semi-regular thing when he interacts with certain Update guests.
— Seth’s “Eeyore finally did it” joke is one of his most memorable Update jokes of all time.
— Seth has some really strong jokes tonight in general.
— After spending her (official) first episode the preceding week being practically invisible and having no lines whatsoever, Nasim Pedrad gets her first big showcase.
— Nasim is immediately coming off so well in this first showcase of hers. Very strong and fun performance from her.
— This Mr. & Mrs. Ahmadinejad commentary is utilizing Fred’s Mahmoud Ahmadinejad much better than that weak Update commentary he and Maya Rudolph (as Mahmoud’s translator) did two seasons prior.
— Very solid Update overall. Best one in a while, in my opinion.
STARS: ****


SO YOU COMMITTED A CRIME & YOU THINK YOU CAN DANCE
cons do reality show

— Interesting concept for a So You Think You Can Dance parody.
— Boy, that scowl Abby’s making as Nancy Grace is almost downright scary-looking.
— Hilarious visual of Bill as Phil Spector.
— Will makes his ONLY appearance of this entire episode in a non-speaking role in a post-Weekend Update sketch. A sad sign of things to come for his airtime in this final season of his. That being said, even in a silent role, he’s killing it in this sketch, fittingly playing a character who we’re told looks like a sex offender.
— In hindsight, it feels kinda odd seeing Will and Nasim interacting with each other, knowing this is Will’s final season and Nasim’s first. Off the top of my head, I can’t think of many other interactions between them this season.
— Some good laughs from Fred’s constant attempts to escape during his and Kristen’s dance rehearsal.
— I love the visual of Jason as a cop handcuffed to Fred and sternly staring him down during his and Kristen’s dance sequence.
— Then-new SNL writer and future cast member Mike O’Brien (credited at this time in SNL’s writing credits as Michael Patrick O’Brien) makes his first onscreen SNL appearance, playing a stage manager whispering into Andy-as-Kevin-Federline’s ear (the ninth above screencap for this sketch).
— Jenny Slate makes her first live sketch appearance since her notorious accidental F-bomb in the preceding episode…and, as no surprise, she has NO dialogue here, nor anywhere else in tonight’s episode. I don’t think that’s a coincidence.
— Kenan’s mentally disturbed character is very funny. I also love Ryan’s various reactions to him.
— An overall fun sketch with a lot of laughs.
STARS: ****


INTERNATIONAL MASTERWORKS
Norway doesn’t capture spirit of USA cop drama

— Bill’s a tad stumbly in his opening intro.
— Funny concept with Norwegian actors’ bad attempts at casual English speaking and American accents.
— For some reason, Andy’s “Do you want me to strike him with a knuckle sandwich?” line has stuck with me over the years.
— I can see why some people would find this to be another typical “Fred does an annoying voice” sketch, but, despite the sketch’s thinness, I’m finding it to be decent enough.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs a medley of her hits


BACKSTAGE
backstage, ANS & musical guest are wearing the same bubble outfit

— Nice to see a non-monologue backstage sketch, which feels rare to me at this point of SNL’s run.
— Big night for Andy. He’s been all over this episode, especially the post-Weekend Update half.
— Amusing visual of Andy and Lady Gaga both wearing the same bubble dress.
— Fun gag with Gaga and Andy’s constant failed attempts to kiss each other over the bubbles on their costumes.
— Funny ending with Lorne’s bubble tie.
— Overall, short and sweet.
STARS: ***½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A solid episode with a smooth-sailing feel, a huge improvement over the mediocre season premiere. This episode flowed really well, with absolutely no segments I disliked. Hell, this episode was so good that, for once, even a Fredbama cold opening and freakin’ Deep House Dish worked for me. I’m not an avid listener of Lady Gaga’s music, but even her special medley during her second musical performance in this episode caught my attention and fascinated me, especially in how much it felt like a mini-concert.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
On The Ground
Celebrity Family Feud
So You Committed A Crime & You Think You Can Dance
Weekend Update
Obama’s Checklist
Mostly Garbage Dog Food
Backstage
Mike’s Fountainry
Deep House Dish
Monologue
International Masterworks


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Megan Fox)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Drew Barrymore hosts for her sixth and, as of 2020, final time

12 Replies to “October 3, 2009 – Ryan Reynolds / Lady Gaga (S35 E2)”

  1. There was a Halloween episode of THE REAL HOUSEWIVES OF NEW YORK CITY last year where Dorinda Medley wore the Lady Gaga bubble dress and said she got it from the SNL costume designer. I think? Because she kept repeating it but her words kept slurring as the night went on.

    I remember very little except Lady Gaga and Madonna saying “We’re pop icons! Respect!” and doing a high-five. It was very interesting because the media was always trying to push a feud with them, as Madonna had called Gaga “reductive”. After this, Born This Way is a huge hit but critics note that it sounds a lot like Express Yourself. Madonna goes on tour and does a medley of Born This Way, Express Yourself, and She’s Not Me.

  2. It’s honestly a bit of a surprise Reynolds has only hosted one time- not only does he seem to like being there (considering he cameoed at least twice since then- once in the monologue of Melissa McCarthy’s 2017 episode, the second being the FOCUS of the monologue for Will Ferrell’s most recent episode this past season), he seems to slide in quite well to the sketches (not just here- he also portrayed the friend of the Guy Who Just Bought a Boat in the Ferrell episode’s WU). On top of that, there was a number of times he could’ve promoted a film, especially if Comcast needed to promote his film (2013 for RIPD, 2015 for Self/Less).

    Of course, though, we KNOW he won’t host as Deadpool, as this video shows. (https://m.youtube.com/watch?v=cFYDD7XqiIA)

  3. Next episode has the first appearance of the ESPN Classic guys!!! Awesome!!!!!!

    This post is brought to you by Gyne-Lotrimin Vaginal Cream. I scream, you scream, we all scream for vagina cream!!! (long pause) Gyne-Lotrimin!

  4. Still another entry you timed at the Exact right moment; B/c Reynolds just got Rick Moranis to come out of Retirement to plug his mobile Company (I know this has Jacksquat to do with this episode, but 2020 could use some good news)…

  5. Interesting seeing a 2009 host/musical guest combo that is just as relevant today but with possibly even greater star power. I had seen this episode and it’s fine, but I had completely forgotten Ryan Reynolds ever hosted. When he cameoed in the Ferrell episode, I even said something to my friend like “I wish Reynolds would finally host.” It’s absurd to me that he hasn’t returned to host (I might have assumed that he and Jost had some personal issues, but he showed up for the recent cameoes and even appeared with Jost on Update, so I guess not).

    I certainly don’t mind SNL making fun of Obama, but the opening almost seemed like a kind of aggressive way of doing so. I don’t think they really got a handle of how to do Obama sketches until much later (I recall liking the Obama-Cosby pastiche when Maya hosts and various ones that Jay did, especially the Schoolhouse Rock parody).

    There are people who just HATE the Family Feud sketch and find it super offensive. I don’t think it’s iconic humor or anything, but Bill is really funny in it. While I agree it’s odd casting to have Nasim be older than Kristen, in real life, the woman Nasim is playing was only 10 years older than Mackenzie Phillips, so it’s not that crazy a casting decision I guess. And Kristen does a very good job in the role.

    The So You Think You Can Dance sketch is pretty ambitious–it has three distinct segments, and each has a pretaped rehearsal segment as well. It’s again not super great humor, but it has a lot of funny stuff in it and I like when SNL doesn’t just do a beat-by-beat lazy sketch. A number of cast members get big laughs in it even though they barely talk (Bill, Will, Jason).

    I believe Nasim holds the record for the longest tenured female cast member born out of North America (she would have to be, as the only ones I know of are Pamela Stephenson and Morwenna Banks). Wiki says Horatio Sanz holds the record for male cast members.

  6. “On the Ground” is my absolute favorite Digital Short, and favorite Lonely Island song. Everything about it makes me laugh. “I’M AN ADULT!!”

    I didn’t realize Ryan Reynolds had hosted so long ago- he should come back now that he’s arguably achieved even greater fame from playing Deadpool.

  7. Love that Family Feud sketch. It will always make me laugh. It feels like something blunt and ballsy and tasteless they would have attempted during the first few years.

  8. Now that we’ve gotten to this point in SNL history, I can go back and read more reviews – this one got a C- from the AV Club, calling it abysmal and saying it had good premises and got them wrong (the last one does tend to often be the case, admittedly). After seeing this episode, which is mostly solid for this era, I’m reminded again of the way many have nostalgia for SNL past even as the reaction to said past at the time it aired was rarely so positive.

    I’ve never had a big opinion on Ryan Reynolds (although his commercials/social media presence have been terrific, and as @Doc said, I love the ad he did with Rick Moranis), but this episode makes decent use of his comic abilities, especially since they were not as major an aspect of his career around this time. His best moment is probably in the SYTYCD sketch, when Kenan is biting his arm and he’s asking for help – it made me laugh. I also laughed at his having to promote two movies he hates (Green Hornet and that Wolverine movie), although that one wasn’t scripted.

    I guess he’s just another former host who is happier with cameos, even though his 2019 appearance is more of a “special guest” credit (if they still had those). That one got very mixed reactions from people, but, shoehorned as it felt, I mostly enjoyed it.

    (it’s also somehow very oddly appropriate for the slowly rotting train station feel of SNL that he cameoed in the same his season his ex-wife hosted, and where his seemingly ex-BFF Jake Gylenhaal also had a cameo)

    The Family Feud sketch is one of those which I think is just on the edge of greatness – as much as I dislike overlong sketches or states-the-obvious sketches, I think they could have pushed just a bit more. I guess playing up the ugliness and despair more, as they would have done in past seasons (I can see Victoria Jackson playing Mackenzie and acting out those scenes), would be a double-edged sword as the sketch may have been seen as exploitive and gross. So maybe I should just praise what they did manage to accomplish – it’s a very sharply written sketch which makes terrific use of Bill, Jason and Kristen (M/R/S tapping into Bill’s darker side the way they so expertly did; Jason in one of many effortless but still distinctive straightman performances; Kristen beautifully playing up the broken nature of Mackenzie and what she was going through. Abby and Ryan, especially Abby, are also very funny as the dopey Osmonds, and I’m very happy that M/R/S did not go for overkill by reviving the old incest theme with them. This sketch shows you what might have been if this cast had been given more challenging writing.

    SYTYCD with criminals is a funny concept, but runs too long for me and sort of shoots itself in the foot by opening with these funny, crazy impressions, then spends the rest of the time on very generic personalities. Still, it’s fine, Kenan and Ryan both stand out, and I have to give the hair and wardrobe people points on how they solved the previous problem with Andy as Federline (namely Andy being way too hot for that role) – they just put him in a bad wig and taped a pillow to his stomach).

    Speaking of Andy, I would have traded him out for Bill in the Norwegian sketch – he is alright but doesn’t quite get the accent right. I wonder if Bill, being such a perfectionist, also couldn’t and decided to go for the host role; either way, it takes away some of the humor for me. Still, it’s also fine, everyone (especially Kristen) gets the tone and performance right, and I love the idea – it reminds me of an old documentary on TCM about early foreign talkies which played a clip of a horrible American accent attempt in a French gangster film.

    I was reading an article about Lonely Island, with the writer suggesting their humor is mined from, essentially, making fun of douchebags. I don’t think that’s entirely true, but this type of short is a good example. It gets the most possible mileage out of mocking the hell out of a common irritant (the guy who needs to show you how pure he is and how much he suffers). I don’t think it ever tops that first moment with Bryan Tucker and the hot dog, although Jenny Slate’s reaction of shock and disgust is also a standout. (I wonder why Elijah Wood did a cameo – maybe he was friends with Ryan or TLI).

    I tend to have a soft spot for Deep House Dish – the musical acts almost always worked for me, and once Rachel was replaced by Andy (I love Rachel but she just never clicked for me here). I think there was only one of these that I outright disliked. The Gaga/Madonna confrontation doesn’t really work – Madonna’s up for it, but for someone with an acting background, Gaga seems very stiff (she also does in the mostly enjoyable bubble dress sketch – IIRC she is better when she hosts), and this type of quasi-catfight moment is very hard to put across. I did like seeing Madonna on SNL again after such a long absence (surprisingly this isn’t her last appearance – I wonder if she wanted her last to be on her own, rather than as part of a duo). The ending where they kiss DJ Dynasty and he talks about his unfamiliar sexual feelings probably should seem wrong, but in the context of this sketch it’s the perfect ending – what was always a very bland show with very basic people trying to seem less basic ends up with huge superstar cameos and a sexual conversion foursome. Probably one of the more tonally appropriate endings for a long-running recurrer.

    I guess I’m not that surprised to hear some people thought SNL was being soft on Obama, considering some of the political opinions I’ve heard from some fans this past year alone, but given that SNL not only gave both Hillary and McCain sympathetic coverage, but also didn’t even have the basic respect for Obama to cast race-appropriately for him, I’m still surprised. Fred has a more interesting energy in this one (probably because he wasn’t worrying about the voice), but it still feels like more of the same to me.

    I do think this is Darrell’s best Ahnold appearance, even if it has some of his worst habits (repeating punchlines, overdoing facial expressions to get a laugh). The part where he lists his biceps as his drugs is funny. I don’t really care for Nasim’s commentary (kudos to Fred for being willing to just sit and react though), but I’m glad she got a big chance so early on. I wonder if the idea was to give Jenny a showcase then give Nasim one, back-to-back. If only it had worked out better for both.

    It amused me that the audience took a little while to react to Scarlett’s cameo. I think it’s because this sketch was never on enough to get an immediate response, and if you don’t look close you could mistake her for Jenny or Nasim.

    Jason is just wonderful in the dog food commercial – it’s another of his performances which is so good as to be overlooked. He’s one of the few cast members in the show’s history who could pull this off quite so well – he has to believably love his dog AND be a complete asshole about said dog’s well-being. This is one of those bits where I wonder if it would make the air today due to viewer complaints (a pre-tape that has a low opinion of cats was cut from Matt Damon’s episode).

    Promo:

  9. I mainly remember the Celebrity Family Feud with all those revelations about Mackensie Phillips and her father, John. I thought it was perversely funny. I also somewhat the Madonna-Lady Gaga appearance together though not by much…

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