April 21, 2007 – Scarlett Johansson / Bjork (S32 E18)

Segments are rated on a scale of 1-5 stars

WHITE HOUSE PRESS CONFERENCE
evasive George W. Bush (JAS) lets Chuck Schumer-on-tape [real] start show

— At least this is a President Bush press conference that has him interacting with reporters instead of delivering a barely-funny straight-to-camera speech once again.
— Jason-as-Bush’s random nicknames for the reporters are increasingly funny.
— This cold opening is dying for me during the back-and-forth between Jason’s Bush and Maya, and the audience apparently agrees with me, judging from their silence.
— Meh at the bit with the brainteasers book.
— Even the nicknames bit that I praised earlier in this cold opening has now gotten old.
— Kristen’s list of demands has some funny lines, and is being well-delivered by her.
— Jesus Christ, this cold opening has been going on for eight minutes. EIGHT FUCKING MINUTES, PEOPLE! That is absolutely ridiculous for something that contains material as scant and weak as this. I’m sure I’ve said this before, but it bears repeating: Jim Downey is given WAY too much free rein during these past-his-prime years of his SNL run. Lorne needs to realize that this is long past the days where Downey’s political writing was always reliable.
— An extremely random pre-taped Chuck Schumer cameo, just there to say “Live from New York…”.
STARS: *½


MONOLOGUE
host cheers Sanjaya Malakar (ANS) with “Something To Talk About” duet

— The return of Andy’s topical Sanjaya impression.
— Meh, a musical monologue.
— Some fairly interesting and impressively-fast hair changes from Andy all throughout the song. Not sure how they’re pulling those changes off so quickly. Unfortunately, that’s the only semi-interesting thing going on during this song.
STARS: *½


LIVE WITH REGIS & KELLY
Ivanka Trump (host) plugs away

— Wow, they haven’t done this sketch in years. The last time it appeared was when Donald Trump hosted (*shudder*) back in season 29. This also ends up being the final Regis & Kelly sketch that has Darrell and Amy. There would later be at least one Regis & Kelly installment with different performers playing the roles.
— Funny cutaway to Fred as Howie Mandel on standby in case Regis can’t go on with the show. And at least this means SNL refrained from having Chris Kattan do another cameo as Gelman, or resort to giving the Gelman role to a current cast member (I still can’t believe they stuck Rachel Dratch with that role last time this sketch appeared.)
— Speaking of Donald Trump, it feels kinda odd in retrospect seeing Scarlett debut her Ivanka Trump impression 10 years before it would become a regular role she’d play on SNL.
— Amy’s crying as Kelly Ripa right now actually looks very convincing.
— Okay, the cutaways to Fred’s Mandel are way too frequent. It ain’t funny anymore.
STARS: ***


PROM DRESS SHOPPING
Virginiaca helps stepdaughter (host) shop for hootchie-worthy prom dress

— Ugh, another Virginiaca sketch. And she’s now getting recognition applause from the audience?
— I once again ask: how many white stepdaughters does this character have?
— Once again, I can find nothing to really say during this sketch, except it’s the usual insufferable Virginiaca tripe.
STARS: *


ROY RULES!
ANS has more than a mancrush on his brother-in-law

— Interesting seeing Lonely Island take on 70s/80s heavy metal for once instead of the music genres they typically cover.
— Good use of SNL writer Bryan Tucker.
— The “24/7 69” lyric was very funny.
— I love the random, brief key change in the song, with Andy comically singing in a tender manner while playing piano.
STARS: ***½


MIKE’S MARBLEOPOLIS
Chandelier Galaxy scion Lexi (host) touts classiness of marble columns

— The second installment of this series of sketches, becoming a staple of Scarlett Johansson’s early episodes.
— Fred’s distinct, exaggerated, New York-accented delivery of “Maww-ble cahh-lums” is probably his funniest pronunciation of the product being sold out of all of the installments in this recurring sketch.
STARS: ***½


WIIX NEWS
Michelle Dison’s lesbian leanings resurface during interview with (host)

— The real-life TV station name used in the first installment of this sketch earlier this season, WVIR, has been changed to an apparently fictional TV station name in tonight’s installment: WIIX, which is apparently a play on Kristen’s real-life last name. Presumably, the reason for the change in station names is because WVIR is a Virginia station, and the infamous Virginia Tech school shooting had happened just a few days before this episode, and thus, SNL apparently felt it would’ve been in poor taste to use Virginia’s TV station name during this tragic time.
— It’s mentioned that Kristen’s Michelle Dison character is returning from a leave of absence she had taken for about 6 months, which I assume is continuity from the end of the first installment of this sketch, as that installment aired about 6-7 months prior to this.
— Between the Roy Rules short and Kristen’s bi-curious tendencies in this sketch, there seems to be a bit of a theme going on in tonight’s episode.
— I love Scarlett’s taken-aback delivery of “I…I don’t know what’s going on” when bombarded with a whole bunch of friendly-but-way-too-forward offers from an awkwardly flirtatious Michelle Dison.
— The random cat attack ending felt very inferior compared to the bird poop ending from the first installment of this sketch.
— Overall, this was basically just a re-write of the first installment of this sketch. It still worked for me, mostly due to Kristen’s good execution of the material, but this installment paled in comparison to the first installment.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Earth Intruders”


WEEKEND UPDATE
incredulous SEM & AMP say “Really!?!” to Alberto Gonzales’ amnesia

for Earth Day, WLF sings about the wonderful planet we live on

— Two big changes of pace right out of the gate in this Update: Amy’s hairstyle, and Seth getting to deliver the opening joke for, I believe, the first time ever.
— Boy, Bryan Tucker is getting lots of face time tonight (the third above screencap for this Weekend Update).
— Good to see the “Really?!?” segment from earlier this season return.
— Much like the last “Really?!?” prior to this, we get some more great barbs from Seth and Amy, though these aren’t as memorable as the ones from the Michael Vick-themed “Really?!?” from earlier this season.
— Yes! Another Will Forte Update song!
— Like Will’s last Update song prior to this, he gets assistance from a guitar-playing Fred.
— Very funny lyrics from Will about what bad things he does towards the planet.
— Pretty funny turn in Will’s song with him now singing the praises of the movie Battlefield Earth.
— Pretty nice hearing the audience get involved in clapping the beat of Will’s song.
STARS: ***


KUATOS
male (ANS) & female (host) Kuatos gross out dinner guests (FRA) & (AMP)

— This is now the THIRD recurring sketch tonight that debuted in this season’s Jaime Pressly episode. (The other two being Virginiaca and Michelle Dison.) I remember when tonight’s episode originally aired, I worriedly asked myself during this Kuato sketch, “What next? The return of that godforsaken Big Wigs sketch?”
— Not sure we needed to see a second installment of this Kuato thing. I still don’t know what to make of the first installment of it.
— Scarlett as a female Kuato? Meh.
— So far, I don’t think I’ve laughed a single time during this sketch yet.
— Fred: “I do NOT like where this is going.” That makes two of us, knowing in retrospect what this sketch is leading up to.
— Aaaaand there it goes. Why has this sketch suddenly turned into Rookie Cop 2.0, with the chain reaction of vomiting? The original Rookie Cop sketch is actually a guilty pleasure of mine, as fully disclosed in my review of it, but I certainly didn’t need this Kuato sketch to turn into some kind of pale version of it.
— Ugh, as if the parade of vomiting wasn’t bad enough, now SNL throws another appearance from Darrell’s fucking Ahnuld impression at us to close out this mess.
STARS: *


NEWS MAKERS WITH JANE PAULEY
Jane Pauley (KRW) interviews stars of viral online videos

— Shortly into the small scene with Fred as the dancing little person, I got a laugh from Kristen’s Jane Pauley just saying “Aaaaaand let’s just end the interview there.” Speaking of which, according to Fred in a blog he had on NBC.com’s SNL site back around 2007/2008, the dress rehearsal version of this sketch had MULTIPLE cutaways to him as the dancing little person all throughout the sketch. Fred was bummed to learn after dress rehearsal that SNL was cutting down the number of his scenes in this sketch to just one. I think SNL did us a favor with that decision.
— I love Kristen’s Jane Pauley questioning the bad puns she’s reading off the teleprompter.
— Boy, I haven’t seen that Grape-Stomping Lady video in ages.
— Another blast from the past, with Will’s spoof of the Star Wars Kid video that was popular back in this era.
STARS: ***


TV FUNHOUSE
“Torboto” by RBS- at Guantanamo Bay, torturing robot does the dirty work

— Damn, that is a great theme song.
— A spoof of the old Anime series Gigantor, which I’m not all that familiar with, though I’m at least familiar enough with its animation to know that this spoof is doing a spot-on imitation of that animation.
— The Amish part was pretty funny.
— All of the torture the robot is doing to the prisoners feels like a poor man’s version of the Shazzang cartoon from the Will Ferrell-hosted season 30 episode.
— I don’t get the cat/tree/reassignment thing Torboto did at the end of this.
— Overall, I’m pretty meh on this. Aside from the classic Maraka cartoon, Robert Smigel hasn’t had a good track record lately as we head towards the end of his TV Funhouse run on SNL.
STARS: **


MUSICAL PERFORMANCE
musical guest performs “Wanderlust”


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— An off episode, and the first episode I disliked in what feels like a long time (which at least shows how well this season had been going). Among the problems of this episode: none of the sketches stood out to me as strong (the highest rating I gave out was just a mere three-and-a-half stars, though I may soon change the Roy Rules rating to four stars, as I’m having a hard time deciding which rating I personally feel it deserves), there was a lot of unnecessary rehashing of about 30% of the sketches from the not-all-that-great Jaime Pressly episode, some of the non-recurring stuff was also weak, and the overall show had a very forgettable feel. Not a particularly awful episode, but mediocre for this season’s standards.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Shia LaBeouf)
a big step down


My full set of screencaps for this episode is here


TOMORROW
Molly Shannon

October 18, 1997 – Brendan Fraser / Bjork (S23 E3)

Segments are rated on a scale of 1-5 stars

JANET’S BEDROOM
in her bedroom, girlish Janet Reno (WIF) has a Bill Clinton (DAH) fantasy

— A funny childlike scenario for Will’s Janet Reno. Also a humorous detail with the Jonathan Taylor Thomas poster on her wall in the background.
— I love Reno’s line “I have nails for dinner, and for dessert, I eats A-bombs! Aoow-oww!”
— Interesting voice that Tim is using as John Conyers.
— John Conyers: “What are you going to wear to the justice department?” Janet Reno: “My one blue dress.”
STARS: ***½


OPENING MONTAGE
— The new theme music from the first two episodes of this season has been replaced with a different one tonight, which is the one that will be used for the remainder of this season. This new theme music fits this opening montage decently enough, but I personally have never cared much for this music, which I guess is even more fitting, since I don’t care for this opening montage.


MONOLOGUE
(no synopsis available)

— Interesting out-of-the-ordinary entrance from Brendan Fraser, with him entering by swinging on a rope, ala George of the Jungle.
— I’m enjoying this monologue’s unconventional, laid-back premise of Brendan just listing off the many things he likes, especially when his likes start getting random and absurd.
STARS: ***½


LEMON GLOW
Lemon Glow floor cleaner convinced wild (MOS) to settle in suburbia

— A solid Molly Shannon showcase, and lot of laughs from how her details of her disturbing, troubled past is being interspersed with dissonant shots of her pleasantly showcasing the shine that Lemon Glow is giving her floor.
— Great detail with the seedy tattoo being seen on Molly’s arm.
STARS: ****


XENA: WARRIOR PRINCESS
fight between Xena (MOS) & Urswina (host) contains hints of lesbianism

 

— I’m liking Ana’s performance as Gabrielle.
— A funny opening spiel from Brendan when he makes his entrance.
— A classic blooper right now, where Molly accidentally yanks off Brendan’s wig, and Brendan, after getting thrown to the floor, frantically tries to put his wig back on in a hurry. This blooper causes both Brendan and Molly to uncontrollably laugh their way through the rest of the sketch. Without this great blooper, this would be a forgotten sketch.
STARS: ***


ISSUES
stoners (host) & Jeff (JMB) lose focus when topic’s not legal pot

— After two seasons of Joe Pesci and Goat Boy, Jim attempts a new recurring sketch, in a role that he was born to play: a stoner.
— I’m aware that Brendan’s giggling is purely in character, as he’s playing someone who’s high, but I wonder if some of it is genuine leftover giggliness from the Xena wig blooper that happened mere minutes ago.
— Accurate stoner characterizations from Jim and Brendan.
— I got a laugh from Brendan’s line “Bake sale? I’ll be there.”
STARS: ***


THE DELICIOUS DISH
Margaret Jo & Terry talk gourds with controversial squash expert (host)

— Very scattered recognition applause from the audience at the beginning of this.
— Amusing bit with Ana and Molly looking at vacation photos that we can’t see, while making very vague comments about them.
— A laugh from Brendan’s passing mention of his squash-inspired haikus.
— I love Ana’s playful “We can get in a lot of trouble for this show; I hope the censors aren’t listening” line after Brendan brings up something very tame and innocent.
— Very funny how the trivia segment is only one question, which Brendan already answered earlier in the sketch.
— For the very first time, a Delicious Dish sketch has a caller that’s NOT Cheri or the recently-departed Mark McKinney. This time, it’s Tim.
— Overall, one of the better installments of the always-good Delicious Dish.
STARS: ****


THE GOLORDS
Golords beat robots but fail to save NYC from Bill Gates’ nuclear warhead

— I’m surprised to see this so early in tonight’s episode, considering its debut in the preceding episode aired towards the end of the show, and that’s where I remember most of these Golords films airing.
— I didn’t realize until now how catchy that Golords theme song is.
— I got a huge laugh from the male Golord telling Bill Gates “Hands up, dickweed!”
— Another laugh-out-loud line, this time from Bill Gates bragging “I use $100 bills to wipe my ass!”
— Very funny scene with the female Golord trying to make the robots go haywire by taking off her clothes, suggestively eating a banana, and washing a car.
— Odd fourth-wall break with Bill Gates pandering to the live SNL audience by praising New York City’s crowd, resulting in SNL’s audience being heard cheering in response. Not sure what the point of that is, unless it’s a reference to something Bill Gates said in real life.
— Overall, The Golords continue to be a solid new addition to this season.
STARS: ****


MONDAY NIGHT FOOTBALL
Frank Gifford (DAH) mixes NFL & personal matters; Eric Dickerson cameo

— There are some laughs from Darrell’s Frank Gifford ranting endlessly in a professional sportscaster voice about problems in his personal life, but this sketch is pretty one-note.
— When talking about problems he has with his wife Kathie Lee (who’s identity he thinly hides here by substituting her name with “the Jacksonville Jaguars”), I like Frank Gifford’s passing reference to “that K-Mart sweatshop thing”.
— Boy, Eric Dickerson’s cameo has been met with DEAD SILENCE from the audience.
STARS: **


PHARMACY
Colette Reardon explains her medication needs to pharmacist (host)

— Cheri’s Colette Reardon character officially becomes recurring.
— I like this character of Cheri’s, but is it necessary to have her second appearance be in the exact same pharmacy setting that her first appearance was in? Seems kinda lazy. At least in her subsequent appearances, they place her in different settings, such as Weekend Update, her home, and a school classroom.
— When seeing Brendan’s pharmacist character, Colette asks “Where’s Cliff?” I wonder if Cliff is the pharmacist that John Goodman played in the first installment of this sketch. If so, at least we’re getting some continuity in this recurring sketch.
— Brendan: “What kind of dog is he?” Colette Reardon: “He’s an amputee.”
— Colette Reardon on her menopause: “Menopause, you know, meaning no chance of gettin’ pregnant.” Brendan: “I think that’s good news for all of us.” Colette Reardon: “Ha ha haaaa! Yeah!” Brendan: “I’m serious.”
STARS: ***½


WEEKEND UPDATE
Harry Caray’s (WIF) World Series analysis mostly deals with team mascots

— Boy, Norm’s first few jokes tonight are getting a very tepid audience reaction. However, their reaction isn’t quite as bad as I had remembered. My memory of this Update had Norm’s first two jokes getting literally ZERO laughs from the audience.
— Weird seeing Will’s Harry Caray appearing for the second consecutive episode, though he has an excuse to appear tonight, with that year’s World Series going on.
— As always, tons of funny kooky lines from Harry Caray, especially the whole bit regarding scalps and Indians.
STARS: ***


MUSICAL PERFORMANCE
musical guest performs “Bachelorette”


BIOGRAPHY
Jack Perkins (DAH) drinks during Courtney Love (MOS) profile

— Darrell’s drunken Jack Perkins is always worth some laughs. I worry, though, that this joke might get a little old if they do one more Biography sketch, but IIRC, the only remaining Biography sketch is a bit of a different one where Darrell’s Perkins is bitter because he’s being replaced by a new host, Harry Smith, and thus, Perkins does a very slanderous biography on Smith.
— I love the part with Courtney Love’s mother revealing that Courtney invented crack as a child.
— Funny contradictions between Courtney and Brendan’s respective interviews regarding Courtney’s stint as a stripper.
— Haha, holy hell at Jack Perkins’ line “They call that shotgunning a beer… and it was a shotgun that Courtney’s husband Kurt Cobain used to BLOW HIS HEAD OFF!”
— I never can get enough Frank Sebastiano sightings on SNL (the sixth above screencap for this sketch).
Wait, former SNL stage manager Joe Dicso?!? (the last screencap above) What’s he doing here? I thought he left after season 21. And no, his (pre-taped) appearance in this Biography sketch isn’t a clip from the Courtney Love Show sketch that he appeared in back in the Christine Baranski episode from season 21. Even though he gets wildly kissed by Molly’s Courtney Love in both this sketch and the season 21 Courtney Love Show sketch, they’re both different scenes. Maybe this scene is from a cut dress rehearsal sketch from back when Dicso was still working at SNL? That’s the only explanation I can think of.
— The ending felt a little abrupt. I was expecting more scenes.
STARS: ***½


MANGO
(host) becomes obsessed with enigmatic male stripper Mango (CHK)

— Ohh, boy. Right from the start of this sketch, I can already tell which dreaded character is about to enter.
— Yep, there he is. Ladies and gentlemen, we have a major recurring character debut! I feel wrong for saying that with an exclamation point, as if I’m excited about that. It’s merely a catchphrase of mine that I copy-and-paste whenever I reach the debut of a particularly big recurring character, whether the character is good or bad.
— As I often do when covering the debut of this era’s most polarizing recurring characters, I’m going to approach this Mango debut by treating it as a standalone sketch, pretending that I’m unaware it’s the first of a series of sketches.
— I do like Brendan’s befuddled facial expressions when Mango is seducing him.
— Aaaaand the sketch is now over, with me having said practically nothing about it. Geez, even in its first installment, this Mango sketch already wasn’t good. I will admit that I did kinda appreciate what the format and narrative of this sketch was going for, but it just wasn’t very funny or entertaining. I did notice, though, that Chris’ take on Mango was lower-key here compared to how exaggerated and cartoonish his characterization of Mango would gradually become over time.
STARS: **


THE SHARK CHANNEL
Shark Channel programming only partially reflects network’s implied focus

— I’m enjoying the absurd escalation from normal shark programming to increasingly un-shark-like programming, especially the shark-themed teen pregnancy show.
STARS: ***½


BUDDY SONGS
creeped-out cast watches as host sings about his new best friend WIF

 

— Very interesting premise, and I almost always like the rare times that post-1985 SNL has a sketch that takes place on the home base stage. That was much more common in SNL’s first 10 seasons.
— Geez, I keep forgetting that Colin is even a cast member this season. He’s JUST NOW making his first and only appearance of the night, in a small supporting role in this 10-to-1 sketch, and he’s obviously only appearing in this because it’s a (sorta)full-cast sketch. Will somebody please remind me why SNL promoted him to repertory player this season? We’re three episodes into this season, and he has done jack squat except for that Friends sketch from the preceding episode. Hell, I think he got more airtime back when he was just an occasionally-credited featured player.
— But hey, at least Colin’s actually appearing tonight, which is more than I can say for poor Tracy, who isn’t in ANY sketches tonight (which is something he’ll sadly have to get used to these next few seasons, as this is far from the last time this will be happening to him). Hell, Tracy gets far more face time during this episode’s goodnights than he does during the actual show, which reminds me of a certain important Weekend Update commentary he would do as himself in the very next episode (you’ll find out what commentary that is when we get to it).
— I’m loving this sketch, and there’s a lot of amusement from Brendan’s sappy buddy song. And something about the simplicity, innocence, and friendliness of the song lyrics make this sketch feel connected to Brendan’s “Things I like” monologue from earlier tonight.
— Great touch during the song with Will just sitting there with a frozen smile on his face the entire time while having his hand placed on Brendan’s leg.
— When the camera pans across each cast members’ disturbed facial reaction to the song, I love how the shot ends on Norm with a big gleeful smile on his face. (Unfortunately, this “camera panning across a group of people who are weirded-out by what they’re witnessing, except for one individual who’s actually enjoying it” gag would go on to be overused in later SNL eras.)
— Funny line about Colin’s Hip Hop Napoleon sketch getting cut.
— Norm’s very awkward delivery of his line about growing apart from his buddy is unintentionally hilarious in the way that only Norm could make it.
— More laughs from Norm, this time with his badly out-of-sync attempt to sing in harmony with Will and Brendan.
STARS: ****


GOODNIGHTS


IMMEDIATE POST-SHOW THOUGHTS
— A good episode. A lot of fairly solid segments, a few great segments, and not too much that didn’t work for me.


MY PERSONAL CHOICE OF “BEST OF” MOMENTS FOR THIS EPISODE, REPRESENTED WITH SCREENCAPS

 


HOW THIS EPISODE STACKS UP AGAINST THE PRECEDING ONE (Matthew Perry)
a mild step up


My full set of screencaps for this episode is here


TOMORROW
A near-death Chris Farley