November 15, 2014 – Woody Harrelson / Kendrick Lamar (S40 E6)

Segments are rated on a scale of 1-5 stars

DRINKS AT THE WHITE HOUSE
Barack Obama (JAP) & Mitch McConnell (TAK) get drunk after election day

— I’m enjoying the structure to this, with all the time jumps.
— This is getting more and more fun the increasingly drunk and loose Jay and Taran’s President Obama and Mitch McConnell are getting.
— A very funny high-pitch shriek from Taran when the phone rings after his crank call.
— Love Taran’s delivery of “Oooooh, you’re in trouble!” after the tense exchange Obama has with his wife.
— This overall cold opening was not only strong, but it alone had a better energy and flow than almost anything in the preceding episode (Chris Rock).
STARS: ****


MONOLOGUE
Josh Hutcherson, Liam Hemsworth, Jennifer Lawrence [real] visit host

— Yet another musical monologue, but this one is more forgivable, given the fact that Woody Harrelson’s previous two monologues, both of which were good, were guitar songs like this one is. It also helps that I really like the conceit of his guitar song tonight, reminiscing about 1989, the year he first hosted SNL.
— One of Woody’s lyrics about 1989: “I think I had a mullet.” Indeed he did (screencap of him from his 1989 hosting stint below).

— This suddenly turns into another one of those cameofest monologues, which I’m rarely crazy about when it occurs in recent seasons like this. I at least don’t mind seeing Josh Hutcherson on SNL again, as I found him to be a likable host the preceding season.
— A good laugh from Woody initially thinking Jennifer Lawrence is Taylor Swift.
— Great ad-lib (“You’re always so stoned!”) from Jennifer Lawrence when she has a hard time getting a line out while quoting Woody. This ad-lib sets off an infectious and endearing stretch of giggling from all four of the performers that almost sounds like they really are stoned.
— Overall, for both a musical monologue AND cameofest monologue, two of my least favorite monologue tropes, this was surprisingly not bad at all, was actually pretty fun, and had a nice charm.
STARS: ***½


THE DUDLEYS
viewer feedback prompts changes to sitcom; Uzo Aduba cameo

— Very strong and clever satire here, with all the frequent and increasingly desperate PC changes this sitcom makes as their answer to the various social media complaints they’ve received.
— Another surprisingly fun cameo tonight, as the appearance of “Crazy Eyes” from Orange Is The New Black is adding well to this.
STARS: ****½


MATCH’D
horny contestants contend with bachelorette’s (CES) dad (host)

— When the guys are each giving their response to Cecily’s first question, I love Beck’s affable delivery of his very sleazy line, “I would take you back to my house and show you my special ingredient: my penis.”
— Absolutely priceless twist of Cecily being Woody’s daughter, after all of the raunchy, horny things the guys had just said to her in front of him. Love how the guys all suddenly change their tune immediately after this twist, by awkwardly forcing themselves to give Cecily’s questions very proper, gentlemanly answers in order to not upset Woody.
— An absolutely killer and classic moment, with Cecily’s “Can’t shake hands with a ghost!” line about her mother.
— Another excellent twist, with the casual reveal that Woody is an ex-marine. This must be a Chris Kelly/Sarah Schneider-written sketch, because, as I said in some previous episode reviews, those two writers seem to have a knack for throwing great shocking twists into their sketches.
— Very funny bit from Kyle about “Veteruss Day, the day we celebrate our veteruss”, delivered perfectly in that trademark oddball Kyle Mooney delivery.
— Hilarious crotchless panties bit with Taran.
— Great ending with Woody revealing he’s about to watch footage of the moment he had just given the guys and Cecily alone together, where the guys crassly let Cecily know how extremely horny they are right now.
STARS: *****


NEW MARIJUANA POLICY
end of pot possession arrests sends NYC stoners out-of-doors

— I am loving the wordless, excellently-shot sequence with Pete and his stoner neighbors all simultaneously exiting their houses with bags of weed.
— Another scene-stealing appearance from Leslie, as her mere facial expression as she exits her pot smoke-filled car in slow motion is hilarious.
— Perfect appearance from Woody, who’s obviously a natural for this short film’s subject matter.
— Another great little Leslie moment, with her proudly yelling “DEBLASIO, BABY!!!”
— A very fun, memorable, and oddly beautiful sequence of the whole town happily marching in the streets in pot-related unity.
— Lots of funny little details throughout this short.
— Excellent twist with it turning out that, while the new policy allows people to openly possess marijuana in public, they can’t actually smoke it in public.
STARS: *****


FOOTBALL HALFTIME SPEECH
football coach (host) relays overcautious safety measures to players

— A lot of good laughs from the sequence with Woody using Jay to demonstrate the extremely gentle new tackling technique. I especially love the phrase, “Back of the head…” “PUT YOUR PRINCESS TO BED!!!”
— Kenan’s brain-damaged, nonsensical rambling is classic and steals the entire sketch. Among some great lines from him are “Who said sumpin’ about some rings?!?” and “This one’s for ALL the Marlboros!”
STARS: ****


YOUNG TARTS & OLD FARTS
duets album pairs established & rising musicians

— A cheap laugh from the title of this album.
— I had mis-remembered this as being a Christmas-themed album that aired in one of the December episodes of this season. I was probably confusing this with one of the Christmas duets album ads from the previous two Jimmy Fallon-hosted episodes. Minus the Christmas theme, those ads have a very similar style to this Young Tarts & Old Farts ad.
— Oh, there’s that awful Macklemore impression from Kyle that I mentioned in a previous episode review. Actually, watching it again right now, Kyle’s impression isn’t as bad as I had remembered.
— I like Sasheer’s Diana Ross saying, in regards to Kyle-as-Macklemore’s lyric about homophobia in hip-hop, “I don’t need him educate me about gay people. I invented gay people!”
— Love the James Taylor/Sam Smith duet, especially Woody’s Taylor telling Taran’s Smith, “Lighten up, dude” and “It’s a happy song!” Also, the decision to cast Woody as James Taylor feels very fitting.
— Oh, I did NOT need the return of Kate’s terrible and baffling Lorde “impression” from the preceding season.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “i”


WEEKEND UPDATE
LEJ argues that it’s appropriate for women in relationships to be crazy

host’s True Detective co-star Matthew McConaughey (TAK) is a little loopy

 

— A classic opening to this Update, with the running “But dat ass, doe” gag in regards to Kim Kardashian’s famous Paper Magazine cover photo.
— Leslie in her first Update commentary as a cast member.
— A memorable moment, with Leslie repeatedly yelling at Colin, “LOOK AT MY BREAST!”
— Good ad-lib from Leslie after both she and the audience simultaneously giggle in response to a funny line of hers.
— As usual in her Update commentaries, Leslie is absolutely KILLING it tonight.
— Love the Lorne joke from Michael, despite his clumsy delivery of the set-up.
— Colin’s theme park/pedophiles joke is another early display of the great ballsy jokes he would often do on Update years later.
— Great to see Taran’s Matthew McConaughey impression back after that very funny commentary he did the preceding season. Also nice to see him paired up with McConaughey’s True Detective co-star Woody this time.
— Like last time, some very funny “deep” ramblings from Taran’s McConaughey, and I particularly love the Super Mario Bros. bit, especially the line, “Hop on a turtle’s back, send him into the abyss.”
— Overall, the first really strong Update of the Jost/Che era.
STARS: ****


OLD NEW YORK
at a bar, only (host) is wistful about the good old days of NYC crack

— Hilarious turn with how, after the other guys reminisce about normal, wholesome city things that are no longer around, Woody’s only contribution to the conversation is “Remember the crack?”
— A one-note premise, but it’s a damn funny one-note premise, and Woody is executing it very well.
— Kenan randomly deciding to use a loud and exaggerated voice when blurting out the line “I MISS THE RESPECT!!!” was very amusing, and clearly wasn’t in the script, given the fact that, when the camera cuts to a shot of Taran and Bobby immediately after that line, Taran’s smirking and Bobby’s stifling his laughter HARD.
— Priceless reveal of Woody’s “police badge” actually being a “Vote For Nader” button.
STARS: ****


CAMPFIRE SONG
(host) can’t get friends to help with apple song at a campfire singalong

— This feels like the most in character we’ve seen Woody all night, as he’s speaking in a different voice than his own.
— Oh, no. Our very first of way-too-damn-many James Anderson/Kent Sublette-written sketches with the premise of “A character sings a non-existent song that they expect their friends to join in and sing along as if it’s a famous song, but they’re not familiar with it”. Ugh, I’ve always strongly disliked this recurring concept, and never understood Anderson & Sublette’s fascination with it.
— As unfunny as Woody’s “Apples” song is, I do at least find it to have a catchy sound, I admit.
— I did get a laugh just now from the incongruously large amount of water splashing just from Woody throwing his guitar pick in the lake.
— Ugh, there’s that corny twist where “Hey, the main character’s friends actually DO know the song after all, and happily join in on the singalong!”, which would also become a staple of some (if not all) of the subsequent Anderson/Sublette sketches with this premise.
— Overall, leave it to Anderson & Sublette to ruin this episode’s perfect streak of segments ranging from pretty solid to excellent. That being said, as much as I didn’t like this sketch, I don’t find it to be as awful as some of the subsequent sketches with this same premise.
STARS: **


MUSICAL PERFORMANCE
musical guest, Chantal Kreviazuk & Jay Rock [real] perform “Pay For It”


LAST CALL
sex-starved (host) & Sheila Sovage necessarily lower their standards

— A little odd how this is the second post-Update sketch tonight that takes place in a bar.
— I always love that “Ha-HAAAAAA!” laugh that Kate’s Sheila Sovage does in an early moment of each installment of this recurring sketch.
— Woody’s “Eyebrows, eyebrows, eyebrows” line was very funny.
— A huge laugh from Sheila Sovage revealing her occupation: “I re-plaster unpopular glory holes!”
— Woody has even better chemistry with Kate here than previous hosts had with her in prior installments of this sketch.
— I love Woody’s “STDetroit” line.
— Another great Woody line, with him assuming CDC stands for “Center For Doin’ It Correctly”.
— Kenan’s way of saying “That’s for my fruit!” absolutely SLAYED me. (He’s been killing it with his line deliveries tonight in general.) He pronounced “fruit” in such an odd, comical manner with such a goofy voice that it caught me off-guard and has me in absolute stitches. I honestly cannot stop laughing at it right now. His pronunciation of “fruit” is hard to spell out phonetically, but here’s my best attempt at the spelling: “fruuuT” with a very hard ‘t’.
— Excellent ending with how, while Woody and Sheila Sovage are nastily making out with each other through plastic wrapping in front of their faces, Kenan begins dousing the whole bar with gasoline and says, “Well, I gotta kill us ALL, I guess.”
STARS: ****½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A fantastic episode. Not only is it easily my favorite episode of this season so far, but it honestly may even be one of the best episodes I’ve ever reviewed. (Can’t wait to see the rating average my review of this episode has when commenter Vax Novier tallies up the averages of each of my season 40 reviews.) Not only did this episode impressively go by with almost no bad segments at all, but almost every single one of this episode’s segments was great, receiving a rating in the 4-5-star range. And some of those great segments were particularly memorable or had at least one very memorable moment, and a few of tonight’s great segments are even classics. There was also an infectious energy in the air all throughout the episode, partly due to Woody Harrelson’s always-likable presence. Overall, a terrific episode, and, man, what an amazing turnaround from the troubled (though not as bad as its reputation) episode that preceded this.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


RATED SEGMENTS RANKED FROM BEST TO WORST
Match’d
New Marijuana Policy
The Dudleys
Last Call
Weekend Update
Drinks at the White House
Old New York
Football Halftime Speech
Young Tarts & Old Farts
Monologue
Campfire Song


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Chris Rock)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Cameron Diaz

May 16, 1992 – Woody Harrelson / Vanessa Williams (S17 E20)

Segments are rated on a scale of 1-5 stars

COLD OPENING
The Tonight Show- late walk-ons ruin Johnny Carson’s (DAC) last show

 

— Phil as a drunk Ed McMahon is hilarious.
— I absolutely love the taped farewell messages from other talk show hosts, with Kevin as Jay Leno rambling about how Carson’s retirement is great for him (Kevin’s voice constantly changing pitches throughout that speech kills me), Rock-as-Arsenio-Hall’s deep, intense philosophizing as the camera slowly zooms into his mouth, and Dana reprising his impression of his former castmate Dennis Miller, ranting about how badly his talk show is doing.
— Adam’s David Brenner impression is cracking me up.
— I like the insane turn this has taken during Carson’s final minute on the air, with a tiger cub going wild and peeing all over the place while attacking David Brenner, before being wrestled by drunk McMahon.
— According to GettyImages, Victoria (who’s final night on the show is tonight) was cut after the dress rehearsal version of this sketch, playing herself performing a ukulele song (pic here). Farley was also cut playing who appears to be Marlon Brando (judging by what it says on whatever that thing is he’s holding in his left hand in this pic) (another pic here).
STARS: ****½


OPENING MONTAGE
— The only second-category featured players (i.e. the featured players who only receive a still photo in the opening montage and are only credited occasionally) who are credited tonight are Beth Cahill and Melanie Hutsell, but reruns of this episode would add in Robert Smigel, presumably because he appears in a Super Fans bit later tonight.
— A very minor note, but it’s something I’ve always found strange: around the middle of this episode’s theme music, G.E. Smith’s plentiful guitar-playing suddenly stops for a long time before eventually continuing towards the end. I wonder what happened there.


MONOLOGUE
after denying ego problems, host plays guitar & sings a song about SNL

— A rare occurrence of G.E. Smith being heard speaking on camera, when handing a guitar to Woody.
— Some good laughs from Woody’s constant stopping before singing, to assure us of how his fame doesn’t affect him.
— His SNL tribute song is funny with its lyrics that’s repeating everything he just said about SNL before launching into the song.
STARS: ***½


ACTION CATS
— Rerun from the Mary Stuart Masterson episode.


TAKE YOUR SHIRT OFF
(host) encourages grotesque-bodied beachgoers to take off their shirts

— I like how the body reveals are starting off conventional with Woody’s body, then gets just slightly odd with Farley being Farley, and then is getting flat-out grotesque starting with Kevin’s insanely hairy body.
— Adam’s phallic outie belly button is an absolute riot, as is Tim’s snarky one-liner as a passerby: “Can I put a bun and mustard on that thing? I’m gettin’ kinda hungry.”
— Woody’s encouragement to each guy after they take their shirt off is making me laugh, like him asking hairy Kevin “Did Burt Reynolds just ask me a question?” (though that line was kinda drowned out by audience laughter).
— Farley’s spastic gesturing while playing catch football with Kevin causes Woody to break.
— Considering Dana’s real-life infamous botched heart surgery from the late 90s, his character in this sketch having had heart surgery is eerily prophetic. That being said, I love the particularly disgusting visual of his transplanted baboon heart being outside of his chest.
— Another great snarky one-liner from a passerby, this time with Siobhan asking a feminine breasts-having Mike “Didn’t I see you on the cover of Juggs Magazine?”
STARS: ****½


SPROCKETS
(host)’s EuroTrash theme park is a rebuttal to EuroDisney

— They did a Sprockets sketch last time Woody hosted SNL, but his character in tonight’s Sprockets is different from the one he played last time. For some reason, I kinda love the name of the character he’s playing tonight: Graus Grek (which was used in an earlier Sprockets sketch as a name that Dieter mentioned in passing).
— I like Woody’s bizarre wig.
— The pictures that Woody’s displaying of his EuroDisney alternative, EuroTrash, have some funny pictures, especially the Diseased Bear Jamboree.
— I love the part with Dieter going on about what a Fred Flintstone fanatic he is.
— This ends up being the final Sprockets sketch in its normal (if it can be called that) format during Mike’s tenure as a cast member. All future Dieter appearances during Mike’s cast tenure are outside of the typical Sprockets format.
STARS: ***½


DEEP THOUGHTS BY JACK HANDEY
on having “impressions” during a math test


MUSICAL PERFORMANCE
musical guest performs “Save The Best For Last”


WEEKEND UPDATE
Super Fans offer tips to Knicks fans on what to do after the Bulls win
Operaman sings about Ross Perot, L.A. riots, Mark Messier, Johnny Carson

 

— Very interesting seeing the Super Fans appear on Update for a change. However, it appears George Wendt was too busy this week to cameo (which is funny since his Cheers co-star is hosting tonight). Feels odd seeing the Super Fans without a “lead character” like Wendt or Joe Mantegna.
— I loved Smigel’s disparaging comment on what a Knick is: “It’s what a New York man gets when he shaves his leg before going into a Greenwich Village bar.”
— Operaman officially becomes recurring, only two episodes after making his debut.
— Fantastic biting satire with Operaman singing about President Bush sleeping during the L.A. Riots.
— Another great part during the Operaman commentary, with him lamenting “El chin-o” (Jay Leno) replacing an about-to-retire Johnny Carson. I like that SNL’s not afraid to take shots at Leno tonight after he had just cameod on the show a week earlier.
STARS: ***


DELTA DELTA DELTA
Pam, Di, Meg don’t want to give their notes to Sigma Chi frat brothers

— Here comes what ends up being the final installment of this sketch (though Melanie’s character would end up making a “cameo” in the very first Gap Girls sketch next season).
— Boy, am I glad I’ll never have to hear that annoying-as-hell catchphrase “Delta Delta Delta, can I help ya help ya help ya?” anymore after this episode.
— David’s constant sotto-voced attempts to persuade Beth are kinda funny.
— I found this overall installment to be really meh and mostly unnoteworthy. A step down from the surprisingly semi-tolerable preceding installment from the Mary Stuart Masterson episode.
STARS: **


COWBOY SONG
lonesome cowboys sing about how they’re proud they’re not minorities

— Another recurring sketch making its final appearance tonight. This sketch debuted the last time Woody hosted.
— I’m getting a lot of “That is SO wrong” laughs from the cowboys’ bigoted lyrics about minorities and “girl-boys with big ol’ girl vaginas”.
STARS: ****


BACKSTAGE
Zoraida confuses host’s Cheers & White Men Can’t Jump roles with reality

— (*groan*) This character again…
— Ugh, this routine with her confusing hosts’ fictional characters with real life is BEYOND tired by this point.
— An overall particularly tepid, by-the-numbers Zoraida installment. No redeeming factors at all here.
— While I was never all that crazy about this character’s routine to begin with in her debut in the season premiere, it’s amazing how quickly they milked it dry over the course of just one season.
STARS: *


FRANK GANNON, P.I. P.I.
politically incorrect P.I. looks into abortion clinic vandalism

 

— Good to see this character officially become recurring, though we end up never seeing him again after this episode.
— Frank Gannon assuming the “Baby Killers” graffiti was the abortion clinic’s real sign was hilarious.
— Lots of funny offensive, bigoted (I seem to be using that word quite a lot tonight) assumptions from Gannon throughout this, especially his theory that young black men from the L.A. Riots looted the abortion clinic and stole the files so they can know the names and addresses of all the loose women in the neighborhood.
— I like the addition of Woody as Gannon’s rookie assistant, Rudy.
— The close-up of Gannon’s dopey, cocky grin into the camera as Ellen is getting arrested is great (second-to-last screencap above).
— It’s Victoria’s final episode as a cast member, and she’s JUST NOW making her first appearance, in the last 20 minutes of the episode.
— I love Victoria’s tearful “You’re an idiot!” to Gannon at the end.
STARS: ****


MUSICAL PERFORMANCE
musical guest performs “The Comfort Zone”


THE SENSITIVE NAKED MAN
The Sensitive Naked Man attends a baseball game with his son

— Much like Frank Gannon, this character makes his second and last-ever appearance. Seems to be a lot of characters unknowingly taking their final bow tonight (Delta Delta Delta, Singing Cowboys, Frank Gannon, Sensitive Naked Man, Sprockets sorta… too bad Zoraida’s not one of them).
— I got a laugh from Rob thinking he’s ridiculed by his son’s friends just because he’s a social worker.
— An overall surprisingly forgettable installment of this sketch. The ending especially came off weak, and the sorta-reveal of Rob’s bare behind fell flat. This overall installment doesn’t hold a candle to the far-superior installment from earlier this season.
STARS: **½


BAD EXPECTANT MOTHER
(VIJ) unwittingly sets examples of what expectant mothers shouldn’t do

— Much like Jan Hooks in the preceding season’s finale, I’m glad they gave Victoria the 10-to-1 spot in this season finale even if I’m not 100% sure if they knew at the time that she’s leaving (though the fact that she gets to stand at the front of the stage during the following goodnights suggests they possibly were indeed aware).
— I liked Woody’s line about it being safe for Victoria to drink Irish coffee because “the alcohol and caffeine will probably just cancel each other out”.
— A lot of big laughs from Victoria doing a succession of actions that pregnant women should never do, such as sniffing glue, putting her belly in the microwave when trying to fix it, etc.
— A great cutaway to a pre-taped Jon Lovitz revealing that the sketch was based on his mother when she was pregnant with him, and then plugging his upcoming FOX special.
— An overall strong note for Victoria to go out on. One of her best sketches ever.
— In reruns, SNL moves this sketch up to a much earlier timeslot in the first half of the show. I can kinda see why, but I like this better in the 10-to-1 slot, as this is Victoria’s last show, and it’s also a solid way to close the season. (Reruns place the underwhelming Sensitive Naked Man sketch in the 10-to-1 slot, which is a pretty poor way to close the season)
STARS: ****


GOODNIGHTS

 


IMMEDIATE POST-SHOW THOUGHTS
— A fairly solid season finale, even if it doesn’t measure up to the two fantastic episodes that preceded it. Despite tonight’s episode being weighed down by a few recurring characters I dislike (Delta Delta Delta and Zoraida), there was still plenty of good material in the show. We also got a surprisingly large amount of delightfully offensive, un-PC material in the post-Update half, such as Cowboy Song, Frank Gannon P.I. P.I., and Bad Expectant Mother.

— Tonight ended up being the final episode for veteran Victoria Jackson and first-year newbies Siobhan Fallon and Beth Cahill. Victoria’s tenure ended with a very forgettable final year for her, as she was gradually phased out (hell, as mentioned earlier in this review, she didn’t even appear in her final episode until the last 20 minutes) and did very little of note in the second half of the season. Overall, though, I feel Victoria’s SNL tenure as a whole was pretty good. While she was very limited in her range and does not measure up to the fantastic work of most of her original late 80s castmates, I appreciate what she brought to the show, especially on Weekend Update during the Dennis Miller era. And she had a likability about her that made her lack of range more forgivable. Siobhan Fallon and Beth Cahill are both interesting cases, given their short time on the show. I feel Siobhan showed a lot of potential in her somewhat-limited airtime and also had a professionalism that I liked. However, she did sometimes have a tendency to kinda overact in her delivery during some walk-on roles. I feel that overall, she definitely deserved a second season, but supposedly, the reason she was dropped was because her strong religious beliefs caused her to turn down the more “un-clean” roles she was offered on the show (I was told that the “Their Eyes Were On Their Breasts” sketch was one of them), which apparently was frustrating for the writers. Beth Cahill is difficult to assess, given her extreme lack of airtime and generic roles she was usually stuck in. I did find her Denise Swerski character to be decent, but other than that, I’ve always felt Beth usually had kind of a blandness to her as a performer. But again, it’s hard to tell, considering how little she was used and how non-descript her roles typically were. She deserved a second season just to see if she would’ve gotten more of a chance and developed, but that probably wouldn’t have happened much in season 18, with a still-gigantic cast and a slowly-increasing Boys Club mentality. I could go on about how unfair it is that the very limited and occasionally very annoying Melanie Hutsell got to stay over either Siobhan or Beth, and I do feel that way, but I’ve been a little more lenient on Melanie in this SNL project than I’ve been in the past (anyone who remembers the standalone 1990-1994 reviews I did on SNL message boards back in 2010 would know that). During this SNL project, I’ve found myself having more recognition of and appreciation for Melanie’s non-annoying moments. I’m not sure how much longer that’ll last, considering I recall her performances being consistently bad two seasons later during her final year (season 19).

— Season 17 as a whole was yet another in a long line of strong seasons. As much as I absolutely love the preceding season 16, I think I enjoyed season 17 slightly more as a whole. I felt this season had even bigger highs than season 16, and had impressive stretches of solid consecutive episodes at various points of the season. And the historically gigantic cast strangely helped give this season a fun feel to me, especially the times the show would go out of their way to work all or most of the cast into sketches (e.g. Not Gonna Phone It In Tonight, Partridge Family vs. Brady Bunch, History Class).


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Tom Hanks)
a mild step down


HOW THIS OVERALL SEASON STACKS UP AGAINST THE PRECEDING SEASON (1990-91)
a very slight step up


My full set of screencaps for this episode is here


TOMORROW
Season 18 begins, with Nicolas Cage as host, and a slightly smaller cast

November 18, 1989 – Woody Harrelson / David Byrne (S15 E6)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Five Easy Pieces ’89- Jack Nicholson (PHH) collects his Batman royalties

— Phil-as-Nicholson’s ridiculous, complicated requests of how he would like his payment split are really funny.
— Loved Nicholson’s sarcastic “I want you to hold [the money] between your knees” remark to Nora.
— Excellent sequence with Nicholson suddenly tearing the desk apart to bits in such a short amount of time.
— The live version I’m currently watching of this episode has a different take of Phil saying “Live from New York…” than the rerun version does. The reruns must use the dress rehearsal version of Phil’s LFNY, but I’m not sure why, as the rest of the cold opening appears to be the same in both live and rerun.
STARS: ****


MONOLOGUE
host plays guitar & sings thesaurus-inspired “Pretty Lady”

— Loved his way of mispronouncing thesaurus as “THESS-er-iss”.
— Hilarious how the lyrics to his Pretty Lady song are just using a long string of synonyms for “pretty” that don’t fit the song’s style.
— Very interesting how after this monologue ended, the camera follows Woody as he leaves the home base stage and walks right over into the next sketch. I love that, and wish SNL did that more often.
STARS: ***½


WHO’S DUMBER?
VIJ & host compete to be stupidest person in America

— Interesting change of pace with a gameshow host being played by Jon instead of Phil or Kevin.
— Great concept and a good way to poke fun at Victoria and Woody’s onscreen personas.
— Very funny reveal that the questions are ones that Victoria and Woody picked out themselves three months ago.
— Hilarious how Woody wins one round for being dumb enough to whisper the answer to Victoria while being mic’ed.
— Love Victoria’s very delayed answer to the question of which celebrity Woody is related to: Woody Allen.
STARS: ****


PUMPING UP WITH HANS & FRANZ
Roseanne Barr (VIJ) undergoes liposuction

— They’ve been doing creative things with the last few Hans & Franz sketches, and now we get yet another one with this liposuction premise.
— A surprisingly big night for Victoria so far, now getting to showcase her great Roseanne impression in a Hans & Franz sketch.
— In the shot right now, I noticed that on the left end of the screen, you can unintentionally see the long hair of someone standing next to the camera. (third screencap above)
— Funny visual of the “flab receptacle” jar slowly being filled during the liposuction process.
— An epic and hilarious disgusting sequence with the jar overflowing, causing Hans and Franz to slip all over the place.
STARS: ****


ATTITUDES
maker of food miniatures Paul Tinso (host) displays his work

— Hmm, they updated the opening credits sequence.
— Amusing visual of Woody’s tiny clay food figures.
— I liked Woody’s line about how making tiny clay rice is almost not worth it.
— Good part with Woody eagerly writing down Jan and Nora’s clay food ideas as if they were suggestions for him.
— As usual, this overall sketch provided some good laughs from so many mundane details.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Dirty Old Town”


WEEKEND UPDATE
footage of Lech Walesa being a little too affectionate with a blonde
Connie Chung (Leo Yoshimura) says her show won’t do any more re-creations

 

— I love Dennis’ “Gobble, gobble, gobble” runner throughout this Update (especially him going “Gamble, gamble, gamble” when a Pete Rose picture shows up, and going “Gullible, gullible, gullible” when a Dan Quayle picture shows up).
— A great brief bit with Akira Yoshimura as a comically-unconvincing Connie Chung announcing that her show wont have any more news recreations.
— Nice ending bit regarding German high schoolers having written “Live from Berlin, it’s Saturday Night” on the Berlin Wall.
— No desk pieces in tonight’s overall Update?
STARS: ***½


COWBOY SONG
(host) & fellow lonesome cowboys (PHH) & (DAC) sing about range life

— The debut of what will be an occasional recurring sketch the next few seasons.
— The song has a nice, charming melody.
— A good laugh from Woody’s “See a whore” lyric.
— Kinda surprised by how short this sketch ended up being.
STARS: ***


THE HERO
WWII soldier (host) receives bad news about his body from doctor (KEN)

— I liked Kevin’s line about how an arm is just for clapping, when he’s going on about how important the leg is.
— Hilarious gradual reveal that everything below Woody’s head is missing, as well as the back of his head, meaning he’s just a face.
— This sketch is perfect for Kevin’s usual delivery. I wonder if he wrote this one himself.
— Funny rundown on the current state of Woody’s fellow solders.
— Strong ending with another soldier having been reduced to just a leg.
STARS: ****


THANKSGIVING GOOD, FIRE BAD
Frankenstein doesn’t want to kill the turkey

— Hmm, I have no memory of this sketch from my past viewings of this episode.
— An okay sequence with Dr. Frankenstein bringing the dead turkey back to life.
— This overall sketch seemed to be trying to be more charming than funny. Despite the nice charm, I still couldn’t help but find myself a little bored at times. Not one of my favorite sketches featuring this trio of characters.
STARS: **½


MUSICAL PERFORMANCE
musical guest performs “Loco De Amor”


SPROCKETS
dark East German filmmaker (host) has rapidly Westernized

— I like the look of Woody’s character in the interview clip they showed of him.
— The utterly bizarre film clip was quite a laugh.
— Dieter, in a deadpan manner: “You have disturbed me almost to the point of insanity. (*very brief pause*) There. I am insane now.”
— Something about this overall Sprockets installment felt a little empty, like some things were missing. The lack of audience laughter may have contributed to that empty feel, as much as I usually try not to have my opinion of a sketch be swayed by audience reactions (or lack thereof). These early Sprockets sketches so far have surprisingly been kinda hit-and-miss. I wonder when this recurring sketch starts to officially take off, because I’m a fan of its later installments.
— The next time Woody hosts SNL in season 17, they would also do a Sprockets sketch (a much better one, in my opinion), though Woody plays a completely different character than the one he played here.
STARS: **½


THANKSGIVING GREETINGS
Tonto, Tarzan, Frankenstein say what they’re thankful for

 

— We just saw a musical holiday piece with these characters two episodes ago. Plus, we’re obviously going to see another one a mere three episodes from now (with that being the Christmas episode and all) and I know for a fact we see yet another one three episodes after that (Quincy Jones episode). I don’t want to sound like I’m complaining, though, because I always like these pieces.
— At least we get a promising change of pace with each character saying what they’re thankful for.
— This overall piece ended up being fine, though I didn’t like it quite as much as the earlier musical holiday pieces with these characters.
STARS: ***½


GETTING ACQUAINTED
adult education students make dumb assumptions about each other

— Some good laughs from Woody and Kevin’s friendly characters making idiotic incorrect assumptions of each other based on what they’re wearing or doing.
— Victoria’s big night continues with yet another appearance from her, which makes me realize how surprisingly very little we’ve seen of Jan and Nora in this episode. It’s like the tables have turned tonight with Jan and Nora taking a backseat to Victoria being the most prominent female.
— I liked the ending “Are you a shepherd?” question to Phil’s wool sweater-wearing teacher.
— Overall, a simple premise that was executed well.
STARS: ***½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— Not quite as strong as most of this season has been so far, but still a pretty good episode. Though some of the recurring sketches had fairly disappointing outings, this episode still had enough stand-out solid sketches, particularly in the first half.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Chris Evert)
a mild step down


My full set of screencaps for this episode is here


TOMORROW
John Goodman makes his hosting debut