October 31, 1987 – Dabney Coleman / The Cars (S13 E3)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Lifestyles Of The Rich, Famous, & Scary- Elvira (Cassandra Peterson)

— I like this concept, and the opening credits sequence is pretty fun with the photos of terrifying celebrities.
— Nice inclusion of Elvira.
— The joke of Ric Ocasek being mistaken for Keith Richards was already used in a Church Chat sketch from last season.
— An overall decent if somewhat short cold opening, and an appropriate way to kick off tonight’s Halloween episode.
STARS: ***


MONOLOGUE
(no synopsis available)

— Another short segment tonight, but Dabney had some good lines and he came off funny as expected.
STARS: ***


NATURE’S BROOM
Peggy Lee (NOD) sings “Fiber” to encourage use of bran, “Nature’s Broom”

— Random but funny subject matter for this Fever spoof.
— Very catchy song, and a lot of the altered lyrics are funny.
STARS: ***½


CAMPFIRE STORIES
a scoutmaster (host) tells a scary campfire story about his ex-wife

— Ha, now I see where Dabney’s “beautiful woman in white” story is going.
— I’m noticing that Jon is still coughing frequently tonight, just like how I pointed out he did throughout the previous episode. He must still have a cold.
— Yep, I was right about the direction of Dabney’s story turning out to be about how sour his marriage to his wife has gotten, a story that Dabney is pulling off  well.
— Loved Dabney’s line about instead of retaining water, his wife retains Twinkies and Old Milwaukee.
— Funny ending with the moral of the story being “women are no damn good”.
STARS: ***½


THE WINNING SPIRIT
a blind man (host) is bitter about his disability

— I like Dabney hinting that the cause of his blindness was “porcupine-oriented”.
— Love Dabney’s constant bitterness and sarcasm over his blindness.
— Funny little part where, after Jan forcefully makes Dabney feel her face with his hand, Dabney worriedly tends to his hand and asks “Did I get it in your nose?”
— Jan’s emotional breakdown after Dabney’s mocking blind dance is very good.
— Very funny line from Dabney explaining that one positive aspect of blindness is “You can look right at an eclipse”.
— Strong sketch overall.
STARS: ****


COUNT DRACULA, SELF-TAUGHT AUTO MECHANIC
Dracula (JOL) fixes a couple’s car

— Jon’s menacing fang-baring facial expression during an instance of thunder cracked me up.
— Heh, “Count Dracula, Self-Taught Auto Mechanic”. The title alone has a feel that’s representative of this SNL era’s style.
— I like how when Dana asks Dracula what the price for his service is, Dracula responds that he will drink some of Dana’s blood, and Jan explains to Dana “Well, honey, he DID fix the car.”
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Strap Me In”


WEEKEND UPDATE
DEM reads from “Howl,” thinking that it was written by Douglas Ginsburg

 

— Second episode in a row where Dennis sports an uncharacteristic neatly-combed hairstyle.
— Loved Dennis’ line about vice president George Bush being “the Barney Fife of world politics”.
— Very random but amusing bit with Dennis bringing out a ventriloquist dummy as if he’s about to do some kind of routine, only for Dennis to immediately go “No, no, what the hell am I doing?” and then put the dummy away. By the way, that looks like the same ventriloquist dummy that Christopher Guest’s Senor Cosa always used in the Joe Franklin Show sketches from season 10. (side-by-side comparison below)

— Strangely, Dennis has now been delivering a very long string of jokes straight ahead to the camera without using the news screen.
— Just now, something appeared to be edited out when the shot abruptly cut from Dennis speaking towards the straight-ahead camera to him now speaking towards the side camera.
— What? Update’s over already?!? Yeah, something was DEFINITELY removed from my copy, because I noticed before the aforementioned abrupt cut, as the camera was on a shot of Dennis speaking towards the straight-ahead camera, you can see the shadow of an off-camera Elvira seated next to him (the tall hair on the shadow gave her away). A commentary of hers must’ve been removed from reruns. Anyone know why?
STARS: ***


DON’T GO DOWN TO THE BASEMENT
rational actions help catch an axe killer

   

— Jon has the same overall look he had in the Pinklisting sketch from the season 11 premiere.
— Wow, this feels like the first time we’ve seen Phil Hartman all night, though now that I think of it, I just remembered he had a minor role as one of the backup singers/dancers in the earlier Nature’s Broom piece. Still, it’s very odd to see him appearing so little in an episode.
— The constant questioning of why Dana and Victoria are in their underwear is pretty funny.
— Strange sketch overall. I feel like I should find it kinda weak, but I dunno, I found it had an enjoyable charm that’s typical of this era, even if I don’t fully understand what this sketch was going for.
STARS: ***


MARRIAGE COUNSELOR
marriage counselor (host) ignores (NOD), gets chummy with (KEN)

— I like Dabney slowly siding with Kevin while slowly acting nasty towards Nora.
— I got a big laugh from Dabney sternly ordering Nora to “sit your big fat butt down” when she tries to get up to leave.
— Loved Nora’s “I will leave you now to measure your penises!” before exiting.
STARS: ****


MASCOT IDEAS
the student council of a new high school tries to come up with a mascot

— Dana’s idiotic “tiger fight” line was funny, especially his delivery.
— Jan’s character is reminding me of her Nancy Simmons character from the future Wayne’s World sketches.
— Dana’s ridiculous mascot suggestion of “The Communists” was hilarious.
— Haha, I absolutely loved Jon’s idea of “The Frozen Caveman”. Not just because of the inherent silliness of the idea, but because in hindsight, it unintentionally alludes to a certain future recurring character of Phil Hartman’s.
— I like how a lot of Jon’s mascot titles inexplicably begin with “the flaming”.
— Strong ending.
— Great silly sketch overall, and I really enjoyed the way this progressed.
STARS: ****


THE PAT STEVENS SHOW
out-of-body shopping experience; a furrier (host)

— For some reason, I kinda liked Pat Stevens’ “out-of-body experience” demonstration, even if I didn’t really laugh.
— Funny entrance from Dabney in all those furs.
— Overall, ehh. Pretty much the same reaction I have to most Pat Stevens sketches after getting burned out on her during her season 11 overexposure. Not even Dabney could do much for this sketch.
STARS: **


ED’S SECRET LIFE
(no synopsis available)

 

— Well… this is weird. I guess I can’t help but always initially find it kinda off-putting seeing these outside-source SNL films that have no involvement from anyone on the show. However, I’ll try to be open-minded towards this.
— This film must’ve been added to reruns, because I’m noticing there’s no sounds at all from SNL’s studio audience. Maybe SNL added this to replace the cut Elvira commentary from Update. This era so far has a weird habit of doing things like this, where they cut a sketch in reruns to replace it with a film made by an outside source. And 9 times out of 10, I find myself not caring at all for those outside-source films. If you ask me, there’s a REASON these films weren’t deemed good enough to air during live episodes.
— What the hell? A random Heather Locklear appearance? I never knew she appeared on the show prior to her 1994 hosting stint.
— Overall, this film didn’t do much for me. It didn’t help that in the recording I’m watching of this episode, there were terrible screen glitches during portions of this film, which made them almost impossible to follow. Didn’t look like I missed much anyway, though.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Double Trouble”


INVESTMENT FIRM
after losing $78,000 on Black Monday, (JOL) confronts his broker (host)

— Good delivery from Jon during his angry rant.
— I’m not sure where this sketch is going.
— Nice little touch with Dabney brushing the plant dirt off his table while speaking to Jon after Jon angrily broke a plant on Dabney’s desk.
— This sketch ended a bit abruptly in the copy I’m watching of this episode. It appears whoever recorded this copy cut off the very end of this sketch right when the audience was about to begin applauding.
— Overall, a hard sketch to figure. I have no idea what this was going for. I think I liked this overall sketch more for the acting (particularly from Dabney) than anything else. Maybe that was the intention? However, if this was supposed to be a subtle, slice-of-life acting piece with some scattered humor thrown in, it didn’t hit its mark. SNL has done much better attempts at that kind of sketch.
STARS: *½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— Kind of a wildly varying episode. Some pieces were just average. Some pieces were this season’s first misfires. And some pieces were great (namely The Winning Spirit, Marriage Counselor, and Mascot Ideas). I will say Dabney Coleman gave the show a boost, as he was a fantastic host. And I liked the way the show used him, putting him front-and-center in lots of original writer-ly sketches, which played to his strengths. I also loved the heavy Halloween theme in this episode, though the theme seemed to subside in the second half of the show. Still, it was enough to make me wish SNL did live episodes on Halloween much more often than they’ve done in their 44-year history.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Sean Penn)
— a step down


My full set of screencaps for this episode is here


TOMORROW
Robert Mitchum

May 12, 1984 – Billy Crystal, Mayor Ed Koch, Edwin Newman, Father Guido Sarducci, and Betty Thomas / The Cars (S9 E19)

Segments are rated on a scale of 1-5 stars

COLD OPENING
Sammy Davis, Jr. (BIC) breakdances & sings with Frank Sinatra (JOP)

       

— Yet another extensive season 9 pre-taped segment that signals the upcoming heavy usage of pre-tapes next season.
— Very funny visual of the limo “driving” backwards from Radio City to NBC.
— LOL at the random 80s breakdancer outside 30 Rock. I also liked Joe-as-Sinatra’s sour response to seeing that: “Look at this crap these crazy kids are into nowadays.”
— That obviously must be a double in Billy Crystal’s place as he’s breakdancing, but the editing made it look pretty convincing.
— An on-camera appearance from Don Pardo!
— I liked Don’s facial reaction to Joe’s Sinatra sending him to get towels.
— I’m enjoying how extensive this whole cold opening feels.
— Fairly fun musical performance from Joe and Billy.
— Nice way of working in “Live from New York…”
STARS: ***½


MONOLOGUE
(no synopsis available)

   

— Heh, Billy’s still removing his Sammy Davis Jr. makeup. I had been wondering during the cold opening how Billy was going to get all that dark makeup off in time for the monologue.
— Very interesting seeing FIVE hosts all on the SNL stage at the same time.
— That’s it? It’s over already? This featured literally nothing. The hosts came out on stage and then we’re told “We’ll be right back” and that was it. This is kinda disappointing, as I was looking forward to seeing what they would do for a monologue with five hosts.
STARS: N/A (not a rateable segment)


SARDUCCI & NELSON
Father Guido Sarducci & Willie Nelson (JIB) join to do an album of duets

 

— Funny pairing.
— Wow, Father Guido Sarducci actually has a really nice singing voice. Who knew?
— What was with the “You Don’t Bring Me Flowers”/”You don’t sing me love songs” mix-up? Seemed like it was a genuine blooper.
— The humor in this sketch seems to be dying down after the main joke has been well established.
— Okay, they won me back over with the ending.
STARS: ***


MAYOR KOCH’S NEIGHBORHOOD
Worthington Clotman says no more “buy my book”

   

— A very funny concept with Ed Koch in place of Mister Robinson.
— I was surprised to hear an on-air acknowledgment of Eddie Murphy’s SNL departure.
— LOL at Koch’s attempt at doing the “Mister Robinson surprised face” close-up bit.
— Interesting seeing Tim’s Worthington Clotman outside of Saturday Night News.
— Kind of a weird ending, but the sketch as a whole still worked.
STARS: ***½


MIKKO’S GOT YOUR NOSE SAFETY GUARD
prevents accidental child rhinoplasty

    

— Julia’s skin looks darker than usual for some reason.
— Actually, so does Joe’s.
— Hilarious sudden sight gag with Julia’s face projectile bleeding after Joe unintentionally pulls off her nose.
— I love Joe’s panicking when he finally realizes he has Julia’s severed nose in his hand. This sketch is hilarious.
— A great “How many times has THIS happened to you?” from Brad as the spokesperson.
— Overall, one of the great gory projectile-bleeding sketches in SNL history.
STARS: ****


GUIDO ON THE STREET
Father Guido Sarducci asks various questions to Manhattan commuters

   

— I like the part with one guy telling Sarducci the four ways to skin a cat.
— If you know me, you’ll know that I love how Sarducci’s now asking a Three Stooges question.
— I’m enjoying the fast pacing of this as well as Sarducci’s absurd questions.
— Good ending with him hitching a ride in the backseat of a police car.
STARS: ***


NEEDLEMAN
nerdy oral surgeon’s (GAK) dating service tape is music video-like

       

— “Video date?” Oh, I think this is going to be to the Needleman video that I’ve always been dying to see.
— Jim’s creepy video was pretty funny.
— Yep, here comes Gary as Ira Needleman. It’ll be interesting to see how his normal-so-far intro will transition into the famous music video.
— Yes! Here’s his music video! This is ALREADY coming off awesome so far.
— The “spit” part with the female dancers was hilarious.
— I’m loving the sudden slow tempo change when Needleman is listing off his likes and what he wants in a girl.
— Man, they are going ALL OUT out for this.
— Overall, this did not let me down. This was just as fantastic as legend had me expecting, and featured a phenomenal job by Gary. And much like “Look At Our Video” from a few episodes ago, this is another example of this season doing a very dead-on, detailed parody of then-contemporary music videos.
— Gary would go on to credit this piece as being the thing that got him a third season on SNL. I believe he said if it weren’t for this sketch, he most likely would’ve gotten fired after this season like he originally did after his first season (before Brad Hall stood up for him and convinced Ebersol to immediately re-hire him).
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “Drive”


SATURDAY NIGHT NEWS
Dr. Ruth Westheimer (MAG) says she learned all about sex from her mother
Dr. Jack Badofsky lists medical disorders named after celebrities
Fernando is miffed because he thought he would anchor the news

       

— Edwin Newman does the SNL news once again.
— First time we’ve seen Mary’s Dr. Ruth in quite a while.
— Didn’t care too much for the sight gag of Dr. Ruth’s mother being so short that she can’t be seen over the desk.
— Mary’s overall Mother’s Day commentary was okay.
— Edwin’s delivery seems unusually slow tonight, even moreso than it usually is. I’m not liking it as much as I liked his delivery when he hosted earlier this season.
— Funny delay with the beginning of Tim’s commentary while he’s seen still applying his clip-on microphone.
— It took Tim a while to get into character before speaking, thanks to the aforementioned delay.
— Here’s our last-ever Dr. Jack Badofsky commentary.
— LOL at the negative audience reaction to the “Syphyllis Schlafly” pun.
— And that’s the official end for Dr. Jack. Tonight’s appearance was fine, though no particular puns here stood out to me and I was a little disappointed we didn’t get the usual great ad-lib out of Tim at any point during this.
— Here’s Fernando making yet another Saturday Night News appearance this season.
— Boy, Billy has really been running the “You look mahvelous” catchphrase in the ground these last few episodes. I don’t like how he always has to spend the first 30 seconds of his Fernando appearances just going on and on about how the audience and whoever is next to him “look mahvelous”. It’s not a good sign when I’ve ALREADY gotten tired of that catchphrase before we’ve even reached Billy’s stint as a cast member in season 10.
— Edwin charming his way into convincing Fernando to let him continue doing the news tonight was fairly funny.
STARS: **½


MUSICAL PERFORMANCE
musical guest performs “Magic”


HELLO, TRUDY!
Edwin nearly jeopardizes the show’s future

   

— The return of this solid sketch from earlier this season. As I said last time, I’m a little wary over how this will turn out as a recurring sketch, since it doesn’t seem like the type of premise that will lend itself well to repetition.
— I liked Edwin’s “Oh, brother…” when Trudy calls a second time.
— Funny how Trudy is making a reluctant Jim do increasingly ridiculous things to Edwin.
— Surprising turn with Trudy angrily quitting as a viewer of this show.
— Oh, Jim eventually won her back over.
— Jim pushing Edwin away just as he was about to give Trudy advice was pretty funny.
— Overall, this second installment of “Hello, Trudy” surprisingly worked. I’m glad they didn’t just repeat the exact same premise from the first installment of this sketch, and Edwin made for a really good foil here.
STARS: ***½


JOEL HODGSON
Joel Hodgson [real] plays Mystery Date with audience & uses the Levitron

       

— During her intro, Betty Thomas (in her first non-monologue appearance of the whole night, by the way) noticeably announces Joel Hodgson as “Joel Hodges”.
— The “Mystery Date” part seems a little weird, especially the jingle Joel’s singing, which the audience is giving immediate recognition laughter to. It must be parodying something I’m not familiar with.
— A good laugh from Joel sending the Mystery Date-losing audience member away bowling.
— What’s with the random repeated buzzer sound throughout this?
— Oh, I see, the buzzer is reminding him to eat a Pez. Funny running bit.
— Amusing reveal of how he did the “Levitron” trick.
— Haha, oh my god at the bit with him demonstrating the insane costume invention he made involving snakes-in-a-can.
— Overall, an okay Joel Hodgson appearance (his final one on SNL, I believe), though this was slower-paced than usual. I prefer the tighter pacing of some of his earlier appearances.
STARS: ***


KARATE SCHOOL
the Three Stooges (GAK), (JOP), (TIK) teach a women’s self-defense class

     

— Sad that Betty Thomas is just NOW making her first actual sketch appearance of the night.
— A Three Stooges sketch!!! Oh, you KNOW I’m going crazy over this.
— Weird seeing “Moe” being so much shorter than his fellow Stooges.
— As always, great Curly impression from Joe.
— Tim and Gary are also doing pretty well in their impressions.
— This is an absolutely dead-on parody of the Stooges so far.
— Ha, Joe’s pants accidentally fell down!!! Hilarious blooper.
— And now the pants fell down again!
— Love how all the performers (especially the female cast members) have lost their composure due to the aforementioned blooper.
— Great ending with the ladies imitating the Stooges’ mannerisms and chasing them around the room while the Stooges’ theme music “Listen to the Mockingbird” plays.
— Overall, I loved this sketch, probably more than most people do. I’m biased because this really appealed to me as a Stooges fanatic, and had a classic blooper to boot.
STARS: ****


GOODNIGHTS

 


IMMEDIATE POST-SHOW THOUGHTS:
— A pretty strong season-ender. We got some great sketches tonight, nothing flopped too badly at all, and the novelty of having five hosts gave the show an exciting feel. Part of me wishes this experiment with having a season finale be hosted by five different people who hosted earlier in the season was occasionally done again in some of the later years, though I can kinda understand why they kept it a one-time thing.

— My copy of this episode is missing a sketch at the end of the show called “Sushi Restaurant”, which features all five of tonight’s hosts and has something to do with Godzilla terrorizing a Japanese restaurant. Interesting-sounding premise and it would’ve been fun to see how it managed to work all five hosts into one sketch, which sounds like a nice way to end this special season finale.

— Tonight ended up being the final episode for Joe Piscopo, Robin Duke, Brad Hall, and Tim Kazurinsky, which is quite a shake-up for SNL. I know Joe left on his own, and I’m assuming the same goes for Tim.  I know Brad was fired, and I’m guessing Robin was as well. [ADDENDUM: According to some comments I received, it turns out all four performers were fired, including Joe and Tim. Wow.] Of the four of them, Joe and Tim will be the most missed, as they both played an important part to the show these last few seasons and were very versatile and often reliable. Robin was usually always good, but the problem with her tenure was that she often suffered from being very underused and wasted, which made her come off invisible at times. I had issues with Brad as a performer during his first season-and-a-half, and I figured when he got removed from his anchorperson role on Saturday Night News in the middle of this season that he would have practically nothing left to do for the remainder of the season, as he had never been known to be a standout sketch performer. I was surprised to find out that not only was he not as invisible in the second half of this season as I predicted, but he actually began growing on me more and more during the last few months of the season. The issues I used to have with him were gradually fading away as he was starting to develop into a quietly solid performer. As I said in a recent review, I wonder if that growth would’ve continued had he been brought back next season.

— Season 9 as a whole was a very interesting one. With the show’s megastar Eddie Murphy half-gone for most of the year, you’d think that would spell trouble for the show considering how heavily they used to lean on him to carry the show and how he was the main reason many people tuned into SNL, but the show surprisingly ended up managing to still do well without his dominance this season. (And let’s be honest: even in some of the appearances Eddie DID make this season, he came off kinda complacent and seemed like he was ready to move on from SNL) The addition of Jim Belushi to the cast helped, as he turned out to have a great first year and added a new energy to the show. Another addition that helped this season was new writer Andy Breckman, who added a lot of much-needed creativity to the writing and who’s conceptual, hilarious, premise-driven sketches were usually always a highlight of the show. Yet another interesting thing is how some unique aspects of next season started forming in the last quarter of THIS season: the writing style started to shift quite a bit, we started getting more and more reliance on strong pre-taped pieces, Billy Crystal was getting more and more involved with the show, and the penultimate episode’s musical guest (Spinal Tap) consisted of members who would all either be part of next season’s cast or would host that season at one point. Very intriguing to watch the whole gradual transition from season 9 to season 10.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Barry Bostwick):
— about the same


HOW THIS SEASON STACKS UP AGAINST THE PRECEDING SEASON (1982-83):
— a step up


My full set of screencaps for this episode is here


TOMORROW:

Season 10 begins, featuring no host. The season will have quite a number of major changes to the show’s general atmosphere and we also get a large influx of new additions to the cast, most of whom are already famous and one of whom is one of the very people who co-hosted tonight’s season finale.