October 23, 1999 – Norm Macdonald / Dr. Dre featuring Snoop Dogg and Eminem (S25 E3)

Segments are rated on a scale of 1-5 stars

WORLD SERIES BET
Rudolph Giuliani (DAH) wanted higher stakes for mayoral World Series bet

— Tim’s brief appearance in the opening portion of this sketch isn’t seen in reruns, as reruns replace this cold opening with the dress rehearsal version. With Tim’s appearance here missing in reruns, the rerun version of tonight’s episode has Tim making his ONLY appearance of the night in a Michael Jackson sketch that doesn’t air until towards the end of the show.
— Darrell’s Rudy Giuliani impression makes its debut.
— As no surprise, Darrell’s Giuliani impression is solid.
— Ha, after Darrell’s Giuliani praises the Mets, you can hear a sole “Boo!” from one person in SNL’s audience.
— Darrell has carried over the “laugh, then suddenly put on a straight face” mannerism from his Bill Clinton impression.
— A lot of funny lines from Darrell’s Giuliani as he’s going on about what he and the mayor of Atlanta have agreed to give each other if the Yankees or Braves win that year’s World Series. I especially love the one about New York getting the severed head of John Rocker on a stick. For anyone who remembers the colossal bigoted douchebag that was John Rocker (Will Ferrell does a great Weekend Update commentary as him later this season), you hopefully appreciate that joke.
— Another great line, this time with Giuliani’s bet about how if the Braves win, he’ll dress up as Scarlett O’Hara and the mayor of Atlanta can romance him with a plunger.
STARS: ****


OPENING MONTAGE
— Rachel Dratch has been added to the cast tonight as a featured player.


MONOLOGUE
NOM deduces that SNL has gotten much worse in the time since he was fired

— Ah, it feels so great to see Norm making his entrance on SNL’s home base stage as the host.
— When a few people in the audience yell out “NORM!”, Norm asks “What was that?” and they repeat it, then Norm responds “Well, you’re absolutely right, that is my name.”
— Awesome how Norm is openly addressing his controversial firing from SNL, in the way that only he can.
— Norm’s great description of the disagreement he had with the management: “I wanted to keep my job, right? And THEY felt the EXACT OPPOSITE.”
— I love Norm pointing out how asinine it is that in just a year and a half, he’s gone from being considered not funny enough to even be allowed in the building to now hosting the show.
— Just now, Norm has gone “Heeeeeeeeeeeeey!” in the same way he hilariously did in the Sarcasm 101 sketch from season 23’s Matthew Perry episode.
— Norm: “How did I suddenly get so GODDAMN funny???”
— An absolutely priceless realization from Norm that he hasn’t gotten any funnier; the show has gotten really bad.
— Norm: “So, yeah, I’m funny compared to… well, you’ll see later.”
— Even the trademark sign-off line that every monologue ends with has a funny variation tonight, with Norm saying “We got a bad show for you tonight.”
— Overall, an absolutely epic monologue to end all monologues. One of the all-time best in SNL history.
STARS: *****


MARTHA STEWART LIVING OMNIMEDIA
in the wake of her successful IPO, Martha Stewart (ANG) enjoys being rich

— A change of pace for a Martha Stewart sketch.
— Lots of great lines from Ana’s Martha bragging about her IPO.
— Martha Stewart: “The real Martha Stewart is a frigid 58-year-old divorcee with a filthy mouth and a mean streak.”
STARS: ****


GREAT MOMENTS IN YANKEE HISTORY
Lou Gehrig (NOM) was being sarcastic

— A hilarious and very Norm-esque twist on the famous Lou Gehrig speech, revealing that he was being sarcastic and starts going on about how horribly unlucky he is.
— Strangely, no audience applause can be heard at the end of this sketch in the live version.
— Overall, very short but sweet, and a quintessential Norm Macdonald sketch.
STARS: *****


CELEBRITY JEOPARDY
French Stewart (JIF), Burt Reynolds (NOM), Sean Connery (DAH)

— Sean Connery, after the contestants are warned by Alex Trebek to refrain from using ethnic slurs: “Ya think you’re pretty smart, don’t ya, Trebek? What with your dago mustache and your greasy hair!” Alex Trebek: “Look, what did I just say about ethnic slurs?!?”
— Nice to see the return of Jimmy’s eerily-spot-on French Stewart impression. In the first cutaway to him here, you can hear an audience member say “Oh my god” in surprise.
— Wonderful to see Norm’s Burt Reynolds make his triumphant Celebrity Jeopardy return.
— Absolutely classic how Norm’s Reynolds is requesting to be addressed as Turd Ferguson.
— We get TWO category mix-ups tonight. One being Burt Reynolds referring to the “condiments” category as “the condom thing”, and the other being Reynolds’ far-more-classic “Ape Tit” misreading.
— Alex Trebek: “This is the sound a doggy makes.” Sean Connery: “Moo.” Alex Trebek: “No.” Sean Connery: “Well, that’s the sound your mother made last night.” This is the very first “your mother” slam that Connery would make towards Trebek in a Celebrity Jeopardy sketch. Surprised it took this long.
— We now already get a second “your mother” slam from Connery in tonight’s sketch. (Alex Trebek: “We would’ve accepted ‘bow wow’ or ‘ruff’.” Sean Connery: “Ah, ‘ruff’ – just the way your mother likes it, Trebek.”)
— Yet another classic moment, with Norm’s Burt Reynolds/Turd Ferguson now walking up to Trebek with an oversized foam cowboy hat.
— After Reynolds walks away from Trebek after the aforementioned cowboy hat bit, I got a huge laugh the minor bit with Trebek incredulously saying to himself “What’s going ON?!?” I love that the show has gotten so ridiculous that Trebek has to briefly stop just to question the insanity that he’s been witnessing, by saying to himself “What’s going ON?!?”
— At the end of this sketch, I believe it’s an ad-lib when Norm places his foam cowboy hat on Will’s Trebek during the sign-off, which Will goes along with perfectly by growling in character “Would you get that off me?!?” while angrily yanking the hat off of his head.
— Overall, this has always been what I feel is the best and most quintessential Celebrity Jeopardy installment, which is really saying something, considering how strong these sketches always are.
STARS: *****


CROSSTALK
the sexiness of unhealthily-thin women is championed

— Some good laughs from Parnell’s rude comments about Cheri’s plus size.
— A great trick Ana is doing to make herself look freakishly skinny.
— Parnell’s skeevy lusting after extremely skinny women is very funny.
— Hilarious bit with footage of the rail-thin Lara Flynn Boyle being represented by a dancing skeleton from a black-and-white cartoon from what appears to be the 1930s.
— Rachel Dratch makes her debut doing a very funny Calista Flockhart impression, complete with a puppet body. Rachel’s making a great first impression here.
— When asked what her secret is to staying thin, I love Ana’s Helen Gurley Brown responding “Actually, I died six months ago.”
— Funny visual of Rachel’s Flockhart spitting out some vomit before answering a question.
STARS: ****


LARRY KING’S NEWS & VIEWS
Larry King (NOM) relates yet more News & Views

— Great to see this back. I’m always a sucker for these.
— Interesting how this edition of News & Views is being performed live, considering the previous ones were pre-taped.
— Larry King: “Of all the figures of the 20th century, one of the greatest has to be Robert Urich.”
— A typical classic Norm moment right now with him staring down the camera for a VERY long time after saying “Does anyone remember baseball cards?” (the last above screencap for this sketch)
— Larry King: “Margarine has its place, but nothing beats the real deal………………………………..(freakishly long pause)………………………………..BUTTER!”
STARS: ****


TV FUNHOUSE
“Fun With Real Audio” by RBS- Charlton Heston rails against gun control

 

— Kinda surprising that the first TV Funhouse of the season isn’t airing until now, though there was an epic one at SNL’s 25th Anniversary Special right before this season began.
— The audience is dead during this so far.
— Funny visual of Heston’s gun acting like a pet and eating bullets as if they’re pet food.
— Tom Selleck’s constant stammering and unfinished sentences are strange, but are cracking me up.
— Overall, despite some laughs, I dunno, something about this cartoon as a whole did not work for me, especially when it got towards the end. I wanna give Smigel the benefit of the doubt and assume this cartoon was just too “smart” for me, but I’ve seen some other reviewers express disappointment towards this cartoon too.
STARS: **


LARRY KING’S NEWS & VIEWS
Larry King (NOM) delineates additional News & Views

— Good to see a second one of these.
— We get another long camera staredown from Norm, this time complete with him briefly taking a sip from his coffee mug in the middle of the staredown (the second, third, and fourth above screencaps for this sketch).
STARS: ****


WEEKEND UPDATE
The Millennium- moments from the past 1000 years that never occurred
gold digger Marla Maples (CHO) tries to assail Donald Trump’s character

— Well… this Update feels a little awkward to watch, knowing who’s in the building tonight.
— Tonight’s “The Millennium” segment has a priceless succession of random events that never occurred, such as Lucille Ball being executed by Capt. Crunch.
— I love Colin’s joke about how TV networks will soon stop indicating whether an episode is a rerun or not, resulting in Colin asking us to watch next week’s “live” SNL episode: Fran Tarkenton/Leon Redbone.
— Pretty funny unscripted moment with Colin stopping mid-joke to humorously say “God bless you” to an off-camera audience member who sneezed.
— The only real laugh I’ve gotten from Cheri’s Marla Maples commentary so far was her remark about her “Park Avenue cooch”.
STARS: **½


MUSICAL PERFORMANCE
Dr. Dre & Snoop Dogg perform “Still D.R.E.”


MCMULLINS HOUSE
between visits from trick-or-treaters, dentist (NOM) & wife (CHO) fight

— I like Cheri’s dancing to the Ghostbusters theme music.
— Cheri greets one trick-or-treating child by saying “Is that little Lori Nasso?”, an inside reference to an SNL writer with that name.
— Cheri to Norm: “I rue the day I ever uncrossed my legs for you.”
— Norm has some great barbs during his and Cheri’s various tense arguments.
— I like how one of the trick-or-treating kids is dressed like Austin Powers. Some of the other trick-or-treating costumes seen throughout this sketch provide a nice time capsule for 1999, especially the Pikachu and Jar Jar Binks costumes.
— Tracy makes his only appearance of the night being stuck in his usual useless bit role where he only gets one measly line. We’re THREE episodes into season 25, and Tracy has made only two appearances all season so far, and only one of those appearances was a noteworthy role where he got more than one line. Man, thank god this season’s Garth Brooks/Chris Gaines episode is coming up very soon, because Tracy desperately needs it at this point. (You’ll know why I’m saying that if you remember a certain famous and important piece Tracy does in that episode.)
STARS: ***


BAR
newly-single Michael Jackson (TIM) & Howard Stern (JIF) commiserate

— Given his many ruthless-but-hilarious homosexual pedophile jokes about Michael Jackson on Weekend Update back in the day, I love the idea of Norm playing a bartender having a chat with a depressed, recently-divorced Michael Jackson.
— Hmm, turns out Norm’s just playing a generic friendly bartender. This sketch would be FAR better if it had Norm just going full-on Norm, by riffing hard on Tim’s MJ all throughout the sketch.
— Very funny gag with MJ unintentionally showing Norm his “Macaulay” tattoo when attempting to show him a tattoo of his ex-wife’s name.
— For some odd reason, right in the middle of his story, Tim’s MJ randomly goes “So I says to the nurse, I says, I says…”, which appears to be an ad-libbed reference to a semi-famous Chris Farley bit. Norm cracks up uncontrollably after this apparent ad-lib of Tim’s.
— An interesting tidbit about the appearance from Jimmy as an about-to-be-divorced Howard Stern is that it was a last-minute addition to this sketch. News of Howard Stern’s divorce came out earlier the same day of tonight’s episode, and thus, SNL must’ve figured it would be fitting to throw in Jimmy’s Stern at the end of a sketch that’s already about a celebrity divorce. In fact, some SNL reviewers back at this time in 1999 have said that they didn’t even know about Stern’s divorce until watching this sketch. Some people, to this day, have a hard time telling who Jimmy is even supposed to be playing here, especially since his Stern is never mentioned by name within this sketch. It doesn’t help that Jimmy sounds like he’s inexplicably using a hint of an English accent for his Stern. I’m hearing some of Jimmy’s John Lennon in there. Sorry, Jimmy, but Michael McKean still remains the unquestioned SNL master of the Howard Stern impression.
— It looks like Tim made another ad-lib right now in an attempt to get Jimmy to crack up the same way he made Norm crack up earlier in this sketch, but Jimmy surprisingly keeps a completely straight face and stays in character. It’s not very often you’ll be hearing me say that about Jimmy as his SNL tenure progresses.
— The ending felt weak.
STARS: **½


MUSICAL PERFORMANCE
Dr. Dre & Eminem perform “Forgot About Dre”


INSIDE THE ACTORS STUDIO
James Lipton (WIF) rankles Clint Eastwood (NOM)

— The debut of the Inside the Actor’s Studio sketches.
— A hilarious blank open-mouthed look on Will-as-James-Lipton’s face when this sketch begins (the first above screencap for this sketch).
— Nice detail of a huge stack of index cards that Lipton is using for this interview.
— I’m liking Norm’s Clint Eastwood impression, which we previously heard a brief voice-only sample of in the great In The Line Of Fire sketch from John Malkovich’s season 19 episode.
— Will’s absurd characterization of his James Lipton impression is freakin’ priceless.
— A very funny dark story from Eastwood about Lipton having his teeth kicked in while sleeping.
— Clint Eastwood, after being asked what he would like God to say to him: “James Lipton is in hell right now being raped by the devil.”
— Ha, just now, Norm has dropped three more unscripted “goddamn”s, after he did so once earlier tonight in the monologue. Unsurprisingly, all of his “goddamn”s in tonight’s episode would later be muted out in reruns.
— Overall, a fantastic debut for the Inside the Actor’s Studio sketches, though in my opinion, there are even more memorable installments of this sketch to  come.
STARS: ****½


CHESS FOR GIRLS

— A rerun… from TWO SEASONS AGO.
— Due to taking time off from SNL this week to film the live-action Grinch movie, Molly has not been seen at all in tonight’s episode (I believe that’s part of the reason Rachel Dratch made her on-air debut tonight), until this re-aired old commercial. I guess SNL’s re-airing this just to say Molly was in SOMETHING tonight, even though her appearance in this commercial is just a VERY brief walk-on. Odd how SNL had to go all the way back to season 23 just to find a pre-taped commercial that Molly appeared in. Was she seriously not in ANY pre-taped season 24 commercials? The only one that comes to mind right now is that Teeny Weenies commercial, but I think it was based on a then-current news story, and thus, was too topical to be re-aired in a season 25 episode. If they HAD to re-air a season 23 commercial that Molly was in, why not one that she appeared in for more than two measly seconds? Lemon Glow? The “I’m #1” hat commercial?


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— As expected for a Norm Macdonald episode, this was very solid as a whole, mainly because of the first 1/3rd of the show, which was INCREDIBLE in my eyes. That portion of the show consisted of a very long string of sketches that I gave a high four-or-five-star rating to. After that, the quality cooled down for the remainder of the show, until we got a very strong Inside The Actor’s Studio sketch towards the end of the night. Norm Macdonald did not disappoint as a host, and it was wonderful to see him getting his chance in the host spotlight tonight.
— Felt like we barely saw most of the cast members tonight. Even the usually-dominant Will Ferrell was only in 3 sketches. Chris Kattan, Horatio Sanz, AND, as mentioned earlier, Molly Shannon were all absent tonight. Very rare to have an episode where THREE cast members aren’t in any sketches. There’s a common misconception that the reason for Kattan’s absence in this episode is that he refused to even show up this week due to the well-documented animosity between him and Norm. That’s incorrect, as according to an online dress rehearsal report I remember reading years ago from an SNL fan who was in the audience at this episode’s dress rehearsal, Kattan was in at least one dress rehearsal sketch that got cut from the live show, though I can’t remember any details given about the sketch. (I do remember the details given about another cut sketch from this episode, in which Norm reprised his Bob Dole impression, portraying him this time as hopped up on Viagra and eagerly awaiting sex with his wife Elizabeth, played by Ana Gasteyer. At one point in the sketch, Norm reportedly ad-libbed towards Ana’s Elizabeth, “Hurry up! Bob Dole’s about to fuck the couch!”)


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS

 


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Heather Graham)
a fairly big step up


My full set of screencaps for this episode is here


TOMORROW
Dylan McDermott

October 26, 1996 – Dana Carvey / Dr. Dre (S22 E4)

Segments are rated on a scale of 1-5 stars

LARRY KING LIVE
Ross Perot (DAC) & other third-party candidates

— Feels very odd to see Will playing Larry King, especially knowing that Norm takes over the impression later this season and would do a definitive take on him.
— A welcome sight to see Dana’s Ross Perot impression back.
— Will’s Larry King impression is reminding me a lot of Kevin Nealon’s impression of him.
— A funny bit from Perot about how we all love the visual of dictators.
— Hmm, Mark playing an insignificant role who’s lines always get cut off by a more popular performer. Sadly, this is unintentionally a spot-on representation of Mark’s time on the show this season.
— Chris playing a candidate from the Female Circumcision Party is really funny.
— While Dana’s Perot is making me laugh as usual and is selling this as best as he can, this cold opening is going on pretty long for something that’s thin on material.
STARS: ***


MONOLOGUE
DAC & his recurring characters sing “I Like To Be These People For You”

— Wow, that has to be THE longest ending note the SNL Band has ever played at the end of an episode’s theme music.
— I like Dana saying “I got wig hair, man!” when pointing out how unkempt his hair looks from the quick change he went through between the cold opening and monologue.
— Dana’s doing such a great job making funny little ad-libbed asides towards the audience. I had forgotten how great he is at improvising like that.
— A funny “I’m in denial” aside from Dana right after he claims he’s hosting because he currently has a hit show on ABC that follows Home Improvement.
— I absolutely love Dana’s song featuring various popular SNL characters and impressions of his. Very fun.
— The song gets even funnier when it gets to the point where Dana starts falsely claiming that among his SNL characters are Mr. Uneven Sideburns (a non-existent character), Eddie Murphy’s Buckwheat, and Cheri’s Cheerleader character.
— Wow, what a visual of Dana dancing with all of his characters.  Impressive special effects on SNL’s part.
STARS: ****½


HEY, REMEMBER THE 80’S
George Michael (DAC) & Joseph Hazelwood (MAM)

— Not excited to see this sketch become recurring.
— At least we get the return of Dana’s George Michael impression. Interesting seeing his George Michael have a more modernized look compared to the 80s version of George Michael that Dana used to always play.
— Boy, Jim seems to be going PARTICULARLY heavy on the goat-braying sounds in tonight’s installment. Sorry, Jim, but it’s not making this tepid material any funnier.
— Some laughs from George Michael going on about the power of his butt.
— A big laugh from Goat Boy biting into George Michael’s butt when hearing a high-pitched tone from it.
— A wild, out-of-control melee with Goat Boy going nuts with the prod that he snatches away from the scientists. Decent way to end this sketch. That ending and the aforementioned bit with Goat Boy biting into George Michael’s butt are ALMOST enough to save this entire sketch.
STARS: **½


THE BARBARA WALTERS SPECIAL
Elizabeth Dole (ANG) lauds her husband

— An interesting Ana Gasteyer showcase.
— I love Cheri-as-Barbara-Walters’ delivery of “Will somebody get me a towel? I’ve just been doused with a bucket of southern comfort!”
— Cheri’s Barbara Walters is developing more and more into the version that SNL fans today are familiar with.
— Ana’s Elizabeth Dole trying to get more and more comfortable throughout the interview (slipping into fuzzy bunny slippers, unbuttoning her skirt, drinking beer, etc.) is providing pretty good laughs. This sketch is a solid early use of Ana.
STARS: ***½


BROKAW PRE-TAPES
Tom Brokaw (DAC) pre-tapes news to cover Gerald Ford death contingencies

— A very popular SNL sketch, one that I hear was originally performed on Dana’s short-lived ABC show.
— There’s Dana-as-Tom-Brokaw’s first utterance of a line that would be ingrained into the brain of hardcore SNL fans: “Gerald Ford dead today…”
— The increasingly outlandish death scenarios for Gerald Ford are priceless. Some of my favorite Ford death scenarios are overdosing on crack cocaine, eaten by wolves, and strangled to death by Richard Nixon’s corpse.
— During the aforementioned “eaten by wolves” part, I love Brokaw adding in the detail “He was delicious”, then when Brokaw questions why he said that, the off-camera director responds “He’s a former president, Tom. What are you saying, he’s not delicious?”
— The director telling Brokaw “Fine, we’ll get Stone Phillips to do it” reminds me that SNL would later do a sketch in a bit of a similar vein to this with Rob Lowe as Stone Phillips taping various intros for Dateline NBC.
STARS: *****


WEEKEND UPDATE
Joe Blow talks about decadent behavior he witnessed in Yankee Stadium

— A rare miss for an O.J. joke from Norm. I’m not even sure how this particular one was even supposed to be funny.
— Joe Blow makes his first appearance of the season.
— Did Colin lose weight since season 21? He looks thinner here.
— As always, some really funny ranting from Joe Blow. I especially love him detailing the odd way he and his brothers used to eat hot dogs when they were kids.
— Okay, we now get a better O.J. joke from Norm.
— I like the oddly awkward way tonight’s Update ended, as if Norm was surprised this was the end of Update.
STARS: ***½


MUSICAL PERFORMANCE
musical guest performs “Been There Done That”


CHURCH CHAT
Church Lady judges O.J. Simpson (TIM) & Madonna (MOS)

— Church Lady makes her SNL return for the first time since Dana publicly announced his retirement of her on SNL in February 1991. Feels nice to be able to review a Church Chat sketch for the first time since season 16.
— Fun to see Church Lady interviewing more modern (for 1996) celebrities, which is something that’s always interesting to see whenever Dana brings this sketch back in his post-cast member days.
— Decent song at the end.
STARS: ****


BOB DOLE’S TIME TUNNEL
the future visits young Bill Clinton (DAC)

— Fantastic concept. I love the idea of this sketch.
— Wow, it feels weird seeing Dana playing Bill Clinton on SNL.
— Hilarious visual of Norm’s Dole dressed as a hippie.
— Interesting seeing Dana’s young Clinton and Darrell’s modern Clinton side-by-side.
— Funny ending with a callback to Chris’ Female Circumcision Party candidate character from the cold opening.
STARS: ****


HALLOWEEN
Rita Delvecchio receives trick-or-treaters & battles Halloween pranksters

— I always like this Rita Delvecchio character. There’s a realistic, slice-of-life aspect to her that I enjoy.
— A meta turn, with two trick-or-treaters dressed as SNL’s Spartan Cheerleaders, which shows what a huge part of pop culture those two characters had become. This portion of the sketch gets even more meta with Cheri’s Rita saying in regards to the Cheerleaders “If I see that freakin’ skit one more time, I’m gonna put my foot through the TV”, echoing the complaints of some SNL fans (including myself).
— The Madonna bit is pretty funny.
STARS: ***


JOHNNY CARSON AND PHIL DONAHUE: THE RETIREMENT YEARS
retirees Phil Donahue (DAH) & Johnny Carson (DAC) look for latter’s keys

— A fun use of Dana’s Johnny Carson and Darrell’s Phil Donahue, and it’s interesting seeing them in a normal setting, outside of their usual talk shows.
— As usual, some great run-on ranting from Darrell’s Donahue.
STARS: ****


RUSSELL & TATE
attorneys Russell (TIM) & Tate (TRM) have the means to get you your money

— Nice to see Tim and Tracy paired together for the very first time. This is also Tracy’s very first really meaty role in a live sketch.
— Some really funny lines from Tim and Tracy regarding how they’re gonna “git’cho money”.
STARS: ***½


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— The first strong episode of the season. This was as solid and fun as a Dana Carvey episode can be expected to be. Almost every single sketch was enjoyable, several were great, and one was a true classic (Brokaw Pre-Tapes). Even the weakest sketch, Hey Remember The 80’s, was slightly more tolerable than the usual installments of it.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Bill Pullman)
a big step up


My full set of screencaps for this episode is here


TOMORROW
The second of five consecutive episodes hosted by a former cast member. This time, it’s Chris Rock, with special guest Dana Carvey (yes, you read right).