April 21, 1990 – Alec Baldwin / The B-52’s (S15 E18)

Segments are rated on a scale of 1-5 stars

COLD OPENING
George Bush (DAC) talks about the environment & licks glaucoma drops

— Wow, Dana’s Bush is coming off even funnier than usual, which is saying something. He’s more animated than EVER here.
— Classic part with him intentionally letting his marijuana-laced eyedrops drip into his mouth, causing him to become high and launch into a hilarious “Lucy in the Sky with Diamonds” quote.
— Overall, one of the best Bush cold openings SNL has ever done.
STARS: ****½


MONOLOGUE
host charms the audience by posing for the camera until VIJ stops him

— Despite this being his first time hosting, Alec already receives tons of huge and wild applause at the beginning of this monologue.
— Much like John Goodman and Christopher Walken’s respective debut earlier this season, it’s going to be fascinating in hindsight to watch Alec Baldwin’s first hosting stint, as it’s so hard now to imagine there was ever a time where he had no prior experience on the show.
— At times, young Alec Baldwin’s voice sounds different from what we’re now used to hearing from him.
— Alec’s various ways of charming the audience are priceless, especially when the camera does a very slow pan from his shoes to his face, and when he pops his head out from behind the drapes.
— Already, he’s coming off as the perfect host.
STARS: ****½


GREENHILLY
Mr. Cherrywood (host) kisses (JAH), (VIJ), (NOD), (PHH), dog

— I like the randomness of how Jan and Alec’s chasing a bird out of the house immediately leads to a sudden romantic pause (complete with background music) and make-out session with each other. Maybe because I know what’s coming…
— Excellent escalation to the kissing, with it eventually reaching the point where Alec’s make-out partners include Phil and a dog.
— Speaking of the part with Alec making out with a dog, that has always reminded me of something that happens in a later Alec Baldwin sketch: Rookie Cop from season 20, where a chain reaction of vomiting eventually leads to a dog vomiting as well, much like how a chain reaction of kissing in this Greenhilly sketch eventually leads to a dog being kissed. I’m not sure, but I could swear they even use the exact same dog puppet in both sketches, possibly proving that the Rookie Cop writer(s) intentionally threw in the dog part as a subtle callback to Greenhilly. Just a theory of mine; I can’t really confirm yet, but when I eventually review Alec’s season 20 episode, I’ll put up a side-by-side comparison of the Rookie Cop dog puppet and the Greenhilly dog puppet.
— This overall piece was the perfect first sketch for Alec, immediately showcasing his willingness to do anything on the show.
STARS: *****


THE ENVIRONMENTALLY CONSCIOUS ONE
biker (host) fights against pollution

— Hey, it’s David Spade! (first screencap above) He was a new SNL writer at this time, and his bit role here is his very first appearance on SNL.
— And hey, now Spade’s fellow new writer Rob Schneider has appeared! (left side of the second screencap above) This is the first of many uncredited bit roles we’ll be seeing Schneider and Spade appear in for the remainder of this season and early next season (Spade will even get to star as Michael J. Fox in a Weekend Update commentary in the very next episode), before both men eventually get added to the cast a few episodes into next season. I guess starting them out as just writers while letting them make plenty of uncredited on-camera appearances is Lorne’s way of trying them out to see if they have what it takes to be cast members. Lorne would soon do the same to Adam Sandler when he joins the writing staff in December of next season.
— Hilarious Marlon Brando voice from Alec.
— Funny reveal of the tough biker gang being so ecologically concerned.
— Very funny story of why Alec’s Brando talks the unique way he does.
— I liked the passing mention of Victoria’s mother having fallen into a PCB vat.
— Wow, HUGE cheering from the audience when Alec’s Brando makes a then-topical reference by saying he’s going to the Earth Day concert in New York. Ha, one particular audience member says an exuberant “Alright!” so audibly that you would think he was mic’ed. At least that’s how it is in the live version I’m reviewing of this episode. Reruns may have mixed down the audience’s reaction during this part of the sketch.
— IIRC, in the “Live From New York” book, Alec mentions how he had to fight to keep from cracking up at the end of this sketch when Phil delivers a comically dramatic “Take me with you!” to him. You can’t see any visible amusement on Alec’s face during that part, though.
STARS: ****


THE GARBO I KNEW
the Greta Garbo (JAH) James O’Brien (host) knew really wanted to be alone

 

— Some laughs from Jan-as-Garbo’s obsession with wanting everything she owns to be alone.
— A fantastic and classic sequence with Jan using charades to hint Alec on what to say over the phone.
— It’s Rob Schneider again! I remember when I first saw this episode as a teenager, in a 60-minute Comedy Central rerun in 2000, I was baffled when I saw Schneider show up in this sketch. At the time, my knowledge of SNL’s history was still in the developmental stages, but I had enough SNL history knowledge to be aware that Schneider didn’t join the cast until the following season, which is why I was so confused when I saw him in this sketch. I wasn’t aware that he was a writer this season, so I was left wondering if he was originally an extra the show hired just for this sketch and that it somehow eventually led to him being added to the cast the following season. (For anyone wondering why teenage me didn’t have this reaction to Schneider and David Spade’s appearance in the preceding Environmentally Conscious One sketch, that sketch wasn’t included in Comedy Central’s 60-minute version)
— I love the ending reveal of Jan hiding on a high chandelier. How did they get her on there so fast in a live sketch?
— Surprised they ended this sketch pretty early. Maybe it’s best they kept this short and sweet, though I personally could have watched Jan’s charades routine for an infinite amount of time.
— This is one of two sketches responsible for making teenage me fully recognize Jan Hooks’ greatness during my aforementioned first viewing of this episode on Comedy Central. The second sketch appears later in this same episode.
STARS: *****


ONLY IN NEW YORK
Joey Adams (PHH) jokes while wife Cindy (NOD) gossips

— Fairly funny opening theme song by Phil and Nora.
— Greta Garbo passed away that week? Oh, so THAT’S why they did the preceding sketch.
— Phil’s jokes throughout this are cracking me up.
— I particularly loved Phil’s delivery of “One guy says ‘Hey, Pete, how’s it going?’, Pete says ‘SHUT UP!!!‘”
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Cosmic Thing”


WEEKEND UPDATE
ten feet away from the newsdesk, KEN reports audience reaction to the bit
arrogance & ignorance are the biggest threats to the government, says AWB
DEM displays the hottest new toy- New Kids On The Chopping Block dolls

— Funny how during the audience’s VERY long, energetic applause at the beginning, Dennis has enough time to take a sip of water.
— Good to see Kevin’s “News From 10 Feet Away” segment back.
— Tonight’s very energetic crowd is particularly responsive during Kevin’s observations of the audience’s “disappointment” over his segment.
— Funny part with Kevin turning this commentary meta by making a mock-complaint about his lack of airtime.
— Dennis’ running gag where he has a disapproving reaction whenever a new “Ernest” movie comes out continues tonight, with SNL going all-out on this one by dimming the lights to a dark red tint and playing the song “This Is The End” while Dennis simply says into the camera “The horror.”
— Loved Dennis’ “Eartha Day” joke.
— A. Whitney: “Why did we go to the moon? Nobody knows. Maybe JFK wanted to impress one of his secretaries.”
— A. Whitney: “There are 25 million illiterates in this country alone. Every day, vast numbers of them give directions at service stations.”
— Good side segment with Dennis demonstrating the “New Kids On The Chopping Block” dolls.
STARS: ****


THE NUDE TALK SHOW
(JOL) follows his dream & makes The Nude Talk Show a cable access success

— Nice details with the look of Jon’s character. In fact, I’ve always found his look to be so oddly specific that I have to wonder if this sketch is a parody of something I’m not familiar with.
— I love the awkwardness of Jon pitching his idea of a nude talk show to executives.
— Alec’s stern warning to Jon, regarding doing a nude talk show: “Remember one thing: it’s gonna be your ass out there.”
— Among the TV shows listed on the ratings board is “Dukakis After Dark”, a reference to a famous one-off sketch from the previous season. There’s also a listing of a show called “The Insane Idiot”, which would later be used as part of the title to a sketch with Harvey Keitel showing off a collection of descending-size deer heads, though the title similarity there may just be a coincidence.
— The interview with Jan is really funny.
— The audience is sure loving Al Franken’s Al Goldstein impression. He’s cracking me up too, even though I have no familiarity with the real Al Goldstein.
— I love Victoria’s scene as The Brooklyn Swami.
— Very nice ending.
STARS: *****


DINER
sexual tension is thick as waitress (JAH) takes (host)’s breakfast order

— Here’s the second sketch from this episode where Jan impressed the living hell out of teenage me when I first saw this episode on Comedy Central.
— Phil and Kevin are hilarious as the dopey customers.
— Jan, regarding Alec: “Look at him, sittin’ on that stool like he’s doin’ it a favor!”
— All the back-and-forths between Jan and Alec are freakin’ terrific.
— Jan’s ability to switch moods at the drop of a hat when immediately going from speaking to Phil & Kevin to speaking to Alec is great.
— Alec’s parting words to Jan: “You shouldn’t give away your pie with breakfast. Makes you look cheap!”
— An overall absolutely fantastic sketch. After my first time seeing this overall episode on Comedy Central, I officially became a Jan Hooks fan. Whereas I had no real opinion of her before being introduced to this episode (aside from being impressed by her in the season 14 sketch with her as newly-former First Lady Nancy Reagan being dragged out of the White House), this episode led to me paying close attention to her whenever I caught an SNL rerun with her from that point on, and more often than not, I would be very awed and entertained by her talents and performances. As a result, she ended up becoming one of my all-time favorite cast members.
— Clearly SNL themselves recognize what a fantastic night Jan had in this overall episode, between The Garbo I Knew and this Diner sketch, because this is the episode that NBC would wisely choose to air on “SNL Vintage” as a tribute to her a few days after she passed in 2014.
STARS: *****


MUSICAL PERFORMANCE
musical guest performs “Channel Z”


MIDDLE-AGED MAN
Middle-Aged Man Ed Miles (MIM) helps out with (host)’s impotence problem

— The debut of a short-lived but memorable Mike Myers recurring character. Funny idea for a superhero character.
— I sure like that theme song.
— As usual, solid character work from Mike here.
— I like the mention of Middle-Aged Man’s father, Retired Man (who we’ll later meet in an episode hosted by George Wendt), as well as the line about how the only difference between Middle-Aged Man and his father is Middle-Aged Man knows how to hook up a VCR.
— Another good line, this time about how Middle-Aged Man’s grandfather used to be known as Retired Man but is now known as Dead Man.
— I’m enjoying Middle-Aged Man’s various “quit lookin’ at my gut” warnings.
STARS: ***½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— Wow. Just wow. This was pretty much what a perfect SNL episode looks like. Tonight’s show was a masterpiece, and it’s very easy to see why it would end up winning an Emmy (or was it just nominated?). Not only did every single segment in this episode work, but just about every single one of them was great, and a good number of them stand out as true classics. It also doesn’t hurt that we had a very hot crowd in the audience tonight, adding a lot of energy to the atmosphere. It’s great that Alec Baldwin’s hosting debut turned out this amazing. Right out of the gate, he came off as a true pro who already knows exactly how the show works, and he got good laughs in every sketch, even ones where he played a straight man. One of the most impressive hosting debuts ever seen on SNL.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Corbin Bernsen)
a big step up


My full set of screencaps for this episode is here


TOMORROW
Unfortunately, the feel-good vibes in the Baldwin episode I just reviewed do not last, because our next episode is one mired in infamy. Controversial stand-up comedian Andrew Dice Clay hosts, prompting a boycott not only from the episode’s originally-scheduled musical guest, Sinead O’Connor, but also from one of the show’s own cast members, one Miss Nora Dunn, who’s relationship with the show would not be the same as a result.

January 26, 1980 – Teri Garr / The B-52’s (S5 E9)

Segments are rated on a scale of 1-5 stars


COLD OPENING
seeking Paul McCartney interview, Father Guido Sarducci gets arrested

   

— Don Pardo’s opening mention of “the crisis in Tokyo” gets immediate big laughs from the audience. I take it this is a spoof/variation of the Iran hostage crisis going on at the time?
— Oh, this turns out to be coverage of Paul McCartney’s infamous Japan arrest.
— Whoa, a Weekend Update segment right at the beginning of the episode. There’s something you don’t see every day.  Boy, this feels strange.
— Some really funny lines during Bill and Jane’s day-by-day analysis of the McCartney arrest.
— This use of Father Guido Sarducci is a good change of pace for him, and the concept of him carrying a luggage full of marijuana just to intentionally get himself arrested is pretty funny.
— I like Sarducci’s way of sneaking in hidden cries of help to us viewers.
STARS: ***½


OPENING MONTAGE
— Peter Aykroyd, Jim Downey, and a mustached Brian Doyle-Murray receive their very first featured player credit tonight.

  

— Wow, there are A LOT of featured players credited tonight in general – about 7 or 8 of them. Geez. It’s funny how much larger the featured player cast is than the repertory cast.


MONOLOGUE
(no synopsis available)

— Sorry, folks, I blinked and missed this whole monologue!
— But seriously, as I briefly mentioned in my review of Candice Bergen’s December 1975 monologue, this Teri Garr monologue has to be the shortest in SNL history (Bergen’s aforementioned monologue is probably a close second). It literally only consists of her saying that she’s happy to be there, and that there’s so much show to get to tonight that they’re just going to go right ahead with it. The End.
— I wonder what the story behind this lack of a monologue is. How do you not write a funny monologue for Teri freakin’ Garr? I feel bad that they just left her out there to awkwardly and clumsily segue into the rest of the show. To her credit, she looked game and upbeat, at least.
STARS: N/A (not a rateable segment)


CRAIG’S TRAVELER’S CHECKS
— Rerun


CAUCUS
presidential hopefuls do chores for housewife (host); John Anderson cameo

         

— Feels kinda weird seeing George Bush being played by anyone not named Dana Carvey. Jim Downey seems to be attempting some kind of voice, but it’s not sounding very Bush-esque to me. Then again, this is 1980; people back then probably weren’t as familiar with Bush’s voice as they would become years later.
— Yes! The return of Bill’s hilarious Ted Kennedy.
— Gilda’s walk-on receives some audience applause, despite the fact that she’s just playing a random supporting character. Shows how popular Gilda was around this time. She also received a huge amount of cheers earlier tonight during the opening montage.
— Funny inclusion of Laraine’s Rosalyn Carter. This is reminding me that SNL would strangely go through this whole season without ANYONE portraying the president (Jimmy Carter). Couldn’t Shearer have given it a shot?
— Great Chappaquiddick reference with Bill’s Kennedy offering to drive Teri’s car.
— There’s Garrett’s sloppy, stumbly delivery once again……
— This is turning out to be a great showcase for the featured players.
— Tom Davis is giving a really good performance in this.
— Is that an audience member shown as John B. Anderson at the end of the sketch?
STARS: ***½


DEBS BEHIND BARS
jailed preppies (host), (JAC), (GIR) try to survive

     

— It’s kinda funny hearing the awkward audience sounds in the background during the intro photos of the women.
— I feel like this is parodying a movie I’m not familiar with.
— There’s Garrett in drag as a sassy woman once again……
— Are we supposed to believe there’s glass between Bill and Teri, because there clearly isn’t one.
— Is Laraine playing a real person? The name Gloria Vanderbilt sounds familiar.
— Funny blooper when Laraine’s earring falls off and then after staring at the camera with a mock(?) panicked facial expression (fourth screencap above), she quickly whips off her other earring right before the camera cuts away.
— The voice Peter Aykroyd’s using in this sketch sounds a lot like his brother Dan.
— Didn’t care for the ending preview scene with the girls meeting their male counterparts, and it went on too long for my likes.
— Overall, despite a few parts, I did not enjoy this much. It feels like too much of it went over my head.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Rock Lobster”


WEEKEND UPDATE
Big Vic Ricker (HAS) discusses the Super Bowl & possible Olympic boycott
college student (PEA) tells LAN why he supports the draft
keep gold prices high & get an Al Franken Decade medallion, says ALF

       

— Feels weird seeing Update again tonight, after the early appearance it made in the cold opening.
— I liked the “Perrier Spill” bit.
— These last few Updates, they keep using that funny Alan Zweibel picture (second screencap above) in different contexts. It seems to have become a running gag.  It’ll be funny to see how long they keep it going.
— Ah, a new Update character. Feels like it’s been a while since Harry last had a really big role.
— Harry’s doing great as this character and I like his delivery.
— Good little part with Harry throwing to a videotape only to realize they don’t have one.
— A Laraine remote segment, which is also doubling as a rare Peter Aykroyd showcase.
— That’s it? The Laraine/Peter commentary is over already? I guess it was a funny quick gag, but I was hoping this would give Peter more to do, after he won me over in that “Java Junkie” short in the last episode.
— Bill’s commentary about fat people was really funny.
— We’re getting yet another guest commentator. Wow, this is one long Update. Unusual for this era.
— After appearing on Update in a string of consecutive episodes earlier this season, Al Franken returns.
— Oh, it’s a follow-up on the Al Franken Decade bit.
— The commemorative Al Franken coin was pretty funny.
— Haha, I love the part with Al passing off a penny as an “Abraham Lincoln Medallion”.
STARS: ***


ANCHOVY COUNCIL OF AMERICA
new ads for the Anchovy Council by (host) & (HAS) target black consumers

     

— As always, it feels weird seeing Don Novello in a normal non-Father Guido Sarducci role.
— Tom Davis’ voice in this is pretty funny.
— There’s an odd part where, while Harry is giving a long explanation of anchovy research, the camera holds for a VERY long time on a random close-up of Bill grimacing and smirking out of character while hesitantly chewing on some anchovies. (fourth screencap above) During a discussion of this sketch on an old SNL messageboard years ago, someone there had a theory that Bill must’ve had a strong hate for anchovies and, knowing this, the people at SNL played a bit of a joke on him by showing a very-lengthy close-up of him making sour faces while eating the anchovies.
— When the camera finally cuts away from that lengthy close-up of Bill, Jane can be seen staring at him kinda funnily.
— This one guy in the audience has a loud standout laugh that I keep hearing throughout the sketch.
— I loved Harry’s little “I’m glad we all understand averaging” comment.
— Another amusing quick comment from Harry, with him ad-libbing a humorously obvious “It hasn’t started yet” while he was waiting for the videotape to start playing.
— The scene with Garrett and Yvonne Hudson is really good. Why do I feel like this anchovy-loving couple of theirs is the same as their bad clam-loving couple?
— Heh, funny ending to the Garrett/Yvonne scene, with Garrett immediately asking “Glass of water, please?” as soon as the director yelled “cut”.
— Overall, this sketch had several good aspects but I feel some shortening needed to be done, as this sketch felt too long and some parts dragged.
STARS: **½


BAD PLAYHOUSE
a production of The Great Mr. Potatohead Famine

     

— Whaaaa? A “Bad (insert type of play here)” sketch WITHOUT Aykroyd???
— Hmm, Laraine as “Lady Pinth-Garnell”.
— Laraine’s intro wasn’t too good. Dan usually got more laughs than that during his intros in these.
— A fairly funny weird play so far.
— I like Bill’s walk-on.
— What in the world happened at the beginning of Bill’s song? I’m guessing he missed his cue to start singing? Throughout his song, it looks like he and Gilda are both trying to keep from laughing. (second-to-last screencap above)
— Overall, the play had a funny first half, but it ran out of steam for me halfway through and I lost interest. Also, Laraine as the female Leonard Pinth-Garnell did not work for me AT ALL.
STARS: **½


BABY MOGUL
baby mogul Paula Kirsch (LAN) & Marilyn Nasalman (GIR) negotiate a deal

   

— Gilda’s wearing the same wig from the sexual harassment meeting sketch in the last episode.
— Wait, this is the return of Laraine’s child psychologist character? Wow, I didn’t know they ever made that character recurring.
— Laraine’s childlike crying was scarily realistic. Very dead-on.
— Overall, there’s not much I can find to say about this sketch. A lot of the performances were solid, especially Laraine’s, but I got pretty bored during the sketch after a while. That seems to have become a theme with these last few sketches. Man, what’s happening to the show tonight? There’s too many sketches that are overlong and/or have trouble keeping their momentum the whole way through.
STARS: **½


MR. BILL GETS HELP
by Walter Williams- Mr. Hands employs hypnosis

       

— Well, we haven’t seen this character in a while, so no initial groan from me tonight.
— Funny visual of the psychiatrist having his face hidden.
— I kinda liked the part with a flattened Spot being used as a Christmas tree ornament.
— I enjoyed the hellish, trippy nightmare sequence featuring Mr. Hands and Sluggo.
— This is the first time they’ve shown the “The Mr. Bill Show” title this season.
— Overall, wow, I’m surprised by how much I didn’t hate this. I guess Mr. Bill still has a little of that old spark left in him when they space his appearances out more. What kind of alternate universe am I in where I enjoyed a Mr. Bill film more than I enjoyed most of the night’s sketches?
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Dance This Mess Around”

— Strangely, before the performance ends, the camera cuts to a bumper picture of Teri Garr and stays on it for a long time as we can faintly hear the performance continuing and then concluding. The show must’ve been running late. I wonder if that also explains the sloppy camerawork throughout this song.


GOODNIGHTS

  

— Oh, it turns out that “audience member” who was shown at the end of the Caucus sketch was actually the real John B. Anderson.


IMMEDIATE POST-SHOW THOUGHTS:
— SNL begins the 1980s with a underwhelming, below average episode. As I said earlier, a lot of the sketches suffered from having an overlong, dragging feel and had a hard time keeping the momentum they started with. There at least weren’t any sketches that were flat-out terrible, but there also weren’t any sketches that I feel stood out as particularly strong, either. With this episode, I get the feeling I’ve officially reached the beginning of the infamous downhill slide of season 5.
— Teri Garr came off likable (as usual), but I wasn’t crazy about the way SNL utilized her tonight. It feels like they kinda wasted her with too many generic female roles. To say nothing of that poor excuse for a monologue she was handed. As funny as Teri is, she doesn’t seem to have much luck with hosting good SNL episodes, as I’ve always found her season 11 episode to be absolutely wretched. I can’t remember how her season 9 episode goes, but I’m assuming it’s a good episode just based on the fact that SNL was generally in better shape in season 9 than they were in seasons 5 and 11.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Ted Knight):
— a step down


My full set of screencaps for this episode is here


TOMORROW:
Chevy Chase