Segments are rated on a scale of 1-5 stars
COLD OPENING
the apostles prepare a surprise party for Jesus’ 30th birthday
— I like the humorously casual discussion the apostles are having about Jesus.
— Very funny bit with Jon wanting Jesus to turn the pitcher of water into wine.
— Jan’s abrupt “Live from New York” had no real segue and seemed awkwardly shoehorned in. That, coupled with the fact that host Paul Simon appeared in this, makes me wonder if this wasn’t the cold opening in dress rehearsal.
STARS: ***½
OPENING MONTAGE
— Much like in the previous season’s Christmas episode (William Shatner), the SNL Band plays a snippet of “Joy to the World” at the beginning of the opening montage before segueing into the regular theme music.
MONOLOGUE
host & senator Paul Simon [real] tell how their engagements are confused
— Great start with Paul making his monologue entrance alongside senator Paul Simon.
— Some good laughs from the mix-up over which Paul Simon was supposed to host, as well as them recalling times where one of them mistakenly showed up at an event meant for the other.
— An overall funny, charming, and memorable monologue.
STARS: ****
PUMPING UP WITH HANS & FRANZ
(no synopsis available)
— These characters are now officially popular, with them immediately getting a good amount of audience applause while they’re introducing themselves at the beginning of this.
— Some laughs from them forcing an injured Paul to do a workout.
— Nice to see the reappearance of Phil’s flabby Helmut character.
— Good continuity, updating us on Helmut’s physical progress since his last appearance, even showing still photos of his last appearance.
STARS: ***½
MASTER THESPIAN
Master Thespian improvises while tackling Santa role at Macy’s
— Funny moment with the camera pulling back and revealing that Master Thespian’s journal writing has been taking place in a men’s bathroom.
— Love seeing another appearance of Phil as a Frank Nelson-esque boss (“Eee-Yeeessssssss?”).
— The “pull my finger” bit was hilarious, especially Phil’s grossed-out vocalization. Only this era could get away with that kind of fart humor without it coming off groanworthy.
— I like this premise of Master Thespian as a mall Santa.
— Very funny overdramatic reaction from Master Thespian when he gets fired.
STARS: ***½
MUSICAL PERFORMANCE
musical guest performs “Los Laureles” & ” La Cigarra”
CASTAWAYS
(host) is amazed by craftsmanship of gifts given by fellow castaway (VIJ)
— Good laughs from Victoria revealing she made Paul’s watch herself, detailing the complicated process of how she made it with limited resources.
— More solid humor from how cheap Paul’s gifts look in comparison to Victoria’s.
— Great ending with the reveal of a hidden motor scooter.
— An overall very strong and charming sketch. One of Victoria’s best.
STARS: ****
WEEKEND UPDATE
the people say Gary Hart’s crazy for re-entering the presidential race
NBC’s shocking find is a clip of Jerry Lewis
DEM & Dennis Miller (DAC) debate whether Gary Hart’s decision was sound
— Decent bit with “The People” giving their opinion on Gary Hart.
— Dennis is coming off a little marble-mouthed at times tonight.
— Hilarious random bit with Dennis presenting a goofy 1950s clip of Jerry Lewis as “shocking and disturbing” footage.
— Dennis’ message towards Donna Rice was great.
— Yes! The debut of Dana’s Dennis Miller impression. As I mentioned earlier this season in my review of the Candice Bergen episode, Dana’s Dennis impression was supposed to debut that night in a similar point/counterpoint debate on Weekend Update, but there was a mix-up with Dana erroneously thinking the segment got cut, leading Dennis to awkwardly abort the segment on-air.
— Dana’s impression of Dennis is freakin’ dead-on and hilarious. I’ll ignore the bad wig, though.
— An overall excellent commentary from Dana’s Dennis.
— A very strong overall Update from Dennis, and a great comeback after the slump his Updates have been in the last handful of episodes.
STARS: ****
SUBWAY
(PHH) solicits money on a subway car by changing his story with each pass
— Love the turn with Phil revealing his hobo bit was just an act for a play he’s performing in.
— I really like where this is going, with Phil constantly switching his story and personality. This is a great showcase of Phil’s talents.
— Excellent ending with Phil changing his act to a stick-up robbery.
STARS: ****
SKI LODGE
in a ski lodge, Sweeney sisters “treat” host to a medley of his songs
— Okay, here’s the sketch that commenter Rssk informed me that the now-notorious Brynn Hartman appears as an extra in (and supposedly is even shown during a close-up at one point). Even though it will probably feel kinda chilling seeing her, I’ll keep my eye open on which female extra may possibly be her. I’m not very familiar with what she looked like, though. All I have to go on is the fact that she had blonde hair.
— I like the Sweeney Sisters launching into a Paul Simon medley, accompanied by a shot of Paul looking uncomfortable.
— Funny part with the Sisters forcing a reluctant Paul to join in during the name parts of the 50 Ways To Leave Your Lover chorus.
— A very solid Sweeney Sisters sketch overall.
— Okay, so… which blonde female extra was Brynn? The ski accident victim in the leg cast (seen in the first screencap above, as well as in the background of the last two screencaps above) or the woman in the winter sweater (seen in the background of the fourth screencap above)? I’m guessing it’s the former. Can anyone confirm?
STARS: ****
SUCCINCTLY SPEAKING
Tonto (JOL), Tarzan (KEN), Frankenstein (PHH) opine
— The debut of Tonto, Tarzan, and Frankenstein.
— I like Nora casually introducing Tonto, Tarzan, and Frankenstein as her talk show guests, as if it’s perfectly normal to have them on.
— This is sometimes inaccurately remembered by SNL fans as being a Pat Stevens sketch. Nora is actually just playing a generic, non-recurring talk show host here.
— I like Nora suddenly going from asking Tonto, Tarzan, and Frankenstein simple questions to asking them about the INF treaty.
— There goes the most well-remembered part of the sketch, and a legendary SNL moment in general: Phil suddenly busting out laughing uncontrollably one of the times he’s supposed to say “Fire bad!” Absolutely classic, made even more noteworthy by the fact that it’s a usually-unflappable pro who’s breaking character so badly. While Phil would go on to have a (very) few minor instances of laughing out of character in later seasons (most notably a Matt Foley sketch from the Martin Lawrence episode, where an absurd line flub from Chris Farley causes every cast member in the scene, including Phil, to lose it and crack up), they were nowhere near as major as his character break in this sketch.
— The hilarity continues as the sketch concludes with Phil’s Frankenstein walking around destroying the set while Phil is still laughing out of character. It almost feels like getting up and destroying the set was an ad-lib from Phil in an attempt to divert attention away from his character breaking, though it’s obviously not, because the wall he tears through is clearly a breakaway prop.
STARS: *****
SEASON’S GREETINGS
Tonto, Tarzan, Frankenstein sing “Away in a Manger”
— And with the debut of debut of Tonto, Tarzan, and Frankenstein in the preceding sketch, we now get the debut of a recurring segment with them performing a holiday song.
— This is great. It’s kinda hard to explain why this is so funny, especially as it eventually becomes a recurring bit, but it just works and has a silliness that I love about this era of SNL.
— For some reason, a stagehand is seen mopping in the background throughout this.
STARS: ****
MUSICAL PERFORMANCE
host & musical guest perform “Under African Skies”
TEXAS DINER
at the truck stop, Anita & friends reflect on the events of the past year
— Hmm, here’s a sketch that I have no memory of from my past viewings of this episode.
— I think this is the same diner waitress (Anita) that Jan played in a well-done slice-of-life sketch from the Willie Nelson episode the previous season. Never knew this was a recurring character. I wonder if it’s also the same character Jan plays in the memorable Sexual Tensions Diner sketch with Alec Baldwin.
— Interesting argument these people are making of why 1987 was such a bad year (Black Monday, televangelist scandals, Oliver North, etc.).
— I like Jan’s character occasionally speaking in uncharacteristic intelligent, complicated terms.
— Overall, this was a nice, low-key, realistic piece, which is something this cast is always great at pulling off. Jan, in particular, shined here, as she usually does as this character.
STARS: ***½
A MESSAGE TO FUTURE VIEWERS
JOL uses sci-fi cliches to address those watching the show in syndication
— Here’s another sketch I have no memory of ever seeing in the past. I thought I remembered tonight’s overall episode really well.
— I love this premise of Jon delivering a message to future generations watching this episode in syndication. I always get a kick out of this type of thing, as well as seeing what people in the past thought the future would be like.
— Some funny wild assumptions Jon is making about the future, and I liked his line threatening to invent a time machine so he can come and kill us future viewers.
STARS: ***½
GOODNIGHTS
IMMEDIATE POST-SHOW THOUGHTS
— A great episode. Easily my favorite of the season so far, and was very welcome after a string of episodes ranging from average to forgettable (the Bergen, DeVito, and Dickinson episodes). Everything in tonight’s episode worked for me, and there were lots of memorable sketches and moments, as well as a fun, feel-good vibe, all of which are things I always love to see in an SNL Christmas episode.
— I’d like to add that Phil Hartman had a particularly fantastic night. I think he appeared in literally every single sketch except for Castaways and Message To Future Viewers. This episode was one of the finest displays of Phil’s strengths, versatility, and “glue”-like skills. And to put it over the top, he had an all-time legendary moment with his Succinctly Speaking character break.
HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Angie Dickinson)
— a big step up
My full set of screencaps for this episode is here
TOMORROW
We enter 1988, with host Robin Williams