April 6, 1985 – Christopher Reeve / Santana (S10 E16)

Segments are rated on a scale of 1-5 stars

COLD OPENING
A.D. 13, Part V, A New Beginning- biblical miniseries has all-star cast

 

— Judging from the font used for the “13” in the title of this sketch (screencap below), I think the overall title is based on “Friday the 13 Part V: A New Beginning” (which came out that same year, though I’m not sure of the exact date). This interests me because, as I said in my last review, I’m an aficionado of the Friday the 13th movie series.

— For some reason, I particularly love Julia’s Joanne Worley sword bit.
— Very funny recurring bit throughout this with Guest’s James Mason slapping his assistant with various things presented to him.
— Jesus, here’s Billy Crystal playing a SUPER-stereotypical Asian role.
— This is a really fun impression showcase, a type of sketch that feels kinda rare in this era.
STARS: ****


MONOLOGUE
while wearing Easter bunny suit, host narrates pictures of his past roles

— Nice entrance from Reeve, dressed in an Easter bunny costume.
— Aw, ANOTHER “career photo montage” monologue this season. These are always dull.
— During the picture of Reeve with Katharine Hepburn, I liked Reeve’s meta line about how Hepburn is “doing her impression of Ed Grimley”.
— Great segue into the next sketch, with Reeve setting up how he got the part of Superman while he’s walking over to the sketch’s set.
— Overall, this monologue was surprisingly a little better than the usual “career photo montage” monologues.
STARS: ***


SUPERMAN AUDITIONS
host, (GAK), (RIH) perform their own stunts at the Superman auditions

 

— Fast costume change for Reeve.
— I loved Gary’s over-the-top, corny laughter when Jim jokingly says about him “I think we found our Superman”.
— I like how the dangerous bullet-catching stunt is casually treated as a normal, everyday audition practice.
— Rich flawlessly “catching” the bullet with his teeth was great.
— Another great trademark Gary Kroeger pratfall, this time with him crashing back into folding chairs when getting shot.
— Overall, a fantastic sketch, with a lot of funny moments and great performances from everyone involved (especially Gary).
STARS: ****½


STEVEN WRIGHT
Steven Wright [real] does stand-up about many different topics

— Yes!
— Hmm, he already used that “actual-size U.S. map” joke in one of his previous SNL appearances.
— I’m recognizing some of these other jokes too.
— I absolutely loved the bit about him getting a humidifier and de-humidifier for his birthday.
— Overall, I didn’t find myself consistently laughing QUITE as hard as I usually do during Steven Wright’s stand-up pieces, and there were also too many reused jokes, but the stuff that DID make me laugh hard in this were priceless.
STARS: ***½


ESCAPING THE GERMANS
in WWII, a sergeant (JIB) comes up with dumb ways to escape the Germans

 

— It feels like they do a lot of war/army sketches this season.
— Very funny how Gary immediately got massacred as soon as he stepped outside in his nun disguise.
— This “war soldiers ask each other movie trivia questions” premise is reminding me of another sketch, but I can’t figure out which one.
— The whole part with the Cary Grant/Clark Gable mix-up was hilarious.
— Overall, a good, silly sketch that played well to Jim Belushi’s strengths as a performer.
STARS: ***½


JACKIE ROGERS JR.’S $100,000 JACKPOT WAD
Rajeev Vindaloo spins for money

 

— Oh, here’s one of my all-time SNL favorites.
— I like Mary’s nervous stare during the introductory shot of her.
— Great opening musical number from Jackie Rogers Jr.
— I’m surprised to see Pamela, as I had no recollection of her role in this sketch as Jackie Rogers Jr.’s wife, despite how many times I’ve seen this sketch in the past. Sadly, me having forgotten that is an accurate representation of how “memorable” Pamela’s SNL tenure was.
— Jim’s gradual aggression during his and Mary’s back-and-forth Q&A is great. “HE IN-TRO-DU-CES THE ACTS!!”
— The immediate “chocolate babies” answer from Guest’s Rajeev Vindaloo was classic.
— I loved the “pass” bit after Billy-as-Sammy-Davis-Jr.’s suggestive description of asparagus to Vindaloo.
— Man, this whole back-and-forth between Vindaloo and Davis Jr. is freakin’ priceless.
— Memorable visual of Vindaloo spinning on the wheel.
— Overall, a masterpiece as I had remembered.
STARS: *****


PALISADES NURSING HOME
old Superman (host) tells fellow nursing home resident (BIC) of past fame

— Interesting premise with Reeve as an elderly Superman in a retirement home.
— Some funny lines from Billy (who’s basically playing a variation of his Lew Goldman character), and I’m liking Reeve’s characterization of elderly Superman.
— Overall, there wasn’t much to say about the sketch, but it was pretty good.
STARS: ***


SATURDAY NIGHT NEWS
dissatisfied with AT&T’s services, JIB protests with air horn blasts
Paul Harvey (RIH) shows CHG some edible copies of “We Are The World”
Buddy Young, Jr. gripes about the movies; Calvert DeForest cameo

— Christopher Guest’s delivery is particularly bad tonight. I said this back in his first Saturday Night News, but his delivery tonight is so overly dry and dull that you can’t even tell when the punchlines of his news jokes have been delivered. Thank god I only have one more episode to put up with him as an anchorperson.
— Okay, Guest’s unicorn joke was fairly funny.
— A sudden return of Jim’s famous airhorn, this time using it to express his anger at the phone people.
— I like the bit with Jim complaining about getting a check for 25 cents.
— Christopher Guest’s bit showcasing “Francis the Talking Bible” was random but decent. Guest has slowly been overcoming his bad start from earlier in this Saturday Night News.
— The gameshow bit with Don Pardo was pretty funny.
— Yet another Paul Harvey commentary from Rich.
— I like Rich-as-Harvey’s edible “We Are the World” records.
— Rich’s overall commentary was one of his better Paul Harvey appearances.
— Funny complaint from Billy’s Buddy Young Jr. regarding music videos, with his line about how while the lead singer is singing, “somebody else is putting a midget in a blender”.
— Billy’s Buddy Young Jr. makes another sudden visit to the studio audience, though unlike last time, there doesn’t appear to be any celebrities in the crowd.
— Oh, turns out Billy DOES come across a celebrity in the audience tonight: Calvert DeForest, a.k.a. Larry “Bud” Melman from Letterman’s then-current Late Night show.
STARS: ***


TALK BACK
fake Amish men discuss their objections to the movie Witness

— Some good laughs from the whole “building a whorehouse” bit.
— Loved Gary’s claims about how Amish women have hooters “out to here” while holding his hands out far in front of him.
— Funny twist with Gary being exposed as a fake.
— Ha, I like Rich coming on as another “Amish” man to do the same thing Gary did, only for Guest to immediately expose his scheme after Rich’s line about baby-selling.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Right Now”

— This appears to be the second musical performance, judging by how Reeve introduced this by saying “Once again, Santana!” But where the heck was their first performance? Why is my copy of this episode airing Santana’s second number before their first?
— Okay, now that I’m looking at the time length of my copy of this episode, I notice it’s a few minutes shorter than a typical SNL episode. I guess Santana’s first performance is missing from my copy.


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS:
— A great episode, and the best one in a while. We got one classic (Jackie Rogers Jr.’s Jackpot Wad), a few near-classics (Superman Auditions, A.D. 13 Part V), and a lot of solid stuff rounding out the rest of the show. Nothing was particularly weak tonight; even Saturday Night News was okay for once, despite a bad start.


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Mr. T and Hulk Hogan):
— a big step up


My full set of screencaps for this episode is here


TOMORROW:

It’s the end of an era, folks. We get the last hurrah of Dick Ebersol and every member of this cast. Howard Cosell is our season finale host.

March 26, 1977 – Jack Burns / Santana (S2 E17)

Sketches are rated on a scale of 1-5 stars

COLD OPENING
JOB refuses to say SNL’s opening line until his demands are met
 
— Just now, John noticeably referred to the show as “Saturday Night Live”. I wonder if this is the episode where the show’s title officially became that instead of just “Saturday Night”.
— I love John’s mischievously joyful realization that he’s the only thing keeping the show from starting.
— All of his LFNY fake-outs are funny.
— Funny turn with him now reading a list of demands.
— Great ending with him being tricked into saying LFNY when reading aloud the letter he was handed. His panicked reaction when realizing he was fooled is killing me.
STARS: ****

OPENING MONTAGE
— Yep, this is indeed the very first episode where the show’s title was officially changed to “Saturday Night Live”.

MONOLOGUE
host fulfills a lifelong yearning by touching himself
 
— I thought I didn’t know who this guy is, but he looks surprisingly familiar. Eh, maybe he just reminds me of another actor.
— Oh, this guy’s a stand-up?
— Really? THAT’S the punchline? THAT’S what this whole monologue was building up to?
— The less said about that overly-corny punchline, the better…
STARS: *½

THE FARBERS MEET THE CONEHEADS
Larry & Bobbi Farber have Coneheads over for dinner
   
— Ah, the Farbers.
— Coneheads! I love this idea for a recurring character crossover. I’m kinda surprised, though, because the Farbers weren’t established recurring characters yet; they’ve only appeared once prior to this, in a miscellaneous piece with Kris Kristofferson.
— Something about the forehead/eyebrows area of Jane’s Conehead make-up looks odder than usual in tonight’s installment.
— Very funny part with the Coneheads “reading” the game instructions.
— Haha, Gilda and John are now breaking character and cracking up after the Coneheads all jumped through the window. Very rare to see any major character-breaking from this particular cast, which makes it a welcome novelty whenever it happens.
— The unplanned laughing was a good way to end the sketch.
— Overall, a great sketch.
STARS: ****

MUSICAL PERFORMANCE

MARINE WEDDING
(host) performs a militaristic wedding service for Marines (DAA) & (JAC)
  
— When I first saw Jane, I almost thought that was Candice Bergen making a cameo. I guess it’s something about Jane’s wig…
— This premise seems like it’ll get old FAST.
— They basically already used this same one-joke premise in that season 1 sketch with Chevy trying to film a commercial for the Marines, and I wasn’t crazy about it then.
— Overall, I was not a fan of this sketch at all.
STARS: *½

A TOWN WITHOUT PITY
Eliot Ness (DAA) & Untouchables take over India from Indira Gandhi (LAN)
   
— The return of Laraine’s Indira Gandhi impression.
— Oh, no, not a song.
— John’s performing very well in his and Laraine’s song, but this is still a chore for me to sit through.
— Ha, I like the sudden turn this has taken with “The Untouchables” being revealed to be the characters from the Untouchables TV series.
— Our first time in quite a while seeing the “drop the cow” sketch-ending routine that was used a few times in season 1.
— Overall, a sketch that started out really bad, but slowly improved a little in the second half.
STARS: **½

WEEKEND UPDATE, PART 1
JAC begs cardboard cut-out of Harry Reasoner to join her at SNL
   
— Funny beginning with Jane flirting with a Harry Reasoner cardboard cut-out.
— The Karl Malden/Ernest Borgnine joke was hilarious.

LEECH-TAB 100
old-fashioned pharmacist (DAA) prescribes leeches to (BIM) & (GIR)
 
— Fairly funny concept.
— Dan’s pitchman in this is a big change of pace from the fast-talking pitchmen he usually plays.
— Ha, they’re actually using REAL leeches?
— Despite the okay concept, the execution felt a little bland and didn’t work as well as I thought it would.
STARS: **½

WEEKEND UPDATE, PART 2
JAC announces the Oscar winners with results stolen from accounting firm

— The bit with Jane “spoiling” the results of the then-upcoming Oscars was interesting. I wonder how accurate those “spoilers” ended up becoming.
— No guests this week (unless you count Cardboard Harry Reasoner)
STARS (FOR BOTH WEEKEND UPDATE HALVES): ***

THE STORY OF THE SQUATTERS
crouching early Americans settle the frontier
   
— The visual gag of literally “squatting” – ohh, geez. Not sure how to feel about this premise; something about it feels very season 6-ish – not a good thing.
— I did get a laugh just now from the “Does a bear squat in the woods?” line.
— Props to the performers for being committed in carrying out this premise, but man, is this sketch going awfully far for such a flimsy, corny visual gag.
STARS: *½

SUICIDE LETTER
host blows suicidal businessman skit by doing his jump without ducking
   
— I think the suicide revelation was supposed to be a surprise, but I saw it coming early on as soon as Jack casually opened the window.
— I like the way this is breaking the fourth wall after Jack has “ruined” the sketch.
— This is great with more and more cast members coming on and realizing the illusion of the sketch has been shattered.
— Loved Bill’s stern delivery of “What the hell are you doing standing up?”
— Gilda’s overly-emotional entrance as the wife is hilarious.
— Oh, wait, Gilda’s actually playing a mistress. Still funny, though.
STARS: ***½

ROCKY
by Gary Weis- host trains for SNL Rocky-style
host drinks a raw egg to show that his training worked
   
— Funny hearing some audience members having a grossed-out reaction to Jack drinking the egg yolk.
— What’s with the generic background music during this parody of the famous training montage from “Rocky”? Shouldn’t we be hearing the usual “Gonna Fly Now” song?
— Oh, there’s the song now, in this “the next day” scene.
— This film had an okay pay-off and Jack gave a good performance. The ending slo-mo shot went on way too long, however.
STARS: **½

ASK BIG DADDY
Idi Amin (GAM) thinly covers massacres of citizens

— I like seeing the return of Bill’s Walter Cronkite impression. The voice he uses as him always makes me laugh.
— Is this supposed to be a variation of the “Ask President Carter” sketch from a few episodes earlier?
— Hearing white cast members & writers doing voices of African citizens feels kinda wrong.
— The repeated “everyone died in a car crash” joke has already gotten old.
— Overall, this wasn’t very good. Yet another weak Garrett Morris-led piece.
STARS: **

MIRAGE
desert vending machine fails to quench a traveller’s thirst
 
— Well, that sure was short, but the punchline definitely worked.
STARS: ***½

PANTYGRAMS
Ricardo Montalban (DAA) tells how Pantygrams send messages via underwear
  
— The idea of a Panty-Gram is pretty funny.
— LOL at Gilda in those shorts.
— This sketch is not really working so far, and is falling flat.
— Despite looking awkward at the very beginning of his scene, Bill ended up being funny and the pay-off of his scene made me laugh. That almost redeemed this whole sketch.
STARS: **

MUSICAL PERFORMANCE

GAGS BEASLEY
drunk, washed-up comedy writer (host) approaches JAC & GIR in a bar

— I like the staging of this sketch.
— What was with that brief cut to a far away camera angle?

— I love the name Gags Beasley.
— This sketch is being performed very well, and even has a sad undertone to Jack’s character. This era of SNL was always good at pulling off pathos.
— Funny bit with Jack’s “business card” turning out to just be an 8 of clubs card.
— A nice sentimental ending to this overall solid 10-to-1 sketch.
STARS: ****

GOODNIGHTS
 


IMMEDIATE POST-SHOW THOUGHTS:
— A pretty weak episode. A large number of sketches fell flat, either due to overly-thin concepts (Squatters, Marine Wedding, Ask Big Daddy), poor executions of decent ideas (Panty-Gram, Leech-Tab 100), or other circumstances. There were a few things that did work well, like the Farbers/Coneheads crossover, the 10-to-1 piece, and the fourth-wall-breaking suicide sketch, but there sure was a lot of mediocrity surrounding them.
— Jack Burns seemed to have a natural comedic presence, but boy was his monologue cringeworthy. Other than that, he wasn’t bad, but as a host, he ended up coming off as kind of a poor man’s Robert Klein. Great job in that last sketch, though.
— Man, the show has been in a bit of a slump lately, with the overly-average Sissy Spacek episode, the fairly-underwhelming Broderick Crawford episode, and now this mediocre episode. It’s been a while since the last time I was crazy about an episode.

HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Broderick Crawford):
— a slight step down

My full set of screencaps for this episode is here

TOMORROW:
Julian Bond